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Rosine Bloch
Rosine Bloch (7 November 1844 – 1 February 1891)Pierre 1900p. 701 "née à Paris, 7 nov. 1844", "† Monte Carlo (Nice?), 1 fév. 1891". Other sources differ with regard to her dates and places of birth and death. Walsh 1981, p. 374: "(1832? 1844? 1849?–1891)"; Kutsch and Riemens 2003, p. 454: "* 1832 Bischheim (Departement Bas-Rhin). † 1891 Nizza"''The Musical Times'' (1 March 1891)reports that she "died at Nice on February 1, aged 42", consistent with 1848 as her year of birth. was a French operatic mezzo-soprano of Jewish descent who had a successful stage career in Europe between 1865 and 1891. She not only possessed a beautiful, warm, and lyrical voice but was also a remarkably beautiful woman physically. Although most of her career was spent performing at the Opéra in Paris, she also appeared in stages in Belgium, Monaco, and England. Biography Bloch was born in Paris, the daughter of a merchant. She studied at the Conservatoire de Paris with Nicolas Levasseur and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosine Bloch In Costume - Gallica
Rosine may refer to: * Rosine (given name), list of people and fictional characters with this name * ''Rosine'', a film directed by Christine Carrière awarded a César in 1996 * ''Rosine'' a song by singer Soukous and composer Aurlus Mabélé * Rosine, Kentucky Rosine () is an unincorporated community in Ohio County, Kentucky, Ohio County, Kentucky, United States. Bill Monroe, ''The Father of Bluegrass'', is buried in the community and memorialized with a bronze cast disk affixed to the barn where his m ..., an unincorporated town in Ohio County, United States See also * Dewey Avenue–West Rosine Historic District in St. Joseph, Missouri, United States * Rosin (other) * Rosina (other) * Rose (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Favorite
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Weber, and Verdi, but probably is most remembered today for having given the first performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Coupe Du Roi De Thulé
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Du Locle
Camille du Locle (16 July 18329 October 1903) was a French theatre manager and a librettist. He was born in Orange, France. From 1862 he served as assistant to his father-in-law, Émile Perrin, at the Paris Opéra. From 1870, he was co-director at the Opéra-Comique with Adolphe de Leuven, and sole director from 1874 to 1876. He is best remembered for mounting the original production of Bizet's ''Carmen'' in 1875.Huebner 1992. Du Locle was responsible for completing the libretto of Giuseppe Verdi's ''Don Carlos'' (1867) after the death of Joseph Méry. He also played a key role in the genesis of ''Aida'' in 1869–70. According to Charles Pigot, Du Locle inspired the subject, words and music of Bizet's ''Djamileh'' (1872). He was a pall-bearer at Bizet's funeral in 1875 and made a speech at his interment at Père Lachaise. In 1876, a financial dispute arose with Verdi, and Du Locle moved to Capri, where he constructed and lived in the Villa Certosella, now a hotel. In Capri he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fiancée De Corinthe
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Duprato
Jules Laurent Anacharsis Duprato (20 August 1827 – 20 May 1892) was a 19th-century French composer.Wagstaff 1992. Biography A student of Aimé Leborne at the Conservatoire de Paris, he won first prix de Rome, grand prix de Rome for musical composition in 1848.Pierre 1900p. 775 "Hinard (Jules-Laurent-Anacharsis Duprato)" After the success of his opéra comique ''Les Trovatelles'', performed at Salle Favart in 1854 and his operetta ''M'sieu Landry'', premiered at Théâtre des Bouffes-Parisiens in 1856, expectations were high for the young composer. His following works, however, including the operas ''La Déesse et le Berger'' (1863), ''La Fiancée de Corinthe'' (1867), and ''Le Cerisier'' (1874), rapidly fell into obscurity. He was appointed a professor of harmony at the conservatory in 1871.Pierre 1900p. 442 "Duprato (Jules-Laurent-Anacharsis)" He published several arrangements of ''La Marseillaise'', wrote music for male chorus and one symphony. His pupils included Robert P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Lajarte
Théodore Lajarte (10 July 1826 – 20 June 1890) was a French musicologist, librarian, and composer.Huebner 1992. Early years Lajarte was born in Bordeaux. His full name has been given as Théodore Édouard Dufaure de Lajarte. He studied at the Conservatoire de Paris under Aimé Leborne and soon thereafter composed a large number of operettas, none of which have survived. Librarian and musicologist He is best remembered for his position as an archivist at the Paris Opera. After his appointment in 1873 as second librarian at the Paris Opera Library, he organized the theatre's historical scores and parts, publishing a chronological inventory of scores under the title ''Bibliothèque musicale du théâtre de l'Opéra'' in 1876 with a corrected and completed edition in 1878. He continued working at the library until 1890.Pitou 1990, p. 734. As a musicologist, he contributed articles on music to newspapers and published reductions for piano and singing of old French operas and bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Prophète (opera)
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Performance history After the brilliant success of their grand opera ''Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera, and it was more than a decade in the composition and planning. ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849. In the audience at the work's pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Carvalho
Marie Caroline Miolan-Carvalho (31 December 1827 in Marseille – 10 July 1895 in Château-Puys, near Dieppe) was a famed French operatic soprano, particularly associated with light lyric and coloratura roles. Biography Born Marie Caroline Félix-Miolan, she studied first with her father, François Félix-Miolan, an oboist, and later at the Conservatoire of Paris with Gilbert Duprez. After winning the first prize at the Conservatorie, she began touring throughout France, making her stage debut in Brest, as Isabelle in ''Robert le Diable'', in 1849. Upon returning to Paris the following year, Marie Miolan made her debut in the title role in ''Lucia di Lammermoor'' at the Grand Opera on December 14, 1849. She went on to sing in ''Le Pré aux clercs'', ''Les Huguenots'', ''Der Freischütz'', ''Hamlet'', etc. From 1849-55 and 1868–85, Miolan-Carvalho sang in Paris at the Opéra-Comique as Caroline Carvalho. In 1853, she married Léon Carvalho, a French impresario and director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Battu
Marie Battu (30 May 1838 – 12 June 1919) was a French soprano. She created the role of Inès in Meyerbeer's French grand opera ''L'Africaine''. Training and career Marie Battu was the daughter of Pantaléon Battu (1799–1870), violinist, composer and assistant conductor at the Paris Opera, and sister of Léon Battu, author of many operatic libretti and theatrical entertainments. She studied singing with Gilbert Duprez and made her debut at the Théâtre des Italiens in Paris in 1860, as Amina in Vincenzo Bellini's ''La sonnambula''. She appeared in operas in London, Paris and Baden-Baden, in works by Verdi, Donizetti, Rossini and Meyerbeer. Marie Battu married Dominique Lablache, son of star operatic bass Luigi Lablache. She also gave many concerts in numerous European cities. Having made her debut in December 1864 at the Paris Opéra in a revival of Rossini's ''Mosè in Egitto'', the following year Marie Battu created the role of Inès in Meyerbeer's last and posthumous ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
