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Rockin' At The Hops
''Rockin' at the Hops'' is the fourth studio album by rock and roll pioneer Chuck Berry, released in July 1960 on Chess Records, catalogue LP 1448. With the exception of four tracks, "Down the Road a Piece," "Confessin' the Blues," "Betty Jean," and "Driftin' Blues," all selections had been previously released on 45 rpm singles. Songs The first 7" 45-RPM single from ''Rockin' at the Hops'' was "Childhood Sweetheart" backed with "Broken Arrow", released in September 1959. The second single was " Let It Rock" backed with "Too Pooped to Pop", released in January 1960; the A-side reached number 64 on the ''Billboard'' Hot 100, and the B-side reached number 42 on the Hot 100 and number 18 on the R&B Singles chart. The last two singles—"Bye Bye Johnny" backed with "Worried Life Blues" (released in May) and "I Got to Find My Baby" backed with "Mad Lad" (released in August)—did not chart. Track listing Personnel * Chuck Berry – vocals, guitarsPersonnel from liner notes of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Driftin' Blues
"Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". "Driftin' Blues" has been interpreted and recorded by numerous artists in various styles. The Blues Foundation Hall of Fame and the Rock and Roll Hall of Fame have acknowledged the influence and lasting popularity of the song. Background In an interview, Brown recalled that "Driftin' Blues" was "the first song that I wrote down and tried to sing". Music critic Dave Marsh noted that Brown wrote it while still in high school. Rhythm-and-blues singer Johnny Otis, who was in Bardu Ali's band with Brown in Los Angeles in the early 1940s, recalled that Brown was reluctant to record the song. Brown's inspiration for the tune was a gospel song his grandmother had taught him and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Joe Clayton
Doctor Clayton (born Peter Joe Clayton; April 19, 1898 – January 7, 1947) was an American blues singer and songwriter. Biography Clayton was born in Georgia (though he claimed he had been born in Africa) and moved to St. Louis as a child with his family. He had four children and worked in a factory in St. Louis, where he started his career as a singer (he could also play the piano and the ukulele but never did so on record). Clayton recorded six sides for Bluebird Records in 1935, but only two were issued. Clayton's entire family died in a house fire in 1937; following this he became an alcoholic and began wearing outsized hats and glasses. To pursue his music career, Clayton moved to Chicago with Robert Lockwood, and he received attention from Decca Records, thanks to a helpful recommendation from another musician, Charley Jordan. Ultimately Clayton returned to Bluebird, recording with Lockwood, the bassist Robert (Ransom) Knowling, the pianist Blind John Davis, and Lester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got To Find My Baby
"Gotta Find My Baby" is a rock and roll song written and recorded in 1941 by Peter Joe Clayton under the name "Doctor Clayton." In the 1950s, cover versions were recorded as "I Got To Find My Baby" by other Rhythm & Blues artists, including B.B. King (1952), Little Walter (1954) and Chuck Berry, who is sometimes miscredited as the song's composer. The song was also covered by the Beatles in 1963. Original version Blues singer Peter Clayton composed "Gotta Find My Baby" in 1941 and recorded it in Chicago on November 11 for Bluebird Records under the name "Doctor Clayton." The song was released on January 9, 1942, as Bluebird B8901 and later included on ''Doctor Clayton - His Complete Recorded Works'' (Document CD DOCD 5179). Chuck Berry version Chuck Berry recorded the song at Chess Records on February 12, 1960, and it was released in August 1960 as a single under the title "I Got To Find My Baby" with "Mad Lad" as its B-side (Chess 1763), but the single did not chart. The Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Brown (singer)
Walter Brown (August 17, 1917 – June 1956) was an American blues shouter who sang with Jay McShann's band in the 1940s and co-wrote their biggest hit, "Confessin' the Blues". Brown was born in Dallas, Texas. He joined McShann's orchestra, which also included the saxophonist Charlie Parker, in 1941. Brown sang on some of the band's most successful recordings, including "Confessin' the Blues" and "Hootie Blues", before leaving to be replaced by Jimmy Witherspoon. in 1947 he recorded some sides with the Tiny Grimes Sextet, which resulted in their version of the hit "Open the Door Richard". The record was considered too risque and was banned from most radio playlists, and the label withdrew it from sale soon after. Brown's subsequent solo singing career was unsuccessful, although he recorded for the King, Signature and Mercury labels, and he briefly reunited with McShann for recording sessions in 1949. His last two recordings were completed in Houston in 1951 and released on the P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay McShann
James Columbus "Jay" McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson (trumpeter), Bernard Anderson, Walter Brown (singer), Walter Brown, and Ben Webster. Early life and education McShann was born in Muskogee, Oklahoma, Muskogee, Oklahoma, and was nicknamed Hootie. During his youth he taught himself how to play the piano through observing his sister's piano lessons and trying to practicing tunes he heard off the radio. He was also heavily influenced by late-night broadcasts of pianist Earl Hines from Chicago's Grand Terrace Cafe: "When 'Fatha' (''Hines'') went off the air, I went to bed". He began working as a professional musician in 1931 at the age of 15, performing around Tulsa, Oklahoma, and neighboring Arkansas. Career 1936–44 McShann moved to Kansas City, Missouri, in 1936, and set up his own big band which variously fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Maceo Merriweather
Major Merriweather (March 31, 1905 – February 23, 1953), better known as Big Maceo Merriweather, was an American pianist and blues singer. He was mainly active in Chicago through the 1940s. Career Born in Newnan, Georgia, he was a self-taught pianist. In the 1920s, he moved to Detroit, Michigan, to begin his music career. He moved to Chicago in 1941, where he made the acquaintance of Tampa Red. Red introduced him to Lester Melrose of RCA Victor and its subsidiary label Bluebird Records, who signed Merriweather to a recording contract. His first record was "" (1941), which became a blues |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Worried Life Blues
"Worried Life Blues" is a blues standard and one of the most recorded blues songs of all time. Originally recorded by Big Maceo Merriweather in 1941, "Worried Life Blues" was an early blues hit and Maceo's most recognized song. An earlier song inspired it and several artists have had record chart successes with their interpretations of the song. Background "Worried Life Blues" is based on "Someday Baby Blues" recorded by Sleepy John Estes in 1935. Estes' song is performed as a vocal and guitar country blues, whereas Maceo's is a prototypical Chicago blues. To illustrate the lyrical differences of the originals, the first few verses are as follows: :"Worried Life Blues" Big Maceo (1941): :"Someday Baby Blues" Sleepy John Estes (1935): Over the years the differences have become blurred by various cover versions of the songs, which use elements from both songs, often combined with new lyrics and variations in the music. Composition and recording Big Maceo recorded "Worried Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
