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Robert De La Piere
Robert de la Piere (died 1258) was a trouvère of the so-called "school" of Arras. In his time Robert's bourgeois family was prominent in Arras, though the earliest known member is only recorded in 1212. Robert served as a magistrate in 1255, as attested by one surviving document in the municipal archives. There is also a surviving notice of his death in the spring of 1258, at Arras. His nine ''chansons'' and five '' jeux partis'' survive only in north French sources, and were probably not widely copied or performed. The only possible exception to this is ''Hé, Amours, je fui nouris'', which is widely preserved, but at the same time has conflicting attribution: it is more commonly assigned to Gillebert de Berneville in the manuscripts. The song ''Joliement doi chanter'' ascribed to Robert is also more often found ascribed to Gillebert. ''Hé, Amours'' was the basis for two contrafacta: ''Aucun gent m'out blasmé'' and ''Mout sera cil bien mouris'', in praise of Mary. All the other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Bretel
Jehan Bretel (''c''.1210 – 1272) was a trouvère. Of his known oeuvre of probably 97 songs, 96 have survived. Judging by his contacts with other trouvères he was famous and popular. Seven works by other trouvères ( Jehan de Grieviler, Jehan Erart, Jaques le Vinier, Colart le Boutellier, and Mahieu de Gant) are dedicated to Bretel and he was for a time the "Prince" of the Puy d'Arras. Bretel held the hereditary post of sergeant at the Abbey of Saint Vaast in Arras, in which capacity he oversaw the rights of the abbacy on the river Scarpe. He is referred to as ''sergens iretavles de la riviere Saint-Vaast'' in a document of 1256. His father, Jehan, had held this same post from 1241 (at the latest) until his death in 1244. His grandfather, Jacques, was described as ''sergent héréditaire'' around the turn of the century, when there were eight such officials associated with the abbey. The trouvère and his brother were modestly wealthy property owners near Arras, where Jeha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1258 Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahieu De Gant
Mahieu de Gant ('' fl.'' mid–late 13th century) was a Flemish trouvère (poet- composer) from Ghent associated with the so-called "school of Arras". He has been conflated with Mahieu le Juif, but the same manuscript containing both their works clearly distinguishes them. His career can only be dated because of those with whom he composed '' jeux partis'', which includes Robert de la Piere, who died in 1258. All of Mahieu's melodies are in bar form Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the .... List of songs ;Chansons *''Con plus ain et mains ai joie'' (RS 1723) in trouvère MSS a, fol.66. *''De faire chançon envoisie'' (RS 1144) in trouvère MSS M and T. *''Je serf Amours a mon pooir'' (RS 1810) in trouvère MSS M and T. *''Onques de chant en ma vie'' (RS 1228) in trouv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan De Grieviler
Jehan de Grieviler (''Floruit, fl.'' mid- to late 13th century) was an Arras, Artesian cleric and trouvère. Jehan was probably born at Grévillers near Arras. A certain "Grieviler" is mentioned in the necrology (''registre'') of the Confrérie des jongleurs et des bourgeois d'Arras under 1254. Elizabeth Aubrey argues that since Jehan was a known member of the Puy d'Arras, he cannot be identified with the "Grieviler" of the necrology. More recent work on these institutions by Carol Symes has suggested they were in fact the same.Carol Symes, A Common Stage: Theatre and Public Life in Medieval Arras. Ithaca, 2007 Nonetheless, a further piece of evidence for establishing his chronology are the songs he is known to have composed with Adam de la Halle, who was very young in the 1250s. Probably Jehan was one of the sixteen unordained married clerics in minor orders who petitioned the Bishop of Arras on 28 January 1254 to exempt them from secular taxation. They were evidently involved in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambert Ferri
Lambert Ferri (fl. c. 1250–1300) was a trouvère and cleric at the Benedictine monastery at Saint-Léonard, Pas-de-Calais. By 1268 he was a canon and a deacon of the monastery; he is last associated with the monastery in 1282. He was a popular partner for '' jeux partis'', of which some twenty-seven survive between him and other composers, including Jehan Bretel, Jehan le Cuvelier d'Arras, Jehan de Grieviler, Jehan de Marli, Phelipot Verdiere, Robert Casnois, and Robert de La Pierre.Michelle F. Stewart (1979), "The Melodic Structure of Thirteenth-Century ''Jeux-Partis''," ''Acta Musicologica'', 51(1), 86–107. Eleven of his songs have surviving melodies, including seven of the ''jeux partis'', three ''chansons'', and one Marian Marian may refer to: People * Mari people, a Finno-Ugric ethnic group in Russia * Marian (given name), a list of people with the given name * Marian (surname), a list of people so named Places * Marian, Iran (other) * Marian, Queens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais Departments of France, department, which forms part of the regions of France, region of Hauts-de-France; before the regions of France#Reform and mergers of regions, reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe (river), Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word ''nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blessed Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jeru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrafacta
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". The earliest known examples of this procedure (sometimes referred to as ''adaptation''), date back to the 9th century used in connection with Gregorian Chant. Categories Translations meant for singing are not usually intentional "substitution". Types of contrafacta that are wholesale substitution of a different text include the following: Poems set to music An existing tune already possessing secular or sacred words is given a new poem, which often happens in hymns, and sometimes, more than one new set of words is created over time. Examples include: * The words of ''What Child Is This?'' were fitted to the tune of the folksong "Greensleeves". * The Charles Wesley hymn text Hark! The Herald Angels Sing was fitted by William Hayman Cummings to a tune from Mendelssohn's Gutenberg cantata Festgesang. * The hymn tune "Dix" has been giv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
