Rochus Gliese
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Rochus Gliese
Rochus Gliese (6 January 1891 — 22 December 1978) was a German actor, director, production designer, and Academy Award-nominated art director of early films from the 1910s and 1920s. He was born in Berlin. He is most remembered in the United States for his work as an art director on the film '' Sunrise: A Song of Two Humans''. Most of his other films did not receive wide release in the United States. His final film as a director was 1930's '' Chasing Fortune'', though he did some behind-the-scenes roles through the 1930s and in the 1950s. His final work was 1955's ', where he worked as a set decorator. He died in 1978 in Berlin. Main filmography Director * ''Rübezahl's Wedding'' (co-director: Paul Wegener, 1916) * '' The Yogi'' (co-director: Paul Wegener, 1916) * '' The Galley Slave'' (co-director: Paul Wegener, 1919) * '' The Lost Shadow'' (1921) * '' Duke Ferrante's End'' (director: Paul Wegener, 1922), uncredited * ''The Burning Secret'' (1923) * ''Comedy of the H ...
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Actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of ...
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The Burning Secret (1923 Film)
''The Burning Secret'' (german: Das brennende Geheimnis) is a 1923 German silent drama directed by Rochus Gliese and starring Ernst Deutsch, Otto Gebühr, and Wilhelm Diegelmann.Bock & Bergfelder p. 150 It was based on the novel by Stefan Zweig which was later adapted into a 1933 film of the same name Cast See also * ''Burning Secret ''Burning Secret'' is a 1988 drama film, based on the short story ''Brennendes Geheimnis'' by Stefan Zweig, about an American diplomat's son who befriends a mysterious baron while staying at an Austrian spa during the 1920s. This symbol-fille ...'' (1988) References Bibliography * External links * 1923 films 1923 drama films Silent German drama films Films of the Weimar Republic Films directed by Rochus Gliese German silent feature films German black-and-white films Films based on works by Stefan Zweig Films based on short fiction 1920s German films 1920s German-language films {{Germany-silent-film-stub ...
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Intoxication (film)
''Intoxication'' (German: ''Rausch'') is a 1919 German silent drama film directed by Ernst Lubitsch and starring Asta Nielsen, Alfred Abel and Karl Meinhardt. It was based on the play '' Brott och brott'' by August Strindberg, which was later remade as the 1928 film ''Sin''. Lubitsch was loaned out from UFA to the smaller Argus-Film for the production.Hake p.38 Plot Gaston finally succeeds as a dramatist and decides to leave his wife and child for another woman. When the child dies, the finger is pointed at him, and he winds up as a destitute before all is revealed. Cast * Asta Nielsen as Henriette Mauclerc * Alfred Abel as Gaston, ein Schriftsteller * Karl Meinhardt as Adolph * Grete Diercks as Jeanne * Rudolf Klein-Rhoden as Untersuchungsrichter * Frida Richard as Haushälterin * Marga Köhler as Henriettes Mutter * Sophie Pagay Sophie Berg Pagay (22 April 1860 – 23 January 1937) was an Austrian stage and film actress, born in Brünn, Austria-Hungary. She b ...
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The Pied Piper Of Hamelin (1918 Film)
''The Pied Piper of Hamelin'' (German: ''Der Rattenfänger von Hameln'') is a 1918 German silent drama film directed by and starring Paul Wegener and also featuring Lyda Salmonova and Wilhelm Diegelmann. It is based on the legendary story of the Pied Piper of Hamelin. It was shot at the Tempelhof Studios and on location around Bautzen and Hildesheim. The film's sets were designed by the art director Rochus Gliese. The animator Lotte Reiniger worked on the design of the film's intertitles. It premièred at the Union-Theater am Nollendorfplatz on 19 December 1918.Der Rattenfänger
Filmportal.de. Retrieved 31 August 2021.


Cast

* as Fremder Spielmann *



Der Antiquar Von Straßburg
Der or DER may refer to: Places * Darkənd, Azerbaijan * Dearborn (Amtrak station) (station code), in Michigan, US * Der (Sumer), an ancient city located in modern-day Iraq * d'Entrecasteaux Ridge, an oceanic ridge in the south-west Pacific Ocean Science and technology * Derivative chromosome, a structurally rearranged chromosome * Distinguished Encoding Rules, a method for encoding a data object, including public key infrastructure certificates and keys * Distributed Energy Resources * ∂, the partial derivative symbol *Deep energy retrofit, an energy conservation measure Organizations * Digital Education Revolution, former Australian Government-funded educational reform program * DER rental (Domestic Electric Rentals Ltd), a UK television rentals company * Documentary Educational Resources, a non-profit film producer and distributor Other uses *Defence (Emergency) Regulations, legal regulations promulgated by the British in Mandatory Palestine in 1945 *Department of Environ ...
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The Foreign Prince
''The Foreign Prince'' (German: ''Der fremde Fürst'') is a 1918 German silent drama film directed by and starring Paul Wegener and also featuring Lyda Salmonova and Margarete Kupfer. It is now considered to be a lost film. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Rochus Gliese. Prior to its release, the film was censored for pornographic images in September 1918 as well as on 21 May 1921. Cast *Paul Wegener as Hidde Yori, Son and heir of the island lord Prince Aswan *Lyda Salmonova as Eva, Brodersen's daughter *Gustav Botz as Brodersen, merchant *Rochus Gliese as Düssing, Evas Vetter, volunteer at Fa. Brodersen & Co. *Margarete Kupfer as Frau Höhne, Zimmervermieterin * Adolf E. Licho as variety director *Walter Norbert as Brodersen's servant *Paul Passarge as lawyer of Fa. Brodersen & Co. * Hans Stürm as Schmitz, head of an overseas branch * as Ein Kontorherr *Elsa Wagner Elsa Wagner (24 January 1881 – 17 A ...
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Hans Trutz In The Land Of Plenty
''Hans Trutz in the Land of Plenty'' (German: ''Hans Trutz im Schlaraffenland'') is a 1917 German silent fantasy film directed by and starring Paul Wegener and also featuring Lyda Salmonova and Ernst Lubitsch.Kreimeier, Klaus. ''The Ufa Story: A History of Germany's Greatest Film Company, 1918-1945''. University of California Press, 1999. p. 45. It was one of a trilogy of fairytale-inspired films made by Wegener, along with ''Rübezahl's Wedding'' and ''The Pied Piper of Hamelin''. It was shot at the Tempelhof Studios in Berlin and on location at Bautzen in Saxony. The film's sets were designed by the art director Rochus Gliese. Cast *Paul Wegener as Hans Trutz *Lyda Salmonova as Marthe *Ernst Lubitsch as Satan *Wilhelm Diegelmann as Ein Schlaraffe *Rochus Gliese *Fritz Rasp *Gertrude Welcker as Angel See also *Cockaigne Cockaigne or Cockayne () is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures a ...
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The Golem And The Dancing Girl
''The Golem and the Dancing Girl'' (original German title: ) is a 1917 German silent film, silent comedy horror film. It is part of a trilogy, preceded by ''The Golem (1915 film), The Golem'' (1915) and followed by ''The Golem: How He Came into the World'' (1920). Paul Wegener and Rochus Gliese co-directed and acted in the film. Wegener also wrote the screenplay. This was the screen debut of Fritz Feld. It was produced by Deutsche Bioscop GmbH.Workman, Christopher; Howarth, Troy (2016). ''Tome of Terror: Horror Films of the Silent Era''. Midnight Marquee Press. p. 188. . ''The Golem and the Dancing Girl'' is now considered a lost film, though silentera.com reports a print may exist in an "eastern European film archive". Troy Howarth wrote, "(the film) remains one of the earliest filmed examples of a horror spoof....makes it all the more regrettable that it has vanished so completely." Plot Not much is known of the plot, since the film is considered lost, but it appears to hav ...
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The Golem (1915 Film)
''Der Golem'' (german: link=no, Der Golem, shown in the US as ''The Monster of Fate'') is a partially lost 1915 German silent horror film written and directed by Paul Wegener and Henrik Galeen. It was inspired by a Jewish folktale, the most prevalent version of the story involving 16th century Rabbi Judah Loew ben Bezalel who created the Golem to protect his people from antisemites.Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 150.. Wegener claimed the film was based on Gustav Meyrink's 1915 novel '' The Golem'', but, as the movie has little to do with existing Jewish traditions, Troy Howarth states "it is more likely that (the screenwriters) simply drew upon European folklore". The film was the first of a trilogy produced by Wegener, followed by ''The Golem and the Dancing Girl'' (1917) and '' The Golem: How He Came into the World'' (1920). Plot In modern times, an antiques dealer (Henrik Galeen) s ...
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Edgar G
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of '' ead'' "rich, prosperous" and ''gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Angara, Filipino lawyer * Edgar Barrier, American actor * Edgar Baumann, Paraguayan javelin thrower * Edgar Bergen, American actor, radio performer, ventriloquist * Edgar Berlanga, American boxer * Edgar H. Brown, American mathematician * Edgar Buchanan, American actor * Edgar Rice Burroughs, American author, creator of ''Tarzan'' * Edgar Cantero, Spanish author in Catalan, Sp ...
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Robert Siodmak
Robert Siodmak (; 8 August 1900 – 10 March 1973) was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of films noirs he made in the 1940s, such as ''The Killers'' (1946). Early life Siodmak was born in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak and the brother of Curt, Werner and Roland. His parents were both from Jewish families in Leipzig (the myth of his American birth in Memphis, Tennessee was necessary for him to obtain a visa in Paris during World War II). He worked as a stage director and a banker before becoming editor and scenarist for Curtis Bernhardt in 1925 (Bernhardt directed a film of Siodmak's story ''Conflict'' in 1945). At twenty-six he was hired by his cousin, producer Seymour Nebenzal, to assemble original silent movies from stock footage of old films. Siodmak worked at this for two years before he persuaded Nebenzal to finance his first feature, the ...
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People On Sunday
''People on Sunday'' (german: Menschen am Sonntag) is a 1930 German silent drama film directed by Robert Siodmak and Edgar G. Ulmer from a screenplay by Robert and Curt Siodmak. The film follows a group of residents of Berlin on a summer's day during the interwar period. Hailed as a work of genius, it is a pivotal film in the development of German cinema and Hollywood. The film features the talents of Eugen Schüfftan (cinematography), Billy Wilder (story) and Fred Zinnemann (cinematography assistant). Production The film is subtitled "a film without actors" and was filmed on Sundays in the summer of 1929. The actors were amateurs whose day jobs were those that they portrayed in the film—the opening titles inform the audience that these actors have all returned to their normal jobs by the time of the film's release in February 1930. They were part of a collective of young Berliners who wrote and produced the film on a shoestring. This lightly scripted, loosely observational w ...
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