Rock And Rollin' With Fats Domino
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Rock And Rollin' With Fats Domino
''Rock and Rollin' with Fats Domino'' is the 1956 debut album by rock and roll pianist and vocalist Fats Domino, compiling a number of his hits and other material, some of which would soon become hits. All included recordings have been released previously on Imperial Records singles from 1950 to 1956. The album, which featured a woodcut portrait of the musician, reached No. 17 on the ''Billboard'' "Pop Albums" chart. It is believed to have been produced by engineer Bunny Robyn due to the notation on the cover "A Robyn Recording". Release history The album was released on Imperial Records, catalog #LP-9004, in March 1956 and reissued by London Records under the title ''Carry on Rockin. In spite of the term "rock and rollin'", the artist was not convinced that his work was of that genre. In 1956, he made this comment: "What they call rock and roll is rhythm and blues, and I've been playing it for 15 years in New Orleans." When Domino left Imperial in 1963 to join Paramount, Imper ...
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Fats Domino
Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017), known as Fats Domino, was an American pianist, singer and songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single " The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold. Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a "h ...
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Liberty Records
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Al Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals. History 1950s Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs". Its first big hit, in 1955, was by Julie London singing her version of the torch song, " Cry Me a River", which climbed to No. 9 in the ''Billboard'' Hot 100. It helped Liberty sell her first album, ''Julie Is Her Name''. In 1956, Liberty signed Henry Mancini and released two singles and several albums by him. He left in 1958, signing with RCA Victor, where his record sales increased. Billy Rose and Lee David's song "Tonight You Belong to Me" reached number 4 (US) and number 28 (UK) when it was performed by teen sisters Patience and Prudence (McIntyre), selling over a million copies. Liberty also s ...
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Fats Domino Albums
Fats or FATS may refer to: * More than one type of fat, one of the three main macronutrients, along with carbohydrate and protein People with the nickname "Fats" * Harmonica Fats (1927–2000), American blues harmonica player who was active in the 1950s through to the 1990s * Hollywood Fats (1954–1986), American blues guitarist, active in Los Angeles, California * Fats Dantonio (1918–1993), American Major League Baseball catcher * Alex Delvecchio (born 1931), Canadian hockey player * Fats Domino (1928–2017), American rock and roll singer and pianist * Fats Everett (1915–1969), American politician * Peter Fatialofa (1959–2013), Samoan rugby player * Bob Fothergill (1897–1938), American Major League Baseball player * Fats Heard (1923–1987), American jazz drummer * Fats Jenkins (1898–1968), American Negro leagues baseball and barnstorming basketball player * Frank Kalin (1917–1975), American Major League Baseball outfielder * Fats Kaplin, American fiddler * Anthon ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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The Fat Man (song)
"The Fat Man" is a song by American rhythm and blues recording artist Fats Domino. It was written by Domino and Dave Bartholomew, and recorded on December 10, 1949. It is often cited as one of the first rock and roll records or at least a strong influence on the genre. This was a "rollicking" song, according to ''The Guardian'' "but what made it a rocker was Fats's barrelling piano triplets, combined with a solid big beat". The recording is one of four Fats Domino songs to have been named to the Grammy Hall of Fame. Domino received a Grammy Lifetime Achievement Award in 1987. Recording The song was recorded for Imperial Records in Cosimo Matassa's J&M studio on Rampart Street in New Orleans, Louisiana on Saturday, December 10, 1949. Imperial's Lew Chudd had previously asked Dave Bartholomew to show him some locally popular talent, and was most impressed with the 21-year-old Fats Domino, then playing at a working class dive in the 9th Ward of New Orleans. Domino sang and play ...
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Dave Bartholomew
David Louis Bartholomew (December 24, 1918 – June 23, 2019) was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as "one of the Crescent City's greatest musicians and a true pioneer in the rock and roll revolution".Dave Bartholomew biography
Rock & Roll Hall of Fame. Retrieved August 29, 2015.
Many musicians have recorded Bartholomew's songs, but his partnership with

Bo Weevil
"Bo Weevil" is a song written by Dave Bartholomew and Fats Domino, recorded by Domino in 7 November 1955 and released as a single in January 1956, peaking at number 35 on the U.S. pop chart and number 5 on the U.S. R&B chart in February 1956. It was featured on his 1956 album, '' Rock and Rollin' with Fats Domino''. Alternate versions In 1991, two new versions of the song performed by Fats Domino were released: the so-called "complete" (length 2:45), on the soundtrack of the film ''A Rage in Harlem'', and the "alternative" (1:50), on the 4-CD box set ''"They Call Me The Fat Man..."''. The "complete" version was also included in the 1993 Fats Domino box set ''Out of New Orleans''. However, these alternate versions are simply composite edits of the original recording, the shortest of the three (1:50), which was considered as alternative by Fats Domino fans. The first minute of this original recording (after a two-second intro) was repeated twice to produce a composite master for th ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Ain't It A Shame
"Ain't That a Shame" is a song written by Fats Domino and Dave Bartholomew. Domino's recording of the song, originally stated as "Ain't It a Shame", released by Imperial Records in 1955, was a hit, eventually selling a million copies. It reached number 1 on the ''Billboard'' R&B chart and number 10 on the pop chart. The song is ranked number 438 on ''Rolling Stone'' magazine's 500 Greatest Songs of All Time list. This recording was included in the debut Fats Domino album ''Rock and Rollin' with Fats Domino'' (1956) and next in the compilation ''Fats Domino Swings (12,000,000 Records)'' (1958). Later in 1963 the recording has been overdubbed by vocal chorus for the album ''Let's Dance with Domino'' (1963). In 1983 Fats Domino re-recorded the song; this recording was included in his last album ''Alive and Kickin (2006) under the title "Ain't That a Shame 2000". The song gained national fame after being covered by Pat Boone. Domino's version soon became more popular, bringing hi ...
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United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ...
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London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name — as London American Recordings, often shortened to London American — was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti. In a ...
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