|
Sabad Patshahi 10
Sabad Patshahi 10 (Gurmukhi: ਸ਼ਬਦ ਹਜ਼ਾਰੇ ਪਾਤਿਸ਼ਾਹੀ ੧੦'','' also known as the Shabad Hazare Padishah), under the title Shabad ( pa, ਸਬਦ), are ten religious hymns composed by Guru Gobind Singh that are present in Dasam Granth. These hymns have comments on ritualistic practices in Sanyas, Jogis and Bairagis, and also against any form of idolatry, human or deity worship. Description *These hymns are primarily composed in Braj ritten In Gurmukhiand unjabilanguages, with plentiful use of Sanskrit words, except sixth hymn, which is composed in Punjabi with some Persian words. *Excluding the sixth, all other hymns have three ''Padash'' and ''Rahau'' (The Pause) placed in the beginning of the Shabads. *Sixth hymn was composed at Machhiwara whereas others were composed at Anandpur Sahib. The ordering of hymns was given by Bhai Mani Singh. *The only six Ragas present in Dasam Granth The ''Dasam Granth'' (Gurmukhi: ਦਸਮ ਗ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shabad (hymn)
''Shabda'' ( sa, शब्द, ), is the Sanskrit word for "speech sound". In Sanskrit grammar, the term refers to an utterance in the sense of linguistic performance. History In classical Indian philosophy of language, the grammarian Katyayana stated that ''shabda'' ("speech") is eternal (''nitya''), as is ''artha'' "meaning", and that they share a mutual co-relation. According to Patanjali, the permanent aspect of ''shabda'' is ("meaning"), while ''dhvani'' ("sound, acoustics") is ephemeral to ''shabda''. Om, or Aum, a sacred syllable of Hinduism, Buddhism, Jainism and Sikhism, is considered to be the first resonating vibrational sound within an individual being. It also denotes the non-dualistic universe as a whole. In Buddhism, Om corresponds to the crown chakra and white light. Bhartrihari, on the other hand, held a ''shabda-advaita'' position, identifying ''shabda'' as indivisible, and unifying the notions of cognition and linguistic performance, which is ultimately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machhiwara
Sri Machhiwara Sahib is one of the developing cities in the Ludhiana district of the Indian state of Punjab. Machhiwara is famous for Gurudwara Sri Charan Kanwal Sahib associated with Guru Gobind Singh ji and named after the Guru's feet that are compared to the lotus flower. And It is also famous for Religious Hindu Sri Shivala Bramchari Temple associated with the Pandavas of '' Dvapara Yuga'' (time of Lord Krishna) . The Ghorewaha were given the title of Mian by Emperor Jehangir. During Emperor Akbar’s time, the Ghorewaha Raja was Rana Udho II, The Raja of Machiwara, Rana Udho actively assisted Emperor Akbar in his fight for the Delhi Throne, he captured the rebellious Bairam Khan and subsequently the Raja was allowed to retain the Jagir of Rahon worth 750 villages. The division of the Ghorewaha country took place after Rana Udho’s death when all the Branches were Hindu, including that of the famed Rai Rup Chand. The principal Jagirs were taken, Rahon by the Tikka and Jadla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilaval
Bilaval or Bilawal () is a raga and the basis for the eponymous ''thaat'' (musical mode) in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat. Bilaval has been the standard for North Indian music since the early 19th century. Its tonal relationships are comparable to the Western music C major scale. Bilaval appears in the '' Ragamala'' as a ragini of Bhairav but today it is the head of the Bilaval thaat. The Ragamala names Bilaval as a Putra (son) of Bhairav but no relationship between these two ragas are made today. Bilaval is a morning raga that is intended to be sung with a feeling of deep devotion and repose and is often performed during the hot months. The Bilaval is equivalent to the Carnatic raga melakarta, Sankarabharanam, as well as the Western Ionian mode (major scale), and contains the notes S R G M P D N S'. The pitches of Bilaval thaat are all ' (natural). Flat () or sharp () pitches always occur regarding the interval pattern in Bilaval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilang
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat. Scale * Arohana (ascending scale): * Avarohana (descending scale): This raga has a Ni flat (ni komal) in the descent. Its defining characteristics are: PS'NS'nP, PS'NS'PnP; some ragis add a R (S*R*NS*PnP). Vadi and samvadi * Vadi note: Ga * Samvadi : Ni In Carnatic music This raga originated in Hindustani classical music and has been taken into Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is derived from the 28th Melakarta (parent scale) Harikambhoji. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. * Arohana: * Avarohana: Compositions ''Shree Ganesha charanam'' composed by Papanasam Sivan is a popular composition set in this ragam. ''Ramakrishnaru Manege'', ''Tarakka Bindige'' By Purandara Dasa ''Satyavantara Sangaviralu'' By Kanaka Dasa Film songs Tamil Scale similarities * Gamb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity than intellectual rigour. Etymology (خیال) is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingassخیال A Comprehensive Persian-English Dictionary Characteristics T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani (raga)
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It was called Kalyan but is now more popularly called Yaman (raga), Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi Katapayadi sankhya, sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known among the public. It is often performed at the beginning of concerts because it is conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorath Raga
Sorath is an India musical raga (musical mode) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib, the Sikh holy Granth (book) there are a total of 60 raga compositions and this raga is the twenty fifth raga to appear in the series. The composition in this raga appear on a total of 65 pages from page numbers 595 to 660. Raga Sorath belongs to the Khamaj thaat. Besides Guru Nanak, Sorath was used by Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadar for a total of 150 hymns plus numerous slokas. Raag Sorath (ਸੋਰਠਿ) – Sorath conveys the feeling of having such a strong belief in something that you want to keep repeating the experience. In fact this feeling of certainty is so s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramkali
Raga Ramkali is an early morning raga in Hindustani classical music which belongs to Bhairav Thaat. In this raga, as in Bhairav, Rishabh and Dhaivat are Komal(flat), but the Teevra and the flat nishad are added. The vadi-samvadi are Pancham and Shadja. The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often. Raga Ramkali also appears in Sikh tradition in North India and is a part of Sikh Scripture Sri Guru Granth Sahib Ji. Another form of this Raga present in Sri Guru Granth Sahib Ji isRaga Ramkali Dakhni. Theory Arohana and avarohana Arohana: Avarohana: Vadi : Pa Samavadi : Sa Pakad In Hindustani music, a ''pakad'' (Hindi: पकड़) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular raga. The pakad contains the melodic theme of the raga, on listening to the paka .../ Chalan : Description ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhai Mani Singh
Bhai Mani Singh was an 18th-century Sikh scholar and martyr. He was a childhood companion of Guru Gobind Singh and took the vows of Sikhism when the Guru inaugurated the Khalsa in March 1699. Soon after that, the Guru sent him to Amritsar to take charge of Harmandir Sahib, which had been without a custodian since 1696. He took control and steered the course of Sikh destiny at a critical stage in Sikh history. The nature of his death in which he was dismembered joint by joint has become a part of the daily Sikh Ardas (prayer). Family Ancestry Mani Singh was originally called Mani Ram, and was the son of Mai Das of Alipur. He had two elder brothers: Jet (Bhai Jetha Singh) and Dayal Das. Mani Singh was one of the 12 sons of Mai Das. His grandfather was Rao Ballu, a reputable warrior, who was a general in Guru Hargobind's army. Mani Singh's family consisted of notable warriors, among them his cousin Bhagwant Singh Bangeshwar, who was a ruler in Aurangzeb time. His brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anandpur Sahib
Anandpur Sahib, sometimes referred to simply as Anandpur (lit. "city of bliss"), is a city in Rupnagar district (Ropar), on the edge of Shivalik Hills, in the Indian state of Punjab. Located near the Sutlej River, the city is one of the most sacred places in Sikhism, being the place where the last two Sikh Gurus, Guru Tegh Bahadur and Guru Gobind Singh, lived. It is also the place where Guru Gobind Singh founded the Khalsa Panth in 1699. The city is home to Takhat Sri Kesgarh Sahib, Third of the five Takhts in Sikhism. The city is a pilgrimage site in Sikhism. It is the venue of the largest annual Sikh gathering and festivities during Hola Mohalla in the spring season.Gurmukh Singh (2009)Anandpur Sahib Encyclopedia of Sikhism, Editor in Chief: Harbans Singh, Punjab University Location Anandpur Sahib is located on National Highway 503 that links Kiratpur Sahib and Chandigarh to Nangal, Una and further Kangra, Himachal Pradesh. It is situated near the Sutlej river, the longe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Language
Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian (officially known as ''Persian''), Dari Persian (officially known as ''Dari'' since 1964) and Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
