Rough For Radio I
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Rough For Radio I
''Rough for Radio I'' is a short radio play by Samuel Beckett, written in French in 1961 and first published in '' Minuit'' 5 in September 1973 as ''Esquisse radiophonique''. Its first English publication as ''Sketch for Radio Play'' was in ''Stereo Headphones'' 7 (spring 1976). It first appeared under its current title in ''Ends and Odds'' (Grove 1976, Faber 1977). "Plans for a BBC production, with Humphrey Searle providing the music, were made soon after the publication of the original French version but came to nothing and a later BBC proposal to produce the play without music was rejected by Beckett in the late 1970s. According to the Beckett estate the French version was produced by ORTF (Office de Radiodiffusion Télévision Française) in 1962, although Beckett himself seems later to have forgotten about this production."Fox, C., Square Dances an introduction to the music of Richard Rijnvos in ''The Musical Times'' winter 1999 (volume 140, number 1869) A complete run of ...
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Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ...
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Need
A need is dissatisfaction at a point of time and in a given context. Needs are distinguished from wants. In the case of a need, a deficiency causes a clear adverse outcome: a dysfunction or death. In other words, a need is something required for a safe, stable and healthy life (e.g. air, water, food, land, shelter) while a want is a desire, wish or aspiration. When needs or wants are backed by purchasing power, they have the potential to become economic demands. Basic needs such as air, water, food and protection from environmental dangers are necessary for an organism to live. In addition to basic needs, humans also have needs of a social or societal nature such as the human need to socialise or belong to a family unit or group. Needs can be objective and physical, such as the need for food, or psychical and subjective, such as the need for self-esteem. The concept of "unmet need" arises in relation to needs in a social context which are not being fulfilled. Needs and wants are ...
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Catastrophe (play)
''Catastrophe'' is a short play by Samuel Beckett, written in French in 1982 at the invitation of A.I.D.A. (Association Internationale de Défense des Artistes) and “ rst produced in the Avignon Festival (21 July 1982) … Beckett considered it ‘massacred.’” It is one of his few plays to deal with a political theme and, arguably, holds the title of Beckett's most optimistic work. Beckett "wrote the short play ''Catastrophe'' about control and censorship" and dedicated it to the Czech dramatist Václav Havel, who was in prison at the time. Havel wrote a play called ''Mistake'' "as a response to the one Beckett had written in solidarity." "In February 1984, in one of the most significant milestones in the history of ''Index on Censorship'', both plays were published for the first time." In January 2022, after almost 38 years, in 50th birthday celebration of ''Index'', they asked "Iranian playwright Reza Shirmarz to write his own response to Beckett's ''Catastrophe''." Shirmarz ...
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Background Music
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its Loudness, volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day. Background music is commonly played where there is no audience at all, such as empty hallways and restrooms and fitting rooms. It is also used in artificial space, such as music played while on hold during a telephone call, and virtual space, as in the ambient sounds or thematic Video game music, music in video games. It is typically played at low volumes from multiple small ...
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