Rūpa
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Rūpa
Rūpa () means "form". As it relates to any kind of basic Object (philosophy), object, it has more specific meanings in the context of Indic religions. Definition According to the Monier-Williams Dictionary (2006), rūpa is defined as: :* ... any outward appearance or phenomenon or colour (often pl.), form, shape, figure Rigveda, RV. &c &c ... :* to assume a form ; often ifc. = " having the form or appearance or colour of ", " formed or composed of ", " consisting of ", " like to " .... Hinduism In Hinduism, many compound words are made using ''rūpa'' to describe subtle and spiritual realities such as the ''svarupa'', meaning the form of the self. It may be used to express matter or material phenomena, especially that linked to the power of vision in samkhya, In the Bhagavad Gita, the Vishvarupa form, an esoteric conception of the Absolute is described. Buddhism Overall, ''rūpa'' is the Buddhism, Buddhist concept of material form, including both the body and external m ...
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Namarupa
Nāmarūpa ( sa, नामरूप) is used in Buddhism to refer to the constituents of a living being: ''nāma'' is typically considered to refer to the mental component of the person, while ''rūpa'' refers to the physical. ''Nāmarūpa'' is a dvandva compound in Sanskrit and Pali meaning "name (nāma) and form (rūpa)". ''Nama'' (name) and ''Rupa'' (form) is the simple worldly identity of any form by a name both of which are considered temporal and not true identity with the nameless and formless ‘reality’ or ‘Absolute’ in Hinduism that has manifested as maya. In Buddhism the loss of all names and forms leads to the realization of the Ultimate reality of ‘Shunyatha’ or ‘Emptiness’ or Nirvana “Naked Truth” removed of Maya. In Buddhism This term is used in Buddhism to refer to the constituents of a living being: ''nāma'' refers to the mental, while ''rūpa'' refers to the physical. The Buddhist ''nāma'' and ''rūpa'' are mutually dependent, and not s ...
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āyatana
''Āyatana'' (Pāli; Sanskrit: आयतन) is a Buddhist term that has been translated as "sense base", "sense-media" or "sense sphere". In Buddhism, there are six ''internal'' sense bases (Pali: ''ajjhattikāni āyatanāni''; also known as, "organs", "gates", "doors", "powers" or "roots"Pine 2004, p. 102) and six ''external'' sense bases (''bāhirāni āyatanāni'' or "sense objects"; also known as ''vishaya'' or "domains"Pine 2004, p. 103). There are six internal-external (organ-object) ' (Pāli; Skt. '), pairs of sense bases: :* eye and visible objects :* ear and sound :* nose and odor :* tongue and taste :* body and touch :* mindThe Pāli word translated here as "mind" is ''mano''. Other common translations include "intellect(e.g., Thanissaro, 2001a)and "consciousness In the Suttapitaka, ''mano'' does not necessarily refer to all mental processing. Other oft-mentioned complementary mental processes include "consciousness" ('' viññāṇa'') and "mental states" (''c ...
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Skandha
(Sanskrit) or (Pāḷi) means "heaps, aggregates, collections, groupings". In Buddhism, it refers to the five aggregates of clinging (), the five material and mental factors that take part in the rise of craving and clinging. They are also explained as the five factors that constitute and explain a sentient being’s person and personality, but this is a later interpretation in response to sarvastivadin essentialism. The five aggregates or heaps of clinging are: # form (or material image, impression) () # sensations (or feelings, received from form) () # perceptions () # mental activity or formations () # consciousness (). In the Theravada tradition, suffering arises when one identifies with or clings to the aggregates. This suffering is extinguished by relinquishing attachments to aggregates. The Mahayana tradition asserts that the nature of all aggregates is intrinsically empty of independent existence. Etymology () is a Sanskrit word that means "multitude, quantit ...
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Skandha
(Sanskrit) or (Pāḷi) means "heaps, aggregates, collections, groupings". In Buddhism, it refers to the five aggregates of clinging (), the five material and mental factors that take part in the rise of craving and clinging. They are also explained as the five factors that constitute and explain a sentient being’s person and personality, but this is a later interpretation in response to sarvastivadin essentialism. The five aggregates or heaps of clinging are: # form (or material image, impression) () # sensations (or feelings, received from form) () # perceptions () # mental activity or formations () # consciousness (). In the Theravada tradition, suffering arises when one identifies with or clings to the aggregates. This suffering is extinguished by relinquishing attachments to aggregates. The Mahayana tradition asserts that the nature of all aggregates is intrinsically empty of independent existence. Etymology () is a Sanskrit word that means "multitude, quantit ...
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Mahābhūta
''Mahābhūta'' is Sanskrit and Pāli for "great element". However, very few scholars define the four mahābhūtas in a broader sense as the four fundamental aspects of physical reality. Hinduism In Hinduism's sacred literature, the "great" or "gross" elements (''mahābhūta'') are fivefold: space (or "ether"), air, fire, water and earth. See also the Samkhya Karika of Ishvara Krishna, verse 22. For instance, the Taittiriya Upanishad, describes the five "sheaths" of a person (Sanskrit: ''purusha, purua''), starting with the grossest level of the five evolving great elements: :From this very self (''Atman (Hinduism), tman'') did space come into being; from space, air; from air, fire; from fire, the waters, from the waters, the earth; from the earth, plants; from plants, food; and from food, man.... Different from and lying within this man formed from the essence of food is the self (''tman'') consisting of lifebreath.... Different from and lying within this self consisting o ...
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Pratītyasamutpāda
''Pratītyasamutpāda'' (Sanskrit: प्रतीत्यसमुत्पाद, Pāli: ''paṭiccasamuppāda''), commonly translated as dependent origination, or dependent arising, is a key doctrine in Buddhism shared by all schools of Buddhism. It states that all dharmas (phenomena) arise in dependence upon other dharmas: "if this exists, that exists; if this ceases to exist, that also ceases to exist". The basic principle is that all things (dharmas, phenomena, principles) arise in dependence upon other things. The doctrine includes depictions of the arising of suffering (''anuloma-paṭiccasamuppāda'', "with the grain", forward conditionality) and depictions of how the chain can be reversed (''paṭiloma-paṭiccasamuppāda'', "against the grain", reverse conditionality).Fuller, Paul (2004). ''The Notion of Ditthi in Theravada Buddhism: The Point of View.'' p. 65. Routledge.Harvey, Peter. ''The Conditioned Co-arising of Mental and Bodily Processes within Life and Bet ...
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Vishvarupa
Vishvarupa (, IAST: ) is an iconographical form and theophany of a Hindu deity, most commonly associated with Vishnu in contemporary Hinduism. Though there are multiple Vishvarupa theophanies, the most celebrated is in the '' Bhagavad Gita'', given by Krishna in the epic ''Mahabharata'', which was told to Pandava prince Arjuna on the battlefield of Kurukshetra in the war between the Pandavas and Kauravas. Vishvarupa is considered the supreme form of Vishnu, where the whole universe is described as contained within him. Literary descriptions ''Bhagavad Gita'' In the climactic war in the ''Mahabharata'', the Pandava prince Arjuna and his brothers fight against their cousins, the Kauravas with Krishna as his charioteer. Faced with the moral dilemma of whether or not to fight against and kill his own family, Arjuna has a crisis of conscience. To appease him, Krishna discourses with Arjuna about life and death as well as dharma (duty) and yoga in form of the ''Bhagavad Gi ...
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Buddhism
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; ...
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Abhidharma
The Abhidharma are ancient (third century BCE and later) Buddhist texts which contain detailed scholastic presentations of doctrinal material appearing in the Buddhist ''sutras''. It also refers to the scholastic method itself as well as the field of knowledge that this method is said to study. Bhikkhu Bodhi calls it "an abstract and highly technical systemization of the uddhistdoctrine," which is "simultaneously a philosophy, a psychology and an ethics, all integrated into the framework of a program for liberation." According to Peter Harvey, the Abhidharma method seeks "to avoid the inexactitudes of colloquial conventional language, as is sometimes found in the Suttas, and state everything in psycho-philosophically exact language." In this sense, it is an attempt to best express the Buddhist view of "ultimate reality" (''paramartha-satya''). There are different types of Abhidharma literature. The early canonical Abhidharma works (like the '' Abhidhamma Pitaka'') are not phi ...
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Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most ...
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Samkhya
''Samkhya'' or ''Sankya'' (; Sanskrit सांख्य), IAST: ') is a Dualism (Indian philosophy), dualistic Āstika and nāstika, school of Indian philosophy. It views reality as composed of two independent principles, ''purusha, puruṣa'' ('consciousness' or spirit); and ''prakṛti'', (nature or matter, including the human mind and emotions). ''Puruṣa'' is the witness-consciousness. It is absolute, independent, free, beyond perception, above any experience by mind or senses, and impossible to describe in words. Unmanifest ''prakriti'' is matter or nature. It is inactive, unconscious, and is a balance of the three ''guṇas'' (qualities or innate tendencies), namely ''sattva'' , ''rajas'', and ''Tamas (philosophy), tamas''. When prakṛti comes into contact with Purusha this balance is disturbed, and Prakriti becomes manifest, evolving twenty-three tattvas, namely intellect (buddhi, mahat), ego (ahamkara) mind (Manas (early Buddhism), manas); the five sensory capacitie ...
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Visuddhimagga
The ''Visuddhimagga'' (Pali; English: ''The Path of Purification''), is the 'great treatise' on Buddhist practice and Theravāda Abhidhamma written by Buddhaghosa approximately in the 5th century in Sri Lanka. It is a manual condensing and systematizing the 5th century understanding and interpretation of the Buddhist path as maintained by the elders of the Mahavihara Monastery in Anuradhapura, Sri Lanka. It is considered the most important Theravada text of outside of the Tipitaka canon of scriptures,See, for instance, Kheminda Thera, in Ehara et al. 1995 p. xliii: "The ''Visuddhimagga'' is a household word in all ''Theravāda'' lands. No scholar of Buddhism whether of ''Theravāda'' or of ''Mahāyāna'' is unacquainted with it." and is described as "the hub of a complete and coherent method of exegesis of the Tipitaka." Background Structure The structure of the ''Visuddhimagga'' is based on the ''Ratha-vinita Sutta'' ("Relay Chariots Discourse," MN 24), which describes th ...
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