|
Roberto Carlos Em Ritmo De Aventura
''Roberto Carlos em ritmo de aventura'' is a 1968 Brazilian musical comedy film directed by Roberto Farias, with screenplay written by Paulo Mendes Campos. The film is the first of a trilogy directed by Farias featuring the singer Roberto Carlos. Synopsis Singer Roberto Carlos is making a film when he is chased by an international gang who want to kidnap him to the United States and force him to write songs. Soundtrack The film soundtrack was released in 1967, a year before the movie. The record was ranked No. 24 in the list of Rolling Stone Brasil 100 Greatest Brazilian Music Records. Track listing A side # "Eu Sou Terrível" ( Roberto Carlos – Erasmo Carlos) # "Como É Grande o Meu Amor por Você" (Roberto Carlos) # "Por Isso Corro Demais" (Roberto Carlos) # "Você Deixou Alguém A Esperar" (Édson Ribeiro) # "De Que Vale Tudo Isso" (Roberto Carlos) # "Folhas De Outono" (Francisco Lara – Jovenil Santos) B- side # "Quando" (Roberto Carlos) # "É Tempo De Amar" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Farias
Roberto Farias (27 March 1932 – 14 May 2018) was a Brazilian film director, producer and screenwriter. He directed 15 films during his career. His 1982 film ''Pra Frente, Brasil'' was entered into the 33rd Berlin International Film Festival. Farias' brother Reginaldo Faria (the 's' was added to his surname due to an error at the registry) is also a film director and actor. Biography Brother of the actor Reginaldo Faria, had an "s" added to his surname by error of the notary. His mother took him as a baby when he went to the movies. Between one bottle and another, it was his first contact with what was happening on the screen. At the age of 8 he was making a "movie" at his house using shoe boxes. From cinema to photography was an easy jump and he came from Nova Friburgo to study Fine Arts in Rio de Janeiro or to do Architecture, but his destiny and preference was always the movies. Throughout his career, Roberto was an assistant, editor, screenwriter, producer and distribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulo Mendes Campos
Paulo Mendes Campos (February 28, 1922 – July 1, 1991) was a Brazilian writer and journalist. Biography Born in Minas Gerais, Mendes Campos was the son of the physician and writer Mario Mendes Campos and D. Maria José de Lima Campos. He began his studies at the state capital, continued in Cachoeira do Campo, where the Portuguese teacher, a priest predicted: "You will still be a writer," and ended them in São João del Rei. He began the study of dentistry, veterinary medicine and law, but did not complete them. His dream of being an aviator did not materialize either. He had a diploma, he liked to joke, only in touch-typing. Still very young, he entered literary life as a member of the Minas Gerais' "Generation of 1945", together with such writers as Fernando Sabino, Otto Lara Resende, Hélio Pellegrino, João Ettiene Filho, Carlos Castello Branco and Murilo Rubião. In Belo Horizonte, Campos directed the literary supplement of '' Folha de Minas'' and worked in his uncle's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Carlos
Roberto Carlos da Silva Rocha (born 10 April 1973), commonly known as Roberto Carlos, is a Brazilian former professional footballer who now works as a football ambassador. He started his career in Brazil as a forward but spent most of his career as a left-back and has been described as the "most offensive-minded left-back in the history of the game". A free kick specialist throughout his career, his bending shots have measured at over . In 1997, he was runner-up in the FIFA World Player of the Year. Widely considered one of the greatest left backs in history, in 2004 he was named by Pelé in the FIFA 100 list of the world's greatest living players. At club level, Roberto Carlos joined Real Madrid from Inter Milan in 1996 to spend 11 highly successful seasons, playing 584 matches in all competitions and scoring 71 goals. At Real, he won four La Liga titles and the UEFA Champions League three times. In April 2013, ''Marca'' named him in their "Best Foreign Eleven in Real Madri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Lewgoy
José Lewgoy (16 November 1920 – 10 February 2003) was a Brazilian actor. He is recognizable to many art-house cinema fans for his role as Don Aquilino in Werner Herzog's 1982 film ''Fitzcarraldo''. Biography He was born in Veranópolis, Rio Grande do Sul, Brazil, to a Russian father and an American mother, who met in New York. He died in Rio de Janeiro. He was considered one of the best actors in Brazil, and was usually typecast as a villain. Selected filmography * ''Carnaval no Fogo'' (1949) - Anjo * ''Quando a Noite Acaba'' (1950) * ''Katucha'' (1950) * ''Cascalho'' (1950) * ''Aviso aos navegantes'' (1950) - Professor Scaramouche * ''Maior Que o Ódio'' (1951) * ''Aí Vem o Barão'' (1951) - Von Mack * ''Três Vagabundos'' (1952) - Schultz * ''Carnaval Atlântida'' (1952) - Conde Verdura * ''Barnabé Tu És Meu'' (1952) - Garcia * ''Areias Ardentes'' (1952) - Ambrósio * ''Amei um Bicheiro'' (1953) - Almeida * ''Três Recrutas'' (1953) * ''Carnaval em Caxias'' (1954) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reginaldo Faria
Reginaldo Figueira de Faria (born 11 June 1937) is a Brazilian actor and film director. He has appeared in more than 60 films and television shows since 1952. Faria's brother Roberto Farias (the 's' was added to his surname due to an error at the registry) is also a film director and screenwriter. Selected filmography ;Film * ''Cidade Ameaçada'' (1960) * '' The ABC of Love'' (1967) * ''Pra Quem Fica, Tchau'' (1971) * '' Lucio Flavio'' (1977) * ''Pra Frente, Brasil'' (1982) * '' Memórias Póstumas'' (2001) * ''Cazuza – O Tempo Não Pára'' (2004) * '' O Carteiro'' (2011) ;Television * ''Vale Tudo'' (1988–1989) * ''Tieta'' (1989–1990) * ''Vamp'' (1991–1992) * ''Olho no Olho'' (1993–1994) * ''Explode Coração'' (1995–1996) * ''Força de um Desejo'' (1999–2000) * ''O Clone'' (2001–2002) * ''Porto dos Milagres'' (2001) * ''Cabocla'' (2004) * '' América'' (2005) * ''Paraíso Tropical'' (2007) * ''Beleza Pura'' (2008) * '' O Astro'' (2011) * ''Cordel Encantado'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artists
United Artists Corporation (UA), currently doing business as United Artists Digital Studios, is an American digital production company. Founded in 1919 by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, the studio was premised on allowing actors to control their own interests, rather than being dependent upon commercial studios. UA was repeatedly bought, sold, and restructured over the ensuing century. Metro-Goldwyn-Mayer acquired the studio in 1981 for a reported $350 million ($ billion today). On September 22, 2014, MGM acquired a controlling interest in entertainment companies One Three Media and Lightworkers Media, then merged them to revive United Artists' television production unit as United Artists Media Group (UAMG). However, on December 14 of the following year, MGM wholly acquired UAMG and folded it into MGM Television. United Artists was again revived in 2018 as United Artists Digital Studios. Mirror, the joint distribution ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Comedy Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Musical Comedy Film")