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Saeein
"Saeein" (Urdu: سائیں, literal English translation: "Oh Lord") is a song by Pakistani sufi rock band Junoon. It is Junoon's eleventh single and the second from the 1996 studio album '' Inquilaab''. The song is written by lead guitarist, Salman Ahmad and lyricist, Sabir Zafar. Due to the song's popularity, it also featured on the band's fourth studio album '' Azadi'' released in 1997. "Saeein" is one of Junoon's most popular songs, and has been covered numerous times, most notably by Indian singer Harshdeep Kaur. The song marked Junoon's foray into what later became the sufi rock sound that the band is most popularly associated with. The song uses blending rock guitars and bluesy vocals with eastern elements like the use of tablas (traditional south Asian hand drums), raga-inspired melodies, traditional Pakistani folk music, and Eastern inspired poetry. "Saeein" was named at #3 in a list of Junoon's top 10 songs and at #9 among the top sufi rock songs list published by Gibson ...
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Inquilaab (album)
''Inquilaab'' (Urdu: انقلاب, literal English translation: "revolution") is the third studio album and the fourth overall album of the Pakistani band Junoon. Although previous albums by Junoon also achieved considerable success, 'Inquilaab' contained the band's first major hit, the patriotic song "Jazba-e-Junoon". The album also contained the hit " Saeein," which marked Junoon's foray into what later became the sufi rock sound that Junoon is most popularly associated with. Other hits from the album were "Mera Mahi" and "Husan Walo". Background Inquilaab was the first hit album by the Pakistani rock band Junoon, released in 1996. It was also the album which marked the beginning of a new genre of Pakistani music that Junoon pioneered - sufi rock, which later on became the genre that Junoon is widely recognized by. The track "Saeein" on the album is Junoon's venture into sufi rock. The album's only single, "Jazba-e-Junoon" was a huge success all over the country and was the ...
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Azadi (album)
''Azadi'' (Urdu:آزادی, literal English translation: "freedom") is the fourth studio album and the fifth overall album of the Pakistani sufi rock band, Junoon. The album was released in 1997 and established the Sufi rock sound that the band pioneered on their previous album, Inquilaab. The album was popular worldwide, bringing fame to Junoon. Music videos were released for the two singles from the album, "Sayonee" and "Yaar Bina". "Sayonee" is Junoon's biggest hit to date, topping all charts in South Asia and also gaining significant airplay on satellite channels across the Middle East. The album sold 1million units in India alone. Background Azadi was released by Junoon in 1997 and was the band's debut album in India. The album's first single, "Sayonee", became an instant hit in South Asia and the Middle East, shooting to the top of all the Asian charts, and staying at #1 on both Channel V and MTV Asia for over 2 months. Azadi hit platinum sales status in a record of 4 ...
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Junoon (band)
Junoon ( ) is a Pakistani sufi rock band from Lahore, Punjab, Pakistan, and Tappan, New York, formed in 1990. The band is directed by founder, lead guitarist and songwriter, Salman Ahmad, who was soon joined by keyboardist Nusrat Hussain, bass guitarist Brian O’Connell and vocalist Ali Azmat. Junoon is Pakistan's and one of South Asia's most successful bands.Junoon featuring Salman Ahmad: The U2 of the Muslim World
Retrieved on 30 May 2010
Since their inception, the group has released a total of nineteen albums: seven studio albums; one soundtrack; two live albums; four video albums; and five compilations. They have sold over 30 million records worldwide. Pioneers of



Sayonee
''Sayonee'' ( ur, ) is a song by the Pakistani sufi rock band Junoon, released in April, 1997. It is the first track from the band's fourth album, '' Azadi'' (1997), released on EMI Records. Written by lead guitarist and founder of the band Salman Ahmad and writer Sabir Zafar, it is the lead single on the album, the song uses blends of rock guitars and bluesy vocals with traditional musical elements like the tabla percussion drums, Hindustani raga-inspired melodies styled and blended into Pakistani folk music. The unexpected success of "Sayonee" in 1997 propelled ''Azadi'' at the local and international music charts, within three months of the release of ''Azadi'', the album had sold over half a million copies and hit platinum sales status in a record of four weeks. The music video of the single, "Sayonee", was shot by Asim Reza which became an instant hit in South Asia and the Middle East, shooting to the top of all the Asian charts, and staying at #1 on both Channel V and MTV ...
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Kashmakash (album)
''Kashmakash'' (, literal English translation: "dilemma") is the first compilation album and third overall album of the Pakistani rock band, Junoon. It is said to be the first compilation album by a pop band in Pakistan. Junoon was taken to court for the controversy generated by the video for "Ehtesaab", which included footage of a polo pony eating in a posh restaurant. Many thought the image was an indictment of the corrupt Pakistani political elite, and especially of former Prime Minister Benazir Bhutto. The government quickly banned the song and video from state television. Track listing All music written & composed by Salman Ahmad and Sabir Zafar. Personnel All information is taken from the CD. ;Junoon *Salman Ahmad - vocals, lead guitar *Ali Azmat - vocals, backing vocals * Brian O'Connell - bass guitar, backing vocals ;Additional musicians *Female vocals on "Jogia" by Fifi Haroon *Backing vocals on " Ehtesaab" by Najam Sheraz ;Production *Produced by Brian O'Connell ...
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Ehtesaab
"Ehtesaab" (Urdu: احتساب, literal English translation: "accountability") is the second track on the 1995 compilation album ''Kashmakash'' by the sufi rock band Junoon, and is the second single from the album. After the release of the band's first real big hit single "Jazba-e-Junoon", which was the song of the 1996 Cricket World Cup. "Ehtesaab" was their second hit and was released in December 1996. The video of the single was directed by Pakistani director, Shoaib Mansoor. The controversial video release of the song mocked Pakistani politics and led to the video of the song being banned from PTV, Pakistan's State television. The video of the single also featured in BBC film ''The Princess and the Playboy'', an exposé on Benazir's and her husband's reign. In ''Newsweek'', Carla Power dedicated a full-page story to Junoon with the headline "For God and Country." Music video The blunt, hard-hitting "Ehtesaab" video shows Pakistani children working backbreaking menial jobs, ...
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1997 Singles
File:1997 Events Collage.png, From left, clockwise: The movie set of ''Titanic (1997 film), Titanic'', the List of highest-grossing films, highest-grossing movie in history at the time; ''Harry Potter and the Philosopher's Stone'', is published; Comet Hale-Bopp passes by Earth and becomes one of the most observed comet, comets of the 20th century; Golden Bauhinia Square, where sovereignty of Hong Kong is Handover of Hong Kong, handed over from the United Kingdom to the People's Republic of China; the 1997 Central European flood kills 114 people in the Czech Republic, Poland, and Germany; Korean Air Flight 801 crashes during heavy rain on Guam, killing 229; Mars Pathfinder and Sojourner (rover), Sojourner land on Mars; flowers left outside Kensington Palace following the death of Diana, Princess of Wales, in a car crash in Paris., 300x300px, thumb rect 0 0 200 200 Titanic (1997 film) rect 200 0 400 200 Harry Potter rect 400 0 600 200 Comet Hale-Bopp rect 0 200 300 400 Death of Diana ...
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Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in ''qawwali'', '' kirtan'', '' lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Usman Riaz
Usman may refer to: People *Usman (name), a name of Arabic origin. *Hadiza Bala Usman (born 1976), Nigerian activist and politician *Kamaru Usman, a mixed martial artist in the Ultimate Fighting Championship *Usman Janatin, an Indonesian marine executed for murder in Singapore Places *Usman, alternative name of Vezman, a village in Kurdistan Province, Iran *Usman Urban Settlement, a municipal formation which Usman Town Under District Jurisdiction in Usmansky District of Lipetsk Oblast, Russia is incorporated as *Usman, Russia, a town in Lipetsk Oblast, Russia *Usman (river), a river in Russia; left tributary of the Voronezh See also *Osman (other) *Ottoman Empire, also known as ''Osmanli'', Empire of Osman (modern-day Turkey) *Uthman Uthman ibn Affan ( ar, عثمان بن عفان, ʿUthmān ibn ʿAffān; – 17 June 656), also spelled by Colloquial Arabic, Turkish and Persian rendering Osman, was a second cousin, son-in-law and notable companion of the Islam ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Brian O'Connell (musician)
Brian O'Connell is an American multi- instrumentalist, composer, arranger, record producer and actor. He is the bassist and producer for Pakistani sufi rock band Junoon. O'Connell and Salman Ahmad were friends of one another since high school. O'Connell joined Junoon when keyboardist, Nusrat Hussain, left the band and Salman Ahmad contacted and invited him to play bass on the band's second album, '' Talaash''. He is known for harmonizing the western 5-string bass riffs with the traditional tabla and drums. After the release of the band's seventh studio album, '' Dewaar'', O'Connell went back to his native land the United States. Biography Early years O'Connell's musical roots stretch back to Tappan, New York. In 1978, O'Connell, then a sophomore at Tappan Zee High School, was invited by two classmates to join their band "Apple Corps", a group that played mostly Beatles covers. Shortly after O'Connell joined the band, Apple Corps changed its name to "Sloke", and modified i ...
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