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STEIM
STEIM (STudio for Electro Instrumental Music) was a center for research and development of new musical instruments in the electronic performing arts, located in Amsterdam, Netherlands. Beginning in the 1970's, STEIM became known as a pioneering center for electronic music, where the specific context of electronic music was always strongly related to the physical and direct actions of a musician. In this tradition, STEIM supported artists in residence such as composers and performers, but also multimedia and video artists, helping them to develop setups which allowed for bespoke improvisation and performance with individually designed technology. Background STEIM existed since 1969. It was founded by Misha Mengelberg, Louis Andriessen, Peter Schat, Dick Raaymakers, Jan van Vlijmen, Reinbert de Leeuw, and Konrad Boehmer. This group of Dutch composers had fought for the reformation of Amsterdam's feudal music structures; they insisted on Bruno Maderna's appointment as musical direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Andriessen
Louis Joseph Andriessen (; 6 June 1939 – 1 July 2021) was a Dutch composer, pianist and academic teacher. Considered the most influential Dutch composer of his generation, he was a central proponent of The Hague school of composition. Although his music was initially dominated by neoclassicism and serialism, his style gradually shifted to a synthesis of American minimalism, jazz and the manner of Stravinsky. Born in Utrecht into a musical family, Andriessen studied with his father, the composer Hendrik Andriessen as well as composers Kees van Baaren and Luciano Berio. Andriessen taught at the Royal Conservatory of The Hague from 1974 to 2012, influencing notable composers. His opera ''La Commedia'', based on Dante's ''Divine Comedy'', won the 2011 Grawemeyer Award for Music Composition and was selected in 2019 by critics at ''The Guardian'' as one of the most outstanding compositions of the 21st century. Life and career Andriessen was born in Utrecht on 6 June 1939 to a musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Waisvisz
Michel Waisvisz ( ; 8 July 1949, Leiden – 18 June 2008, Amsterdam) was a Dutch composer, performer and inventor of experimental electronic musical instruments. He was the artistic director of STEIM in Amsterdam from 1981, where he collaborated with musicians and artists from all over the world. Biography His involvement with STEIM goes back until 1969, when it had been co-founded by his mentor and friend Dick Raaymakers. He has been a member of Amsterdam's Electric Music Theatre scene of the 1970s, performing intensively and raising critical voices against the upcoming high-tech culture. He co-founded and organised the first sound festival in the Netherlands: The Claxon Sound Festival. Waisvisz had a passionate dedication to a physical, bodily approach to electronic music which he has expressed in the use and presentation of his many developments of hardware and software instruments. From his point of view electronic music is created in direct musical interaction with individ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraakdoos
A kraakdoos or cracklebox is a custom-made instrument, in the form of a noise-making electronic device. It is a small box with six metal contacts on top, which generate various unusual sounds and tones when pressed by the performer's fingers. The human body becomes a part of the circuit and determines the range of sounds possible, thus different people–or the same person at different times–shall generate different results. While there are certain configurations of one's digits that result in more or less recallable results the preferred way of playing it is led by listening to how the instrument responds to manipulation and then maintaining and modifying one's contact points. The player thus enters into a tactile and sonic dialogue with the instrument. The concept was first conceived by Michel Waisvisz and Geert Hamelberg in the 1960s, and developed further in the 1970s when Waisvisz joined the STEIM foundation in Amsterdam, Netherlands. The kraakdoos is a simple device, ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Rose
Jonathan Anthony Rose (born 19 February 1951) is an Australian violinist, cellist, composer, and multimedia artist. Rose's work is centered in the experimental music known as free improvisation, where he has created large environmental multimedia works, built experimental musical instruments, and improvised violin concertos with accompanying orchestra. He has been described by Tony Mitchell as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia". Early life Born in England, Jon Rose attended King's School, Rochester, where he sang in the cathedral choir and studied the violin on scholarship. He discontinued formal violin lessons at the age of 15. Rose studied and performed in a range of genres in Australia and the United Kingdom during the 1970s, including Italian club bands, country & western, bebop, and new music. Improvising musician As a genre, free improvisation was developed by European and American musicians in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Misha Mengelberg
Misha Mengelberg (5 June 1935 – 3 March 2017) was a Dutch jazz pianist and composer.Feather, Leonard & Gitler, Ira (2007) ''The Biographical Encyclopedia of Jazz'', p. 459. Oxford University Press. A prominent figure in post-WWII European Jazz, Mengelberg is known for his forays into free improvisation, for bringing humor into his music, and as a leading interpreter of songs by fellow pianists Thelonious Monk and Herbie Nichols. Biography Mengelberg was born in Kiev, Ukrainian SSR, the son of the Dutch conductor (born Karel Willem Joseph Mengelberg; 18 July 1902, Utrecht – 11 July 1984, Amsterdam) and grand-nephew of conductor Willem Mengelberg. Karel Mengelberg was a Dutch composer and conductor, who worked in Berlin, Barcelona, Kiev and Amsterdam. A notable work of his was 'Catalunya Renaixent', written for the Banda Municipal of Barcelona in 1934. Misha's family moved back to the Netherlands in the late 1930s and he began learning the piano at age five. Mengelberg b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Raaymakers
Dick Raaijmakers (Maastricht, 1 September 1930 – The Hague, 4 September 2013), also known as Dick Raaymakers or Kid Baltan, was a Dutch composer, theater maker and theorist. He is considered a pioneer in the field of electronic music and tape music, but has also produced numerous musical theater pieces and theoretical publications. Raaijmakers studied piano at the Royal Conservatory of The Hague. From 1954 to 1960, he worked at Koninklijke Philips Electronics N.V. in Eindhoven in the electro-acoustic field. Under the pseudonym Kid Baltan, a anadrome of "Dik Natlab" – Raaijmakers' nickname, he realized three tests of popular music with the help of electronic means. in the world). This work has been collected and re-released under the name Popular Electronics. Early Dutch electronic music from Philips Research Laboratories, 1956-1963. From 1960 to 1962, he was affiliated with the University of Utrecht as a researcher. From 1963 to 1966, he worked with Jan Boerman in a self-esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Neill
Ben Neill (b. November 14, 1957) is an American composer, trumpeter, producer, and educator. He is the inventor of the "Mutantrumpet", a hybrid electro-acoustic instrument. Early life, family and education Neill was born in Winston-Salem, North Carolina. His early studies included the North Carolina School of the Arts and Eastern Music Festival. He attended the Dana School of Music at Youngstown State University, where he earned Bachelor of Music and Master of Music degrees. In 1983 he moved to New York City, and earned a Doctorate of Musical Arts degree from Manhattan School of Music. He also studied privately with La Monte Young and was mentored by Jon Hassell. Since 2008 he has been a music professor at Ramapo College, Ramapo College of New Jersey. Career Neill invented the Mutantrumpet, a trumpet equipped with extra bells and valves as well as electrical modifications that allow him to control computer variables with his playing. The first Mutantrumpet (1981) had three bel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laetitia Sonami
Laetitia Sonami (born 1957 in France), is a sound artist, performer, and composer of interactive electronic music who has been based in the San Francisco Bay area since 1978. She is known for her electronic compositions and performances with the ‘’Lady’s Glove’’, an instrument she developed for triggering and manipulating sound in live performance. Many of her compositions include live or sampled text. Sonami also creates sound installation work incorporating household objects embedded with mechanical and electronic components. Although some recordings of her works exist, Sonami generally eschews releasing recorded work. Rodgers, Tara. (2010). ''Pink Noises: Women on Electronic Music and Sound'', Duke University Press Books, . pp. 8, 9-10, 54, 202 Biography Born in France in 1957, Laetitia Sonami began pursuing her interest in electronic music in the mid-1970s and studied with composers Éliane Radigue (France) and Joel Chadabe (US). She moved to California in 1978 where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nic Collins
Nicolas Collins (born March 26, 1954 in New York City) is a composer of mostly electronic music, a sound artist and writer. He received his BA and MA from Wesleyan University, and his PhD from the University of East Anglia. Upon graduating from Wesleyan, he was a Watson Fellow. Biography In the 1980s Collins was "a pioneer in the use of microcomputers in live performance, and has made extensive use of 'home-made' electronic circuitry, radio, found sound material, and transformed musical instruments." Trained in the experimental compositional tradition of Alvin Lucier, David Behrman, and David Tudor, all of whom he worked with closely, Collins also immersed himself in the New York Improvised Music scene of the 1980s. Using home-built instruments that combined circuitry, simple computers and traditional instruments such as trombones and slide guitars, he collaborated and performed with Tom Cora, Shelley Hirsch, Christian Marclay, Zeena Parkins, John Zorn and others. Collins's c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Musical Instrument
An experimental musical instrument (or custom-made instrument) is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked drum cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components. The instruments created by the earliest 20th-century builders of experimental musical instruments, such as Luigi Russolo (1885–1947), Harry Partch (1901–1974), and John Cage (1912–1992), were not well received by the public at the time of their invention. Even mid-20th century builders such as Ivor Darreg, Pierre Schaeffer and Pierre Henry did not gain a great deal of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schat
Peter Ane Schat (5 June 1935, in Utrecht – 3 February 2003, in Amsterdam) was a Dutch composer. Schat studied composition with Kees van Baaren at the Utrecht Conservatoire and the Royal Conservatory of The Hague from 1952 until 1958, and then went on to study in London with Mátyás Seiber in 1959 and with Pierre Boulez in Basle in 1960–61. His early training with van Baaren and Seiber disposed him toward twelve-tone technique, and his earliest compositions, such as the ''Introductie en adagio in oude stijl'' (1954) and the Septet (1957), combine traditional forms with dodecaphony. Boulez, however, led him to a more radical, strict form of serialism, and he was regarded in the Netherlands as one of the outstanding representatives of the avant garde. While still a student he created his opus 1, Passacaglia and Fugue for organ (1954), and Septet (1957). In 1957 he also won the Gaudeamus International Composers Award. In the late sixties Schat became associated with the Provo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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