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Rothschild Bronzes
The Rothschild Bronzes, also known as the Michelangelo Bronzes, are a pair of 16th century statuettes, each depicting a nude male figure riding a mythological animal, usually identified as a panther. Mirroring each other in pose, the nude men are distinguished by age, one young, the other bearded. The younger man is 76.6 cm, the other almost 90 cm high. The sculptures are unsigned and the figures and panthers have been separately cast. The bronzes were displayed to the public at the Fitzwilliam Museum, University of Cambridge, from February to August 2015 with an attribution to Michelangelo. If the attribution is correct, Michelangelo would have made the bronzes around 1506 to 1508, before the painting of the Sistine Chapel ceiling but after the marble statue of ''David''. The sculptures would be the only autograph bronze works by Michelangelo to have survived. Provenance and Attribution The bronzes were exhibited at the Paris Exposition Universellein 1878 as the work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Zöllner
Frank Zöllner (born 26 June 1956) is a German art historian who has been a professor of art history at Leipzig University since 1996. He is a prolific scholar on the life and works of Leonardo da Vinci, and author of one of the two modern ''catalogue raisonné'' of Leonardo's works (the other being by Pietro C. Marani). Biography Zöllner studied the history of art from 1977 to 1981. From 1983-1985, he was an 'Aby Warburg Fellow' at the Warburg Institute, in London. After his 1987 graduation took place at the University of Hamburg he worked from 1988 to 1992 as a research assistant at the Bibliotheca Hertziana in Rome. Zöllner has since 1996 been a professor of medieval and modern art history at Leipzig University. Honors and awards * Leipzig Science Award of Saxon Academy of Sciences (2009) * 2013 Member of the Saxon Academy of Sciences Publications * ''Vitruvs Proportionsfigur. Quellenkritische Studien zur Kunstliteratur des 15. und 16. Jahrhunderts.'' Worms 1987. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felids In Art
Felidae () is the family of mammals in the order Carnivora colloquially referred to as cats, and constitutes a clade. A member of this family is also called a felid (). The term "cat" refers both to felids in general and specifically to the domestic cat ('' Felis catus''). Felidae species exhibit the most diverse fur pattern of all terrestrial carnivores. Cats have retractile claws, slender muscular bodies and strong flexible forelimbs. Their teeth and facial muscles allow for a powerful bite. They are all obligate carnivores, and most are solitary predators ambushing or stalking their prey. Wild cats occur in Africa, Europe, Asia and the Americas. Some wild cat species are adapted to forest habitats, some to arid environments, and a few also to wetlands and mountainous terrain. Their activity patterns range from nocturnal and crepuscular to diurnal, depending on their preferred prey species. Reginald Innes Pocock divided the extant Felidae into three subfamilies: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude Sculptures
Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to hairlessness contributed to the increase in brain size, bipedalism, and the variation in human skin color. While estimates vary, for at least 90,000 years anatomically modern humans were naked. The invention of clothing was part of the transition from being not only anatomically but behaviorally modern. Clothing and body adornments were elements in non-verbal communication reflecting social status and individuality. Through much of history until the late modern period, people might be unclothed in public by necessity or convenience either when engaged in effortful activity, including labor and athletics; or when bathing or swimming. Such functional nudity occurred in groups that were usually but not always segregated by sex. Among ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures By Michelangelo
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Sculptures
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Michelangelo
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry. Sculpture Attributed sculpture Painting Attributed paintings Architecture Presentation drawings and cartoons Notes External links {{DEFAULTSORT:List Of Works By Michelangelo Michelangelo Michel Michel may refer to: * Michel (name), a given name or surname of French origin (and list of people with the name) * Míchel (nickname), a nickname (a list of people with the nickname, mainly Spanish footballers) * Míchel (footballer, born 1963), ... * he:מיכלאנג'לו#רשימת יצירותיו ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuliano Da Sangallo
Giuliano da Sangallo (c. 1445 – 1516) was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the favored architect of Lorenzo de' Medici, his patron. In this role, Giuliano designed a villa for Lorenzo as well as a monastery for Augustinians and a church where a miracle was said to have taken place. Additionally, Giuliano was commissioned to build multiple structures for Pope Julius II and Pope Leo X. Leon Battista Alberti and Filippo Brunelleschi heavily influenced Sangallo and in turn, he influenced other important Renaissance figures such as Raphael, Leonardo da Vinci, his brother Antonio da Sangallo the Elder, and his sons, Antonio da Sangallo the Younger and Francesco da Sangallo. Early life Giuliano da Sangallo (né Giuliano Giamberti) was born c. 1445 in Florence. His father, Francesco Giamberti, was a woodworker and an architect who worked closely with Cosimo de' Medici. This proved to be helpful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Da Sangallo
Francesco da Sangallo (1494–1576) was an Italian Renaissance sculptor, the son of the architect and sculptor Giuliano da Sangallo. Sangallo was born in Florence. His father took him at the age of ten to Rome where, in 1506, he was present at the identification of the ''Laocoön'' group, an event he described in a letter written in 1567, towards the end of his life. Francesco da Sangallo was a pupil of Andrea Sansovino. The earliest dated sculpture attributed to him is the " Virgin and Child with St. Anne" in Orsanmichele, Florence. Sangallo was active in St. Peter's Basilica in Rome around 1542 and became '' Capomaestro'' and architect of the Duomo in Florence the following year. Among works by him in the church of Santa Maria Pimerana in Fiesole are a self-portrait in relief dated 1542 and his last work, a relief of Francesco del Fede. Other works include the effigy of Bishop Leonardo Bonafede, which lies on the pavement of the church of the Certosa near Florence, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittoria Colonna
Vittoria Colonna (April 149225 February 1547), marchioness of Pescara, was an Italian noblewoman and poet. As an educated, married noblewoman whose husband was in captivity, Colonna was able to develop relationships within the intellectual circles of Ischia and Naples. Her early poetry began to attract attention in the late 1510sGibaldi, Joseph. "Vittoria Colonna: Child, Woman, and Poet." In ''Women Writers of the Renaissance and Reformation''. Ed. Katharina Wilson. Athens, GA, 1987: pp. 23–24. and she ultimately became one of the most popular poets of 16th-century Italy. Upon the early death of her husband, she took refuge at a convent in Rome. She remained a laywoman but experienced a strong spiritual renewal and remained devoutly religious for the rest of her life. Colonna is also known to have been a muse to Michelangelo Buonarroti, himself a poet. Early life and marriage Colonna was born at Marino in 1492, a fief of the Colonna family in the Alban Hills, near Rome. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Penny
Sir Nicholas Beaver Penny (born 21 December 1949) is a British art historian. From 2008 to 2015 he was director of the National Gallery in London. Early life Penny was educated at Shrewsbury School before he studied English at St Catharine's College, Cambridge. He then studied for a doctorate at The Courtauld Institute of Art in London, where he was taught by Michael Kitson. While a student at the Courtauld, Penny contributed photographs to the Art & Architecture section of the Conway Library collection. Career Penny's academic career began with a research fellowship at Clare Hall, Cambridge, after which he went on to teach art history at Manchester University. While still in his early thirties, Penny was appointed to the Slade Professorship at Oxford University and to a senior research fellowship at King's College, Cambridge. He was the co-author, with Francis Haskell, of ''Taste and the Antique'', a study of the formation of the canon of classical sculpture published in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
