|
Saenghwang
The saenghwang is a Korean wind instrument. It is a free reed mouth organ derived from (and quite similar to) the Chinese '' sheng'', though its tuning is different. It is constructed from 17 bamboo pipes, each with a metal free reed, mounted vertically in a windchest. Traditionally the saenghwang's windchest was made out of a dried gourd but it is now more commonly made of metal or wood. In contrast to other Korean traditional instruments, it is not well known today, even in Korea, and very few musicians are able to play it. It is used primarily in chamber music, usually in combination with instruments such as the danso (vertical flute) and '' yanggeum'' (hammered dulcimer) The instrument was referred to historically as ''saeng'' (). The ''saenghwang'' was used together with other instruments in the early Joseon Dynasty, and was used as an important instrument even in the late Joseon Dynasty. The range is from Hwangjong (黃: E♭) to Cheongnam-Ryo (湳: C). Excluding the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheng (instrument)
The ( zh, c=笙) is a Chinese mouth-blown polyphonic free reed instrument consisting of vertical pipes. It is one of the oldest Chinese instruments, with images depicting its kind dating back to 1100 BCE, and there are original instruments from the Han dynasty that are preserved in museums today. Traditionally, the has been used as an accompaniment instrument for solo or performances. It is one of the main instruments in and some other forms of Chinese opera. Traditional small ensembles also make use of the , such as the wind and percussion ensembles in northern China. In the modern large Chinese orchestra, it is used for both melody and accompaniment. The has been used in the works of a few non-Chinese composers, including Unsuk Chin, Jukka Tiensuu, Lou Harrison, Tim Risher, Daníel Bjarnason, Guus Janssen and Christopher Adler. Some believe that Johann Wilde and Pere Amiot traveled to China and brought the first to Europe in 1740 and 1777 respectively, although th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheng (instrument)
The ( zh, c=笙) is a Chinese mouth-blown polyphonic free reed instrument consisting of vertical pipes. It is one of the oldest Chinese instruments, with images depicting its kind dating back to 1100 BCE, and there are original instruments from the Han dynasty that are preserved in museums today. Traditionally, the has been used as an accompaniment instrument for solo or performances. It is one of the main instruments in and some other forms of Chinese opera. Traditional small ensembles also make use of the , such as the wind and percussion ensembles in northern China. In the modern large Chinese orchestra, it is used for both melody and accompaniment. The has been used in the works of a few non-Chinese composers, including Unsuk Chin, Jukka Tiensuu, Lou Harrison, Tim Risher, Daníel Bjarnason, Guus Janssen and Christopher Adler. Some believe that Johann Wilde and Pere Amiot traveled to China and brought the first to Europe in 1740 and 1777 respectively, although th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korea
Korea ( ko, 한국, or , ) is a peninsular region in East Asia. Since 1945, it has been divided at or near the 38th parallel, with North Korea (Democratic People's Republic of Korea) comprising its northern half and South Korea (Republic of Korea) comprising its southern half. Korea consists of the Korean Peninsula, Jeju Island, and several minor islands near the peninsula. The peninsula is bordered by China to the northwest and Russia to the northeast. It is separated from Japan to the east by the Korea Strait and the Sea of Japan (East Sea). During the first half of the 1st millennium, Korea was divided between three states, Goguryeo, Baekje, and Silla, together known as the Three Kingdoms of Korea. In the second half of the 1st millennium, Silla defeated and conquered Baekje and Goguryeo, leading to the "Unified Silla" period. Meanwhile, Balhae formed in the north, superseding former Goguryeo. Unified Silla eventually collapsed into three separate states due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danso
The ''danso'' (also spelled ''tanso'') is a Korean notched, end-blown vertical bamboo flute used in Korean folk music. It is traditionally made of bamboo, but since the 20th century it has also been made of plastic. It was imported from China in the 19th century, where it is called duanxiao (). The Korean name is the transliteration of the Chinese one, a short variant of the xiao. The flute has four finger holes and one thumb hole at the back. The playing range is two octaves, going from low G to high G. The lower sounds are made by just blowing, whereas the higher ones are made by difference in the strength of the blowing. The tone is clear, and it is also used as a solo instrument, but is mainly used for ensemble with other instruments in chamber music. The ''dan'' in the instrument's name means "short", and ''so'' refers to the notched, end-blown vertical bamboo flute. To match its name, It is the shortest wind instrument played vertically. Another Korean end-blown vertic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yanggeum
The yanggeum is a traditional Korean string instrument. It is a hammered dulcimer. Unlike other traditional Korean instruments (most of which have silk strings), the ''yanggeum'' has metal strings. It is played by striking the strings with a bamboo stick. Yanggeum means a stringed instrument of the West (yang). The yanggeum is also called seoyanggeum ("Western stringed instrument") or gura cheolsageum ("European metal stringed instrument"). The origin of the yanggeum is based on a South asian instrument called the santoor. The Chinese introduced it into Korea in the 18th century. Its body is flat and trapezoidal, with seven sets of four metal strings. The right hand strikes the strings with a thin bamboo strip. See also * Yangqin * Hammered dulcimer * Santur * Santoor The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseon Dynasty
Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens. During its 500-year duration, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally the practitioners faced persecutions. Joseon consolidated its effective rule over the territory of current Korea and saw the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseon
Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens. During its 500-year duration, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally the practitioners faced persecutions. Joseon consolidated its effective rule over the territory of current Korea and saw the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gisaeng
Kisaeng (Hangul: 기생, Hanja: 妓生, RR: ''Gisaeng''), also called ginyeo (Hangul: 기녀, Hanja: 妓女), were women from outcast or slave families who were trained to be courtesans, providing artistic entertainment and conversation to men of upper class. First appearing in Goryeo, were the government's legal entertainers, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework. play an important role in Korean conceptions of the traditional culture of the Joseon. Although the names of most real have been forgotten, a few are remembered for an outstanding attribute, such as skill or loyalty. The most famous of these is the 16th century Hwang Jini. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Joseon")
