|
Rudrabhatta
Rudrabhatta was an influential 12th-century Kannada poet in the court of the Hoysala Empire King Veera Ballala II(r.1173–1220 CE). According to Kannada language expert Narasimhacharya, the poet was also patronized by a minister of the King.Narasimhacharya (1988), p20 The literary critic Mukherjee feels that after a century of literary revolution caused by the Veerashaiva poets, a benevolent atmosphere created by the king may have encouraged this Vaishnava writer and poet.Mukherjee (1999), p333 Magnum opus Rudrabhatta was a Brahmin and a Smartha (believer of monistic philosophy). Based on the Sanskrit classic ''Vishnu Purana'', he wrote the epic ''Jagannatha Vijaya'' in the ''Champu'' metrical form (mixed prose-verse). The epic '' kavya'' (a narrative poem) describes the life of the Hindu god Krishna leading up to his fight with the demon Banasura. In this work, Rudrabhatta envisions the Hindu gods Hari (Vishnu), Hara (Shiva) and Brahma as one composite supreme deity (''Parabr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Literature
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India.Kamath (2001), p. 132 The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.Kamath (2001), p. 129 Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court.Kamath (2001), pp. 133–134 While most of the courtly textual production was in Kannada,Pollock (2006), pp. 288–289 an important corpus of monastic Vaishnava literature relating to ''Dvaita'' (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit.Kamath (2001), p. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veera Ballala II
Veera Ballala II ( kn, ವೀರ ಬಲ್ಲಾಳ 2) (r. 1173–1220 CE) was the most notable monarch of the Hoysala Empire. His successes against the Yadavas of Devagiri, the Southern Kalachuris, the Pandyas of Madurai and the waning Western Chalukya Empire, and his domination over the diminishing Cholas of Tanjore took the Hoysalas to their peak of power.Kamath (1980), pp.126-127Chopra, Ravindran and Subrahmanian (2003), part I, pp.154-155Sastri (1955), p.193 The historian Chaurasia claims by the end of the 12th century, Ballala II's conquests had made the Hoysalas the most powerful dynasty of the Deccan.Radhey Shyam Chaurasia, p.248, ''History of Ancient India: Earliest Times to 1000 A. D.'', Atlantic Publishers (2002), New Delhi, According to historian Derrett, Ballala II was "the most outstanding among Hoysala kings", and historian William Coelho in comparing Ballala II to King Vishnuvardhana writes, "he vied in glory with his grandfather".Kamath (198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Literature
Kannada literature is the Text corpus, corpus of written forms of the Kannada language, a member of the Dravidian language, Dravidian Language family, family spoken mainly in the Indian state of Karnataka and written in the Kannada script. Attestations in literature span one and a half millennia, R.S. Mugali (2006), ''The Heritage of Karnataka'', pp. 173–175 with some specific literary works surviving in rich manuscript traditions, extending from the 9th century to the present. The Kannada language is usually divided into three linguistic phases: Old (450–1200 CE), Middle (1200–1700 CE) and Modern (1700–present); and its literary characteristics are categorised as Jainism, Jain, Lingayatism and Vaishnavism, Vaishnava—recognising the prominence of these three faiths in giving form to, and fostering, classical expression of the language, until the advent of the modern era. Kittel in Rice E.P. (1921), p. 14Sastri 1955, pp. 355–365Narasimhacharya (1934), pp. 17, 61 Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Empire
The Hoysala Empire was a Kannada people, Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumaravyasa
Narayanappa ( kn, ನಾರಾಯಣಪ್ಪ), known by his pen name Kumara Vyasa ( kn, ಕುಮಾರವ್ಯಾಸ), was an influential and classical Vaishnava poet of early 15th century in the Kannada language. His pen name is a tribute to his ''magnum opus'', a rendering of the ''Mahabharata'' in Kannada. ''Kumara Vyasa'' literally means "Little Vyasa" or "Son of Vyasa" (Vyasa is the title of Krishna Dwaipayana, the author of Mahabharata). He was the contemporary and archrival of the famous Veerashaiva poet laureate Chamarasa who wrote the seminal work ''Prabhulingaleele'' covering the lives of Allama Prabhu and other Shiva Sharanas, circa 1435. Both poets worked in the court of Deva Raya II. Works Kumara Vyasa's most famous work, the ''Karnata Bharata Kathamanjari'' (the ''Mahabharata'' of Karnataka) is popularly known as ''Gadugina Bharata'' and ''Kumaravyasa Bharata''. It is an adaptation of the first ten ''parvas'' (chapters) of the ''Mahabharata''. A devotee of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Indian Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Poets
Hindus (; ) are people who religiously adhere to Hinduism.Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Poets
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton University Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Karnataka
The History of Karnataka goes back several millennia. Several great empires and dynasties have ruled over Karnataka and have contributed greatly to the history, culture and development of Karnataka as well as the entire Indian subcontinent. The Chindaka Nagas of central India Gangas, Rashtrakutas of Manyakheta,Dr. D.R. Bhandarkar argues that even the viceroys (''Dandanayaka'') of the Gujarat line hailing from the Rashtrakuta family signed their Sanskrit records in Kannada, examples of which are the Navasari and Baroda plates of Karka I and the Baroda records of Dhruva II. The Gujarat Rashtrakuta princes used Kannada signatures as this was the mode of writing in their native country, meaning Kannada country says Dr. Bhandarkar, ''A Concise History of Karnataka'', Dr. Suryanath U. Kamath Chalukyas of Vengi, Yadava Dynasty of Devagiri were all of Kannada origin who later took to encouraging local languages. In the medieval and early modern periods, the Vijayanagara Empire and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajashekhara (Sanskrit Poet)
Rajashekhara (; ) was a Sanskrit poet, dramatist and critic. He was the court poet of the Gurjara Pratiharas. Rajashekhara wrote the ''Kāvyamīmāṃsā'' between 880 and 920 CE. The work is essentially a practical guide for poets that explains the elements and composition of a good poem. He is most noted for the ''Kārpūramañjarī'', a play written in Maharashtri Prakrit. Rajashekhara wrote the play to please his wife, Avantisundarī, a woman of taste and accomplishment. Rajashekhara is perhaps the only ancient Indian poet to acknowledge a woman for her contributions to his literary career. Life In his ''Bālarāmāyaṇa'' and ''Kāvyamimāṃsā'', Rajashekhara referred himself by his family name ''Yāyāvara'' or ''Yāyāvarīya''. In ''Bālarāmāyaṇa'', he mentioned that his great grandfather Akalajalada belonged to Maharashtra. In the same work, he described his father Durduka as a ''Mahamantrin'' (minister) without providing any details. He mentioned in his works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanakadasa
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ). He was a renowned composer of Carnatic music, poet, reformer and musician. He is known for his keertanas and ugabhoga, and his compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada and native metrical forms for his compositions. Life Kanaka Dasa was born into a Kannada Kuruba (shepherd) Hindu family in Baada village, near Bankapura in Karnataka, and was a warrior at Bankapura fort. He was taught by Srinivasacharya. As a child, he became an expert in ''tarka'', ''vyakaran'', and ''mimamsa''. Based on one of his compositions, it is interpreted that he was seriously injured in a battle and was miraculously saved. After this incident, he gave up his profession as a warrior and devoted himself to composing music, writing literature and explaining philosophy to people. His ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Hindu Poets")
