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Roland TR-909
The Roland TR-909 Rhythm Composer is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices. Though it was a commercial failure, the 909 became influential in the development of electronic dance music genres such as techno, house and acid. Design The 909 was designed by Tadao Kikumoto, who also designed the Roland TB-303 synthesizer. Chief Roland engineer Makoto Muroi credited the design of the analog and pulse-code modulation voice circuits to "Mr Ou" and its software to "Mr Hoshiai". Whereas its predecessor, the TR-808, is known for its "boomy" bass, the 909 sounds aggressive and "punchy". It was the first Roland drum machine to use samples (prerecorded sounds), for its crash, ride and hi-hat sounds; other sounds are generated with analog synthesis. As the clap and snare are generated via ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadao Kikumoto
is Roland's senior managing director and head of its R&D center. He designed the TB-303 bass synthesizer and the TR-909 drum machine. He was also the chief engineer of the Roland TR-808 drum machine. Roland TR-808 Design The Roland TR-808, a programmable drum machine, was launched in 1980. The TR-808 included unique artificial percussion sounds, such as “the hum kick, the ticky snare, the tishy hi-hats (open and closed) and the spacey cowbell.” The machine is particularly noted for its powerful booming bass drum sound, built from a combination of a bridged T-network sine oscillator, a low-pass filter, and a voltage-controlled amplifier. The bass drum decay control allows the user to lengthen the sound, creating uniquely low frequencies that flatten slightly over long periods, which can be used to create basslines or bass drops.''Spin''February 1990, page 24/ref> It was the first drum machine with the ability to program an entire percussion track of a song from beg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DIN Sync
DIN sync, also called Sync24, is a synchronization interface for electronic musical instruments. It was introduced in the early 1980s by Roland Corporation and has been superseded by MIDI. Definition and history DIN sync was introduced in the early 1980s by Roland Corporation for the synchronization of music sequencers, drum machines, arpeggiators and similar devices. It was superseded by MIDI, in the mid to late 1980s. DIN sync consists of two signals, clock (tempo) and run/stop. Both signals are TTL compatible, meaning the low state is 0 V and the high state is about +5 V. The clock signal is a low-frequency pulse wave suggesting the tempo. Instead of measuring the waveform's frequency, the machine receiving the signal merely has to count the number of pulses to work out when to increment its position in the music. Roland equipment uses 24 pulses per quarter note, known as Sync24. Therefore, a Roland-compatible device playing sixteenth notes would have to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic Range
Dynamic range (abbreviated DR, DNR, or DYR) is the ratio between the largest and smallest values that a certain quantity can assume. It is often used in the context of Signal (electrical engineering), signals, like sound and light. It is measured either as a ratio or as a decimal, base-10 (decibel) or Binary numeral system, base-2 (doublings, bits or Stops (Dynamic Range), stops) Logarithmic scale, logarithmic value of the difference between the smallest and largest signal values. Electronically reproduced audio and video is often processed to fit the original material with a wide dynamic range into a narrower recorded dynamic range that can more easily be stored and reproduced; this processing is called dynamic range compression. Human perception The human senses of Visual perception, sight and hearing have a relatively high dynamic range. However, a human cannot perform these feats of perception at both extremes of the scale at the same time. The human eye takes time to adjust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Controller
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features. Features MIDI controllers usually do not create or produce musical sounds by themselves. MIDI controllers typically have some type of interface that the performer presses, strikes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaser (effect)
A phaser is an electronic sound processor used to filter a signal, and it has a series of troughs in its frequency-attenutation graph. The position (in Hz) of the peaks and troughs are typically modulated by an internal low-frequency oscillator so that they vary over time, creating a sweeping effect. Phasers are often used to give a "synthesized" or electronic effect to natural sounds, such as human speech. The voice of C-3PO from ''Star Wars'' was created by taking the actor's voice and treating it with a phaser. Process The electronic phasing effect is created by splitting an audio signal into two paths. One path treats the signal with an all-pass filter, which preserves the amplitude of the original signal and alters the phase. The amount of change in phase depends on the frequency. When signals from the two paths are mixed, the frequencies that are out of phase will cancel each other out, creating the phaser's characteristic notches. Changing the mix ratio changes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapping
A clap is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in Gospel, Doo-wop and early Pop. In flamenco and sevillanas, two Spanish musical genres, clapping is called '' palmas'' and often sets the rhythm and is an integral part of the songs. A sampled or synthesized clap is also a staple of electronic and pop music. Musical works that include clapping Classical works performed entirely by clapping * Steve Reich, '' Clapping Music'' (1972) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. When extended upward roug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ride Cymbal
The ride cymbal is a standard cymbal in most drum kits. Its function in the kit is to maintain a beat,Schroedl, Scott (2001). ''Play Drums Today!'', p.7. Hal Leonard. . "It's called the ride cymbal because you 'ride' on it--that is, you maintain a steady pattern." sometimes called a ride pattern, rather than the accent of a crash. It is normally placed on the extreme right (or dominant hand) of a drum set, above the floor tom.Peckman, Jonathan (2007). ''Picture Yourself Drumming'', p.195. . The ride can fulfill any function or rhythm the hi-hat does, with the exception of an open and closed sound. The ride is played with a drumstick. Terminology The term ''ride'' means ''to ride with the music'', describing the cymbal's sustain after it is struck. The term may depict either the function or characteristic of the instrument. Most cymbal makers manufacture specific cymbals for the purpose. Some drummers use a china cymbal, a sizzle cymbal or a specialized tone such as a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crash Cymbal
A crash cymbal is a type of cymbal that produces a loud, sharp "crash" and is used mainly for occasional accents, as opposed to a ride cymbal. It can be mounted on a stand and played with a drum stick, or by hand in pairs. One or two crash cymbals are a standard part of a drum kit. Suspended crash cymbals are also used in bands and orchestras, either played with a drumstick or rolled with a pair of mallets to produce a slower, swelling crash. Sometimes a drummer may hit two different crash cymbals in a kit at the same time to produce a very loud accent, usually in rock music. Although crash cymbals range in thickness from paper-thin to very heavy, all crash cymbals have a fairly thin edge. They are typically in diameter, but sizes down to and up to are manufactured. Custom crash cymbals up to in diameter have been used by big bands. Different thicknesses are used for different kinds of music, and the alloy for each manufacturer's models varies. A thick cymbal is likely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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