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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Art
The art of Europe, or Western art, encompasses the history of art, history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock art, rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the art of Ancient Israel and the Aegean civilisation, Ancient Aegean civilizations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the Ancient Greek art, art of Ancient Greece, adopted and transformed by Roman art, Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia. The influence of the art of the Classical antiquity, Clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Historians
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form. Visual art can be classified in diverse ways, such as separating fine arts from applied arts; inclusively focusing on human creativity; or focusing on different media such as architecture, sculpture, painting, film, photography, and graphic arts. In recent years, technological advances have led to video art, computer art, performance art, animation, television, and videogames. The history of art is often told as a chronology of masterpieces created during each civilization. It can thus be framed as a story of high culture, epitomized by the Wonders of the World. On the other hand, vernacular art expressions can also be integrated into art historical narratives, referred to as folk arts or craft. The more closely that an art hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocaille
Rocaille ( , ) was a French style of exuberant decoration, with an abundance of curves, counter-curves, undulations and elements modeled on nature, that appeared in furniture and interior decoration during the early reign of Louis XV of France. It was a reaction against the heaviness and formality of the Louis XIV style. It began in about 1710, reached its peak in the 1730s, and came to an end in the late 1750s, replaced by Neoclassicism. It was the beginning of the French Baroque movement in furniture and design, and also marked the beginning of the Rococo movement, which spread to Italy, Bavaria and Austria by the mid-18th century. Overview Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocaille
Rocaille ( , ) was a French style of exuberant decoration, with an abundance of curves, counter-curves, undulations and elements modeled on nature, that appeared in furniture and interior decoration during the early reign of Louis XV of France. It was a reaction against the heaviness and formality of the Louis XIV style. It began in about 1710, reached its peak in the 1730s, and came to an end in the late 1750s, replaced by Neoclassicism. It was the beginning of the French Baroque movement in furniture and design, and also marked the beginning of the Rococo movement, which spread to Italy, Bavaria and Austria by the mid-18th century. Overview Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germain Boffrand
Germain Boffrand () (16 May 1667 – 19 March 1754) was a French architect. A pupil of Jules Hardouin-Mansart, Germain Boffrand was one of the main creators of the precursor to Rococo called the '' style Régence'', and in his interiors, of the Rococo itself. In his exteriors he held to a monumental Late Baroque classicism with some innovations in spatial planning that were exceptional in France His major commissions, culminating in his interiors at the Hôtel de Soubise, were memorialised in his treatise ''Livre d'architecture'', published in 1745, which served to disseminate the French Louis XV style throughout Europe. Biography Born at Nantes, the son of a provincial architect, Boffrand went to Paris in 1681 to study sculpture in the atelier of François Girardon, before entering the large official practice of Jules Hardouin-Mansart. His uncle, Philippe Quinault, introduced him to prospective clients among the aristocracy of Paris and at Court. He was employed from 1689 ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauvin Alexander Bailey
Gauvin Alexander Bailey is an American-Canadian author and art historian. He is Professor and Alfred and Isabel Bader Chair in Southern Baroque Art at Queen's University. Bailey is a correspondent étranger at the Académie des Inscriptions et Belles-Lettres, Institut de France and a Fellow of the Royal Society of Canada. He held the 2017 Panofsky Professorship at the Zentralinstitut für Kunstgeschichte in Munich. Early life and education Bailey was born in Vancouver B.C. on 8 July 1966. He attended the Schillergymnasium Münster among other schools, and graduated from Trinity College, Toronto at the University of Toronto with a B.A. in 1989 and M.A. in 1990, and from Harvard University with a Ph.D. in 1996. Career Bailey has taught Renaissance, Baroque, Latin American, and Asian art at King’s College at the University of Aberdeen, Boston College and Clark University, where he was program director for Art History and twice won the Hodgkins Junior Faculty Teaching Award (199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinoiserie
(, ; loanword from French ''wikt:chinoiserie#French, chinoiserie'', from ''wikt:chinois#French, chinois'', "Chinese"; ) is the European interpretation and imitation of China, Chinese and other East Asia, East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinoiserie
(, ; loanword from French ''wikt:chinoiserie#French, chinoiserie'', from ''wikt:chinois#French, chinois'', "Chinese"; ) is the European interpretation and imitation of China, Chinese and other East Asia, East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Soubise
The Hôtel de Soubise () is a city mansion '' entre cour et jardin'' (), located at 60 rue des Francs-Bourgeois, in the 3rd arrondissement of Paris. History The Hôtel de Soubise was built for the Prince and Princess de Soubise on the site of a semi-fortified manor house named the ''Grand-Chantier'' built in 1375 for ''connétable'' Olivier de Clisson, that had formerly been a property of the Templars. The site previously contained the Hôtel de Guise, the Paris residence of the Dukes of Guise, a cadet branch of the House of Lorraine. It was the birthplace of the last Duke, Francis Joseph, Duke of Guise, the son of Élisabeth Marguerite d'Orléans, Duchess of Alençon. He died in 1675 and the Guise estate passed to Marie de Lorraine who died at the Hôtel in 1688 having been born there in 1615. On March 27, 1700, François de Rohan, prince de Soubise bought the Hôtel de Clisson, lately de Guise, and asked the architect Pierre-Alexis Delamair to remodel it completely. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Würzburg Residence
The Würzburg Residence (German: ''Würzburger Residenz'') is a palace in Würzburg, Germany. Johann Lukas von Hildebrandt and Maximilian von Welsch, representatives of the Austrian/South German Baroque style, were involved in the construction, as well as Robert de Cotte and Germain Boffrand, who were followers of the French Style. Balthasar Neumann, court architect of the Bishop of Würzburg, was the principal architect of the Residence, which was commissioned by the Prince-Bishop of Würzburg Johann Philipp Franz von Schönborn and his brother Friedrich Carl von Schönborn in 1720, and completed in 1744. The Venetian painter Giovanni Battista Tiepolo, assisted by his son, Domenico, painted frescoes in the building. Interiors considered masterworks of Baroque/Rococo or Neoclassical architecture and art include the grand staircase, the chapel, and the Imperial Hall. The building was reportedly called the "largest parsonage in Europe" by Napoleon. It was heavily damaged by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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