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Sadko
Sadko (russian: Садко) is the principal character in a Russian medieval epic ''bylina''. He was an adventurer, merchant, and ''gusli'' musician from Novgorod. Textual notes "Sadko" is a version of the tale translated by Arthur Ransome in ''Old Peter's Russian tales'' (1916). Kate Blakey's translation of a variant, "Sadko, the Rich Merchant Guest", appeared in the ''Slavonic Review'' (1924). A bylina version collected by P. N. Rybnikov has been translated by James Bailey. Synopsis Sadko of Novgorod played the ''gusli'' on the shores of a lake and river. The Tsar of the Sea enjoyed his music, and offered to help him. Sadko was instructed to make a bet with the local merchants about catching a gold-finned fish in the lake; when he caught it (as provided by the Sea Tsar), the merchants had to pay the wager, making Sadko a rich merchant. Sadko traded on the seas with his new wealth, but did not pay proper respects to the Tsar as per their agreement. The Tsar stopped Sadk ...
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Sadko (opera)
''Sadko'' ( rus, Садко, link=no, Sadkó , the name of the main character) is an 1898 opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a symphonic poem, tone poem on the subject, his Sadko (musical tableau), Op. 5. After finishing his second revision of this work in 1891, he decided to turn it into a dramatic work. The music is highly evocative, and Rimsky-Korsakov's famed powers of orchestration are abundantly evident throughout the score. According to the Soviet critic Boris Asafyev, writing in 1922, ''Sadko'' constitutes the summit of Rimsky-Korsakov's craft. From the opus 5 tone poem the composer quoted its most memorable passages, including the opening theme of the swelling sea, and other themes as leitmotivesAbraham, pp. 96–97. – he himself set out to "utilize for this opera th ...
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Sadko Palekh
Sadko (russian: Садко) is the principal character in a Russian medieval epic ''bylina''. He was an adventurer, merchant, and ''gusli'' musician from Novgorod. Textual notes "Sadko" is a version of the tale translated by Arthur Ransome in ''Old Peter's Russian tales'' (1916). Kate Blakey's translation of a variant, "Sadko, the Rich Merchant Guest", appeared in the ''Slavonic Review'' (1924). A bylina version collected by P. N. Rybnikov has been translated by James Bailey. Synopsis Sadko of Novgorod played the ''gusli'' on the shores of a lake and river. The Tsar of the Sea enjoyed his music, and offered to help him. Sadko was instructed to make a bet with the local merchants about catching a gold-finned fish in the lake; when he caught it (as provided by the Sea Tsar), the merchants had to pay the wager, making Sadko a rich merchant. Sadko traded on the seas with his new wealth, but did not pay proper respects to the Tsar as per their agreement. The Tsar stopped Sadk ...
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Sadko (film)
''Sadko'' (russian: Садко) is a 1953 Soviet adventure fantasy film directed by Aleksandr Ptushko and adapted by Konstantin Isayev, from Nikolai Rimsky-Korsakov's eponymous opera, which was based on a Russian ''bylina ''(epic tale) with the same name. The music is Rimsky-Korsakov's score. The film saw release in the Soviet Union by Mosfilm in January 1953. It was distributed in the USA by Artkino Pictures with English subtitles later in 1953, and in 1962 was English-dubbed by Roger Corman's The Filmgroup Inc. and distributed as ''The Magic Voyage of Sinbad''. Plot summary This tale is based upon the legends told of ancient times in the old Russian city of Novgorod (the capital of Novgorod republic). Novgorod's merchants are feasting in a gorgeous palace. A young gusli player named Sadko is bragging that he can bring to their land a sweet-voiced bird of happiness. The merchants mock him for his bravado, and tell him his quest is impossible. Nevertheless, Sadko sets off on a ...
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Sadko (musical Tableau)
''Sadko'', Op. 5, is a ''Tableau musical'', or ''Musical picture'', by Nikolai Rimsky-Korsakov, written in 1867 and revised in 1869 and 1892. It is sometimes called the first symphonic poem written in Russia.Rimsky-Korsakov, ''My Musical Life'', 79 ft. 21. It was first performed in 1867 at a concert of the Russian Musical Society (RMS), conducted by Mily Balakirev. Rimsky-Korsakov later wrote an opera of the same name which quotes freely from the earlier work.Taruskin, R. Sadko. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. From the tone poem the composer quoted its most memorable passages in the opera, including the opening theme of the swelling sea, and other themes as leitmotifs – he himself set out to "utilize for this opera the material of my symphonic poem, and, in any event, to make use of its motives as leading motives for the opera". Overview Scenario Sadko (russian: Садко) was a legendary hero of a Russian ''bylina'' (a traditio ...
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Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ...
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Chernava
In Russian folklore, Chernava (diminutive: Chernavushka; russian: Чернава, Чернавушка) is Morskoy Tsar's (Sea Tsar) daughter (or, according to some versions, a niece), spirit and personification of the river of the same name. She is a mermaid. Her head and upper body are human, while the lower body is a fish's tail. Chernava is famous from the epic of Sadko, where she appears. In ''Sadko'' In the Sadko ''bylina'', Chernava appears as the one of the 900 mermaids. She is described as small, scrawny and young girl who works as a servant in the palace. When Morskoy Tsar offered Sadko a new bride, Sadko took Chernava and lay down beside her. On their wedding night he did not touch her. When Sadko was asleep, Chernava had transformed into a river, helping him to get into the human world. Sadko woke up on the shore of the river Chernava and rejoined his first wife. In popular culture Chernava Colles are named after her. References Bibliography * * *: External lin ...
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Aleksandr Ptushko
Aleksandr Lukich Ptushko (russian: Александр Лукич Птушко, – 6 March 1973) was a Soviet animation and fantasy film director, and a People's Artist of the USSR (1969). Ptushko is frequently (and somewhat misleadingly) referred to as "the Soviet Walt Disney," due to his prominent early role in animation in the Soviet Union, though a more accurate comparison would be to Willis O'Brien or Ray Harryhausen. Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects. He began his film career as a director and animator of stop-motion short films, and became a director of feature-length films combining live-action, stop-motion, creative special effects, and Russian mythology. Along the way he would be responsible for a number of firsts in Russian film history (including the ...
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Rimsky-Korsakov (film)
''Rimsky-Korsakov'' (russian: Римский-Корсаков) is a 1953 Soviet biopic directed by Gennadi Kazansky and Grigori Roshal and starring Grigori Belov, Nikolai Cherkasov and Aleksandr Borisov. The film portrays the life of the Russian composer Nikolai Rimsky-Korsakov.Mitchell p.183 The film was shot in Sovcolor. Cast * Grigori Belov as Nikolai Rimsky-Korsakov * Nikolai Cherkasov as Vladimir Stasov * Aleksandr Borisov as Savva Mamontov * Liliya Gritsenko as Nadezhda Zabela-Vrubel * Viktor Khokhryakov as Alexander Glazunov * Anatoliy Kuznetsov as Anatoly Lyadov * Lidiya Sukharevskaya as Rimskaya-Korsakova * Aleksandr Ognivtsev as Feodor Chaliapin * Boris Kokovkin as Valentin Serov * Sergei Kurilov as Mikhail Vrubel * Lidiya Dranovskaya as Almazova * Anatoli Verbitsky as Mikhailov * Tatyana Lennikova as Lebedeva * Agasi Babayan as Daryan * Bruno Freindlich as Ramensky * Vladimir Balashov as Sergei Diaghilev * Fyodor Nikitin as The Grand Duke * Ye ...
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Brown Robyn's Confession
"Brown Robyn's Confession" is Child ballad 57. Synopsis Brown Robyn goes to sea. On board ship, they are unable to see any lights in the sky. They "cast kevels" (drew lots) which indicated that the problem was because of Brown Robyn. He confesses to incestous relations with his mother (who bore him two children) and his sister (who bore five), or, in other variants, to killing his father. He tells them to tie him to a piece of wood and let him sink or swim. He swims. Our Blessed Lady, with her "dear young son", appears to him and asks him if he would return to his men or come to heaven with her and her child. He asks to go to heaven. She tells him that it is not for any good he has done but for confessing his sin that he may come. Motifs This is the only instance in the ballad collection of a very common folk legend, of the Virgin Mary.Francis James Child, ''The English and Scottish Popular Ballads'', v 2, p 13, Dover Publications, New York 1965 This is also found in No ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Novgorod Republic
The Novgorod Republic was a medieval state that existed from the 12th to 15th centuries, stretching from the Gulf of Finland in the west to the northern Ural Mountains in the east, including the city of Novgorod and the Lake Ladoga regions of modern Russia. The Republic prospered as the easternmost trading post of the Hanseatic League and its Slavic, Baltic and Finnic people were much influenced by the culture of the Viking-Varangians and Byzantine people. Name The state was called "Novgorod" and "Novgorod the Great" (''Veliky Novgorod'', russian: Великий Новгород) with the form "Sovereign Lord Novgorod the Great" (''Gosudar Gospodin Veliky Novgorod'', russian: Государь Господин Великий Новгород) becoming common in the 15th century. ''Novgorod Land'' and ''Novgorod volost usually referred to the land belonging to Novgorod. ''Novgorod Republic'' itself is a much later term, although the polity was described as a republic as early a ...
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Bylina
A ( rus, были́на, p=bɨˈlʲinə; pl. ) is an Old Russian oral epic poem. Byliny narratives are loosely based on historical fact, but greatly embellished with fantasy or hyperbole. The word derives from the past tense of the verb ''to be'' ( rus, был, r=byl) and implies 'something that was'. The term most likely originated from scholars of Russian folklore (folklorists); in 1839, Ivan Sakharov, a Russian folklorist, published an anthology of Russian folklore, a section of which he titled "Byliny of the Russian People", causing the popularization of the term. Later scholars believe that Sakharov misunderstood the word in the opening of the ''Igor Tale'' as "an ancient poem." The folk singers of called their songs ( rus, ста́рины, p=ˈstarʲɪnɨ, ; ) or ( rus, старинки, p=), meaning 'stories of old' ( rus, старый, r=staryj). History Most scholars adhere to the version expressed by Vsevolod Miller that as an old genre originated in t ...
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