Sacred Heart Of Jesus (Batoni)
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Sacred Heart Of Jesus (Batoni)
The ''Sacred Heart of Jesus'' is an oil painting by the Italian artist Pompeo Batoni, painted in 1767. Description The work is painted by Pompeo Batoni in 1767. In this artwork, he depicts Christ wearing a red tunic, which symbolises the colour of blood, martyrdom and humanity; and a blue mantle which symbolise the colour of heaven and Christ's divinity. Batoni represented Jesus with long hair and a short beard, holding in his left hand an inflamed heart with a crowned thorns and with a cross at the top. Batoni's artwork became popular for the official image for the devotion to the Sacred Heart of Jesus. The portrait is the most notable painting of the Sacred Heart of Jesus. Batoni was born 18 years after St. Margaret Mary Alacoque died, the saint who inspires the artist of all Sacred Heart of Jesus portraits. Batoni was motivated in painting the Sacred Heart of Jesus by the supposed apparition of Jesus to St Margaret Mary Alacoque under the title of the Sacred Heart. The ...
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Pompeo Batoni
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and qu ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Paintings By Pompeo Batoni
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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1767 Paintings
Events January–March * January 1 – The first annual volume of ''The Nautical Almanac and Astronomical Ephemeris'', produced by British Astronomer Royal Nevil Maskelyne at the Royal Observatory, Greenwich, gives navigators the means to find longitude at sea, using tables of lunar distance. * January 9 – William Tryon, governor of the Royal Colony of North Carolina, signs a contract with architect John Hawks to build Tryon Palace, a lavish Georgian style governor's mansion on the New Bern waterfront. * February 16 – On orders from head of state Pasquale Paoli of the newly independent Republic of Corsica, a contingent of about 200 Corsican soldiers begins an invasion of the small island of Capraia off of the coast of northern Italy and territory of the Republic of Genoa. By May 31, the island is conquered as its defenders surrender.George Renwick, ''Romantic Corsica: Wanderings in Napoleon's Isle'' (Charles Scribner's Sons, 1910) p230 * February 19 & ...
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ProQuest
ProQuest LLC is an Ann Arbor, Michigan-based global information-content and technology company, founded in 1938 as University Microfilms by Eugene B. Power. ProQuest is known for its applications and information services for libraries, providing access to dissertations, theses, ebooks, newspapers, periodicals, historical collections, governmental archives, cultural archives,"Jisc and ProQuest Enable Access to Essential Digital Content"
retrieved May 21, 2014
and other aggregated databases. This content was estimated to be around 125 billion digital pages, ...
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Maria I Of Portugal
, succession = Queen of Portugal , image = Maria I, Queen of Portugal - Giuseppe Troni, atribuído (Turim, 1739-Lisboa, 1810) - Google Cultural Institute.jpg , caption = Portrait attributed to Giuseppe Troni, , reign = 24 February 1777 – , cor-type = Acclamation , coronation = 13 May 1777 , predecessor = Joseph I , successor = John VI , regent = Peter III , reg-type = Co-monarch , regent1 = John, Prince Regent , succession2 = Queen of Brazil , reign2 = 16 December 1815 – , successor2 = John VI , regent2 = John, Prince Regent , spouse = , issue = , issue-link = #Marriage and issue , issue-pipe = , house = Braganza , father = Joseph I of Portugal , mother = Mariana Victoria of Spain , birth_date = , birth_place = Ribeira Palace, Lisbon, Portugal , death_date = , death_place = Convent of Carmo, Rio de Janeiro, Brazil , burial_place = ...
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Lisbon
Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Grande Lisboa, Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the List of urban areas of the European Union, 11th-most populous urban area in the European Union.Demographia: World Urban Areas
- demographia.com, 06.2021
About 3 million people live in the Lisbon metropolitan area, making it the third largest metropolitan area in the Iberian Peninsula, after Madrid and Barcelona. It represents approximately 27% of the country's population.
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Estrela Basilica
The Estrela Basilica ( pt, Basílica da Estrela ) or the Royal Basilica and Convent of the Most Sacred Heart of Jesus ( pt, Real Basílica e Convento do Santíssimo Coração de Jesus), is a minor basilica and ancient carmelite convent in Lisbon, Portugal. Ordered built by Queen Maria I of Portugal as the fulfilment of a vow, the Basilica is not only a product of the Queen's particularly fervent devotion to the Sacred Heart of Jesus, but remains the most important architectural endeavour of her reign. The Estrela Basilica was the first church in the world dedicated to the Sacred Heart of Jesus. History Shortly after her wedding to her uncle Infante Peter of Braganza in 1760, Maria, Princess of Brazil vowed, before an image of the Sacred Heart of Jesus in the Convent of Carnide, to build a church and convent under the Rule of Saint Theresa if she was given the grace of bearing children that would assure the succession of the House of Braganza. Princess Maria was, at the time ...
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John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Margaret Mary Alacoque
Margaret Mary Alacoque, VHM (french: Marguerite-Marie Alacoque) (22 July 1647 – 17 October 1690), was a French Catholic Visitation nun and mystic who promoted devotion to the Sacred Heart of Jesus in its modern form. Summary She worked to prove the genuineness of her vocation and her visions of Jesus and Mary relating to the Sacred Heart. She was initially rebuffed by her mother superior and was unable to convince theologians of the validity of her visions and revelations. A noted exception was the Jesuit Claude de la Colombière, later a canonized saint, who supported her. The devotion to the Sacred Heart was officially recognized 75 years after Alacoque's death. Early life Alacoque was born in 1647 in L'Hautecour, Burgundy, France, now part of the commune of Verosvres, then in the Duchy of Burgundy, the only daughter of Claude and Philiberte Lamyn Alacoque, who also had several sons. From early childhood, Margaret was described as showing intense love for the Bles ...
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Sacred Heart Of Jesus
The Most Sacred Heart of Jesus ( la, Cor Jesu Sacratissimum) is one of the most widely practised and well-known Catholic devotions, wherein the heart of Jesus is viewed as a symbol of "God's boundless and passionate love for mankind". This devotion to Christ is predominantly used in the Catholic Church, followed by high-church Anglicans, Lutherans and some Western Rite Orthodox. In the Latin Church, the liturgical Solemnity of the Most Sacred Heart of Jesus is celebrated the third Friday after Pentecost. The 12 promises of the Most Sacred Heart of Jesus are also extremely popular. The devotion is especially concerned with what the church deems to be the long-suffering love and compassion of the heart of Christ towards humanity. The popularization of this devotion in its modern form is derived from a Roman Catholic nun from France, Margaret Mary Alacoque, who said she learned the devotion from Jesus during a series of apparitions to her between 1673 and 1675, and later, in ...
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