Royal Academy Of Science, Letters And Fine Arts Of Belgium
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Royal Academy Of Science, Letters And Fine Arts Of Belgium
The Royal Academy of Science, Letters and Fine Arts of Belgium (french: Académie royale des sciences, des lettres et des beaux-arts de Belgique, sometimes referred to as ') is the independent learned society of science and arts of the French Community of Belgium. One of Belgium's numerous academies, it is the French-speaking counterpart of the Royal Flemish Academy of Belgium for Science and the Arts. In 2001 both academies founded a joint association for the purpose of promoting science and arts on an international level: The Royal Academies for Science and the Arts of Belgium (RASAB). All three institutions are located in the same building, the Academy Palace in Brussels. History A preexisting literary society was founded in 1769 under the auspices of Karl von Cobenzl, plenipotentiary of the Austrian Netherlands under Empress Maria Theresa (hence its nickname ""). In 1772 Cobenzl's successor Georg Adam, Prince of Starhemberg continued the efforts of his predecessor by expandin ...
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French Community Of Belgium
In Belgium, the French Community (french: Communauté française; ) refers to one of the three constituent constitutional linguistic communities. Since 2011, the French Community has used the name Wallonia-Brussels Federation (french: Fédération Wallonie-Bruxelles), which is controversial because its name in the Belgian constitution has not changed and because it is seen as a political statement. The name "French Community" refers to Francophone Belgians, and ''not'' to French people residing in Belgium. As such, the French Community of Belgium is sometimes rendered in English as "the French-speaking Community of Belgium" for clarity, in analogy to the German-speaking Community of Belgium. The Community has its own parliament, government, and administration. Its official flag is identical to the Walloon Flag, which is also the official flag of the Walloons of Wallonia. Wallonia is home to 80% of all Francophone Belgians, with the remaining 20% residing in Brussels, which i ...
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François-Joseph Navez
François-Joseph Navez (16 November 1787 – 12 October 1869) was a Belgian neo-classical painter. Biography Navez was born in Charleroi. He was a pupil of Jacques-Louis David. He spent five years in Italy between 1817 and 1822. Between 1835 and 1862 he was the director of the Académie Royale des Beaux-Arts in Brussels. He was a very successful portrait painter. He also painted many mythological and historic subjects. The orientalist painter Jean-François Portaels was his pupil (and son-in-law). Jean Carolus, the Belgian painter of genre scenes and interiors, was a protege of François-Joseph Navez. Navez was elected a fourth class member of the Royal Institute of the Netherlands in 1826, he became a supernumerary associate in 1841 and resigned in 1851. He died in 1869 in Brussels. Main works * 1816 : ''Sainte Véronique de Milan'', Museum of Fine Arts, Ghent. * 1816 : ''La Famille de Hemptinne'', Royal Museums of Fine Arts of Belgium, Brussels, Belgium.Museum of Fine ...
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Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brusse ...
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Palais D’Academies, Bruxelles
Palais () may refer to: * Dance hall, popularly a ''palais de danse'', in the 1950s and 1960s in the UK * ''Palais'', French for palace ** Grand Palais, the Grand Palais des Champs-Elysées **Petit Palais, an art museum in Paris * Palais River in the French ''département'' of Deux-Sèvres * Palais Theatre, historic cinema ("picture palace") in Melbourne, Australia *Richard Palais (born 1931), American mathematician *Le Palais, a commune in Morbihan departement, France See also *Palais Royal (other) * Palai (other) * Palace (other) * Palas (other) A palas is that part of a medieval imperial palace or castle which contains the great hall and other prestigious state rooms. Palas may also refer to: Places * Palas, Iran, a village in Iran * Palas, a former commune, nowadays a neighbourhood in ...
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Henri Vieuxtemps
Henri François Joseph Vieuxtemps ( 17 February 18206 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship. Biography Vieuxtemps was born in Verviers, Belgium (then part of the United Kingdom of the Netherlands), son of a weaver and amateur violinist and violin-maker. He received his first violin instruction from his father and a local teacher and gave his first public performance at the age of six, playing a concerto by Pierre Rode. Soon he was giving concerts in various surrounding cities, including Liège and Brussels where he met the violinist Charles Auguste de Bériot, with whom he began studies. In 1829, Bériot took him to Paris where he made a successful concert debut, again with a concerto by Rode, but he ...
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Théodore-Gérard Hanssen
Théodore-Gérard Hanssen, best known under the name Théo Hanssen (10 August 1885, Wonck - 29 May 1957, Roanne) was a Belgian stained glass artist mainly active in France. His windows include some of those at Notre-Dame de la Trinité Basilica in Blois. He also painted in oils and watercolour, worked in enamel and designed church vestments, as well as being an amateur musician. He is considered as one of the main revivers of glass-making techniques, alongside Louis Barillet and Jacques Le Chevallier, with whom he worked in Paris between 1920 and 1940 as collaborators at the Atelier Barillet. He moved to Roanne during World War II and there taught Pierre Étaix Pierre Étaix (; 23 November 1928 – 14 October 2016) was a French clown, comedian and filmmaker. Étaix made a series of short- and feature-length films, many of them co-written by influential screenwriter Jean-Claude Carrière. He won an A .... Bibliography *''Atelier Louis Barillet, maître verrier'', éditions ...
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François-Joseph Fétis
François-Joseph Fétis (; 25 March 1784 – 26 March 1871) was a Belgian musicologist, composer, teacher, and one of the most influential music critics of the 19th century. His enormous compilation of biographical data in the ''Biographie universelle des musiciens'' remains an important source of information today. Family Fétis was born in Mons, Hainaut, eldest son of Antoine-Joseph Fetis and Elisabeth Desprets, daughter of a famous chirurgical doctor. He had 9 brothers and sisters. His father was titular organist of the noble chapter of Saint-Waltrude. His grandfather was an organ manufacturer. He was trained as a musician by his father and played at young age on the Choir organ of Saint Waltrude. In October 1806 he married to Adélaïde-Louise-Catherine Robert, daughter of the French politician Pierre-François-Joseph Robert and Louise de Keralio, friend of Robespierre. They had 2 sons : most famous was Édouard Fétis, (1812-1909), his eldest son who helped his father with ...
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Charles Auguste De Bériot
Charles Auguste de Bériot (20 February 18028 April 1870) was a Belgian violinist, artist and composer. Biography Charles de Bériot was born in 1802 in Leuven, Belgium (then under French rule) into a noble family but was orphaned at the age of nine. He was given custody of his music teacher and friend of his father, Jean-François Tiby (1772-1844). De Bériot began studying violin with Tiby, who trained him in the French style as exemplified by Giovanni Battista Viotti. In 1811 he performed for the first time in public, playing a concerto by Viotti. François-Joseph Fétis says that Tiby sent de Bériot to Paris at the age of 12 (1814), however de Bériot's own correspondence confirms that he only arrived in Paris in 1821. This mistake is attributed to the advanced age at which Fétis wrote his final biographical note on de Bériot. While in Paris, de Bériot studied briefly at the Paris Conservatory under Pierre Baillot and played for Rodolphe Kreutzer and Viotti. The latter e ...
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Louis Roelandt
Louis Roelandt or ''Lodewijk Joseph Adriaan Roelandt'' with his full Dutch name, was a Belgian architect that played an important role in the evolution of Neo-Renaissance and Neo-Classical architecture in Belgium. During the period that Belgium belonged to the First French Empire, Roelandt, who had studied at the Académie of Ghent, was selected to continue his education at the prestigious "Ecole Spéciale d'Architecture" in Paris. Like his compatriot Tilman-François Suys he was a pupil of Charles Percier and Pierre François Léonard Fontaine. In 1818 he was appointed as architect to the city of Ghent where he would realise the majority of his future projects. Gradually Roelandt moved away from the severe Empire Style in which he had been trained, and introduced more and more Neo-Renaissance and Neo-Baroque features into his designs. He also built churches in an early Gothic Revival style, such as the Sint-Annakerk in Ghent. Among his most famous students were Louis Del ...
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Tilman-François Suys
Tilman-François Suys (in French) or Tieleman Frans Suys (in Dutch) (1 July 1783 – 22 July 1864) was a Belgian architect who also worked in the Netherlands. Biography Suys completed his architectural education in Paris, where he studied under Charles Percier and won the Prix de Rome in 1812. During his stay in Rome he became a protégé of King William I of the Netherlands the new king of the Belgian and Dutch provinces unified in the United Kingdom of the Netherlands. In 1817 he settled in Amsterdam and worked as an architect for the Dutch Crown. In this period his style shows the marks of the Empire style created for Napoleon by his teacher Charles Percier and Pierre François Léonard Fontaine. From 1825 onwards, Suys was employed on a series of royal commissions in Brussels, a city that, together with The Hague in the province of Holland, had been given the title of capital of the new established kingdom. His projects in Brussels were more severely neoclassical i ...
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Joseph-Pierre Braemt
Joseph-Pierre Braemt (15 June 1796 – 2 December 1864) was a Belgian medalist and coin designer. Biography After training at the academies of Ghent and then Brussels, Joseph-Pierre Braemt perfected his craft in Paris with the engraver André Galle and Baron François Joseph Bosio, a renowned sculptor of the time. He was appointed general engraver of the ''Hôtel des Monnaies'' in Brussels and produced the first Belgian coins. He was a founding member of the Royal Academy of Science, Letters and Fine Arts of Belgium. Works His work includes the following: *1826 : medal commemorating the completion of the digging of a canal between the Haine and the Escaut, under the government of the Kingdom of the Netherlands, *1830 : medal of recognition to the ''Garde civique'', under the Provisional Government of Belgium, *Starting in 1832 : **silver franc coins with the portrait of King Leopold I (5 silver francs, 2 1/2 silver francs, 2 silver francs, 1 silver franc, 1/2 silver ...
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Guillaume Geefs
Guillaume Geefs (10 September 1805 – 19 January 1883), also Willem Geefs, was a Belgian sculptor. Although known primarily for his monumental works and public portraits of statesmen and nationalist figures, he also explored mythological subject matter, often with an erotic theme. Life Guillaume Geefs was born in Antwerp, Belgium, the eldest of six brothers in a family of sculptors, the best-known of whom are Joseph Geefs (1808–1885, winner of the Prix de Rome in 1836) and Jean Geefs (1825–1860, and winner of the prize in 1846). Guillaume first studied at the Royal Academy of Fine Arts Antwerp under the late–Flemish Baroque sculptor Jan Frans van Geel and his son, Jan Lodewijk van Geel, who was also a sculptor. He completed his training under Jean-Etienne Ramey at the École des Beaux-Arts in Paris and began exhibiting his work in 1828. In 1829, Geefs traveled to Italy. When he returned to Antwerp, he began teaching at the art academy. During the 1830s, he executed ...
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