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Sadko
Sadko () is a principal character in Russian '' byliny'' (oral epic poems). He is an adventurer, merchant, and '' gusli'' musician from Novgorod. The story of Sadko is best known outside Russia in the opera '' Sadko'' by Nikolai Rimsky-Korsakov. Textual notes "Sadko" is a version of the tale translated by Arthur Ransome in ''Old Peter's Russian tales'' (1916). Kate Blakey's translation of a variant, "Sadko, the Rich Merchant Guest", appeared in the ''Slavonic Review'' (1924). A bylina version collected by P. N. Rybnikov has been translated by James Bailey. Synopsis Sadko of Novgorod played the '' gusli'' on the shores of a lake and river. The Sea Tsar enjoyed his music, and offered to help him. Sadko was instructed to make a bet with the local merchants about catching a gold-finned fish in the lake; when he caught it (as provided by the Sea Tsar), the merchants had to pay the wager, making Sadko a rich merchant. Sadko traded on the seas with his new wealth, but did n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko (opera)
''Sadko'' ( , the name of the main character) is an 1898 opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5. After finishing his second revision of this work in 1891, he decided to turn it into a dramatic work. The music is highly evocative, and Rimsky-Korsakov's famed powers of orchestration are abundantly evident throughout the score. According to the Soviet critic Boris Asafyev, writing in 1922, ''Sadko'' constitutes the summit of Rimsky-Korsakov's craft. From the opus 5 tone poem the composer quoted its most memorable passages, including the opening theme of the swelling sea, and other themes as leitmotivesAbraham, pp. 96–97. – he himself set out to "utilize for this opera the material of my symphonic poem, and, in any event, to make use of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko Palekh
Sadko () is a principal character in Russian '' byliny'' (oral epic poems). He is an adventurer, merchant, and ''gusli'' musician from Novgorod. The story of Sadko is best known outside Russia in the opera ''Sadko'' by Nikolai Rimsky-Korsakov. Textual notes "Sadko" is a version of the tale translated by Arthur Ransome in ''Old Peter's Russian tales'' (1916). Kate Blakey's translation of a variant, "Sadko, the Rich Merchant Guest", appeared in the ''Slavonic Review'' (1924). A bylina version collected by P. N. Rybnikov has been translated by James Bailey. Synopsis Sadko of Novgorod played the ''gusli'' on the shores of a lake and river. The Sea Tsar enjoyed his music, and offered to help him. Sadko was instructed to make a bet with the local merchants about catching a gold-finned fish in the lake; when he caught it (as provided by the Sea Tsar), the merchants had to pay the wager, making Sadko a rich merchant. Sadko traded on the seas with his new wealth, but did not pay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko (film)
''Sadko'' () is a 1953 Soviet adventure fantasy film directed by Aleksandr Ptushko and adapted by Konstantin Isayev, from Nikolai Rimsky-Korsakov's eponymous opera, which was based on a Russian ( 'epic tale') with the same name. The music is Rimsky-Korsakov's score. The film saw release in the Soviet Union by Mosfilm in January 1953. It was distributed in the USA by Artkino Pictures with English subtitles later in 1953, and in 1962 was English-dubbed by Roger Corman's The Filmgroup Inc. and distributed as ''The Magic Voyage of Sinbad''. Plot summary This tale is based upon the legends told of ancient times in the old Russian city of Novgorod (the capital of Novgorod Republic). Novgorod's merchants are feasting in a gorgeous palace. A young gusli player named Sadko is bragging that he can bring to their land a sweet-voiced bird of happiness. The merchants mock him for his bravado, and tell him his quest is impossible. Nevertheless, Sadko sets off on a travel to bring the bird ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadko (musical Tableau)
''Sadko'', Op. 5, is a ''Tableau musical'', or ''Musical picture'', by Nikolai Rimsky-Korsakov, written in 1867 and revised in 1869 and 1892. It is sometimes called the first symphonic poem written in Russia.Rimsky-Korsakov, ''My Musical Life'', 79 ft. 21. It was first performed in 1867 at a concert of the Russian Musical Society (RMS), conducted by Mily Balakirev. Rimsky-Korsakov later wrote an opera of the same name which quotes freely from the earlier work.Taruskin, R. Sadko. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. From the tone poem the composer quoted its most memorable passages in the opera, including the opening theme of the swelling sea, and other themes as leitmotifs – he himself set out to "utilize for this opera the material of my symphonic poem, and, in any event, to make use of its motives as leading motives for the opera". Overview Scenario Sadko () was a legendary hero of a Russian '' bylina'' (a traditional East Slav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov. At the time, his name was spelled , which he romanized as Nicolas Rimsky-Korsakow; the BGN/PCGN transliteration of Russian is used for his name here; ALA-LC system: , ISO 9 system: .. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite '' Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chernava
In Russian folklore, Chernava (diminutive: Chernavushka; ) is Sea Tsar's daughter (or, according to some versions, a niece), spirit and personification of the river of the same name. She is a mermaid. Her head and upper body are human, while the lower body is a fish's tail. Chernava is famed from her appearance in the epic of Sadko. In ''Sadko'' In the Sadko ''bylina'', Chernava appears as one of the 900 mermaids offered to Sadko as a new bride, though to consummate the marriage would mean that Sadko would no longer be able to go to the human world. She is described as small, scrawny, and young girl who works as a servant in the palace. When Morskoy Tsar offered Sadko a new bride, Sadko took Chernava and lay down beside her. On their wedding night he did not touch her. When Sadko was asleep, Chernava had transformed into a river, helping him to get into the human world. Sadko woke up on the shore of the river Chernava and rejoined his first wife. In popular culture Chernava Coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksandr Ptushko
Aleksandr Lukich Ptushko (, – 6 March 1973) was a Soviet animation and fantasy film director, and a People's Artist of the USSR (1969). Ptushko is frequently (and somewhat misleadingly) referred to as "the Soviet Walt Disney," because of his prominent early role in animation in the Soviet Union, though a more accurate comparison would be to Willis H. O'Brien or Ray Harryhausen. Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects. He began his film career as a director and animator of stop motion short films, and became a director of feature-length films combining live action, stop motion, creative special effects, and Russian mythology. Along the way he would be responsible for a number of firsts in Russian film history (including the first feature-length animated film, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bylina
A (, ; ), also popularly known as a ''starina'' (), is a type of Russian oral epic poem. deal with all periods of Russian history. narratives are loosely based on historical fact, but greatly embellished with fantasy or hyperbole. originate from the times of Kievan Rus', but had only survived in northern Russia by the time they were collected. In a strict academic sense, can be defined as a specific verse meter known from certain Russian sung epics, ballads and humorous songs. Terminology The word derives from the past tense of the verb "to be" () and implies "something that was". The term most likely originated from scholars of Russian folklore ( folklorists); in 1839, Ivan Sakharov, a Russian folklorist, published an anthology of Russian folklore, a section of which he titled "Byliny of the Russian People", causing the popularization of the term. Later scholars believe that Sakharov misunderstood the word in the opening of '' The Tale of Igor's Campaign'' as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rimsky-Korsakov (film)
''Rimsky-Korsakov'' () is a 1953 Soviet biopic directed by Gennadi Kazansky and Grigori Roshal and starring Grigori Belov, Nikolay Konstantinovich Cherkasov, Nikolai Cherkasov and Aleksandr Borisov (actor), Aleksandr Borisov. The film portrays the life of the Russian composer Nikolai Rimsky-Korsakov.Mitchell p.183 The film was shot in Sovcolor. Plot The film depicts the final two decades of the life of Russian composer Nikolai Rimsky-Korsakov. Exploring his creative and pedagogical philosophy, the narrative highlights key moments such as his lectures at the school of composers he founded, intense debates about the "anti-popular" nature of ''Ramensky's'' music (a character based on Igor Stravinsky), struggles against the tyranny of Imperial Theater bureaucrats, and the duplicity of patron Savva Mamontov. The story culminates with scenes from the Russian Revolution of 1905–1907. The biographical plot is interwoven with vibrant, costumed scenes from Rimsky-Korsakov's operas, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sea Tsar
The Sea Tsar (, sometimes inverted for emphasis: ) is a character in East Slavic folktales and ''bylinas'', the tsar of the sea realms. The best known examples are ''bylinas'' about Sadko and fairy tales about Vasilisa the Wise, such as ''The Sea Tsar and Vasilisa the Wise''. Vsevolod Miller suggested that the image of the Sea Tsar was influenced by the Finnish god Ahti, known for the ''pomors'' (Russian seashore dwellers of the Russian North). Also Miller doubted that the image of Sea Tsar in these fairy tales reflects old East Slavic pagan beliefs and is probably based on the tales of itinerary storytellers. The Sea Tsar should not be confused with the water spirit, ''vodyanoy''. The Sea Tsar and Sadko The Sea Tsar and Vasilisa the Wise Sea kings of South Slavs Some draw the parallel of the Sea Tsar with the tale about South Slavic ''morski kralj'' recorded, e.g., by Slovenian poet and ethnologist in his 1890 collection ''Narodne pripovjesti u Varaždinu i okolici'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
