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Robert Fayrfax
Robert Fayrfax (23 April 1464 – 24 October 1521) was an English Renaissance composer, considered the most prominent and influential of the reigns of Kings Henry VII and Henry VIII of England. Biography He was born in Deeping Gate, Lincolnshire.D. M. Randel, ''The Harvard Biographical Dictionary of Music'' (Cambridge MA, Harvard University Press, 1996), p. 262. He had the patronage of the leading cultural figure of Henry VII's court, the king's mother Lady Margaret Beaufort (1443-1509). He became a Gentleman of the Chapel Royal by 6 December 1497.J. Caldwell, ''The Oxford History of English Music'' vol. 1 (Oxford: Oxford University Press, 1998), p. 210. He was granted a chaplaincy of the Free Chapel at Snodhill Castle near Dorstone, a post which was given away a year later to Robert Cowper, another Gentleman. Fayrfax was at court at Richmond Palace on 28 May 1502 when Elizabeth of York, the wife of Henry VII, gave him 20 shillings for "setting an Anthem of oure lady an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Military Knights Of Windsor
The Military Knights of Windsor, originally the Alms Knights and informally the Poor Knights, are retired military officers who receive a pension and accommodation at Windsor Castle, and who provide support for the Order of the Garter and for the services of St. George's Chapel, Windsor Castle. They are commanded by a senior retired officer as Governor of the Military Knights of Windsor. History The Alms Knights of St. George's Chapel were constituted by King Edward III following the Battle of Crécy (1346), when many knights captured by the French were forced to liquidate their estates to raise ransom money in order to secure their release. At the original establishment of the Order of the Garter and its chapel at Windsor (1348), veteran warriors were called to "serve God continually in prayer". In the statutes of the College of St. George's, a community of twenty-six bedesmen, called Alms Knights or Poor Knights, were appointed. Their duties included attending four services ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cardinall's Musick
The Cardinall's Musick is a United Kingdom-based vocal ensemble specialising in music of the 16th and 17th centuries and contemporary music.Ivan March, Edward Greenfield, Robert Layton - The Penguin Guide to Recorded Classical Music - 2008 Page 284 - "Cardinall's Musick are putting us in their debt by providing (in new editions by David Skinner) a complete recorded survey of the vocal music of William Byrd." It was founded by the scholar and musicologist David Skinner and the singer / director Andrew Carwood. Taking its name from the 16th-century English cardinal, Thomas Wolsey, the group’s reputation grew through its extensive study of music from the English Renaissance. Originally an a cappella vocal group founded in 1989, The Cardinall's Musick embraces a wide range of styles and periods: from a complete reconstruction of a Tudor mass in Hampton Court to the world premieres of commissions from composers Michael Finnissy, Matthew Martin, Judith Weir and Simon Whalley. Their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Skinner (musicologist)
David Skinner is a British musicologist and choir director. He works at the University of Cambridge, where he is the director of music at Sidney Sussex College and is an affiliated lecturer, teaching historical and practical topics from the medieval and Renaissance periods. He is the founder of the vocal consort Alamire, and the cofounder of the vocal ensembles Magdala and The Cardinall's Musick. He has produced more than 25 recordings. He has been associated with a number of award-winning projects (including two Gramophone Awards and three runners up; Diapason d'Or; Deutsche Schallplatten; and a Grammy nomination). Early life and education Skinner grew up in the United States. Skinner was educated at the University of Edinburgh. From 1989 to 1994, Skinner was a choral scholar at Christ Church of the University of Oxford. He would receive his DPhil at Christ Church in 1995 for a biography of Nicholas Ludford and a critical edition of Ludford's antiphons. From 1997 to 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Carwood
Andrew Carwood (born 30 April 1965) is the Director of Music at St Paul's Cathedral in London and director of his own group, The Cardinall's Musick. Biography He was educated at The John Lyon School, Harrow and was a choral scholar in the Choir of St John's College, Cambridge under George Guest, a lay clerk at Christ Church, Oxford and Westminster Cathedral, London before holding the post of Director of Music at the London Oratory Church in London for five years. He is now Artistic Director of The Cardinall's Musick and Director of Music at St Paul's Cathedral in London. Career As a singer he is particularly known for his performances of the English repertoire, from consort songs by William Byrd to the role of the Male Chorus in Benjamin Britten’s ''The Rape of Lucretia'' and for music of the Baroque. He has performed with many of the leading British ensembles both on disc and on the concert platform throughout the world, including the Tallis Scholars, the Orlando Consort, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tallis
Thomas Tallis (23 November 1585; also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one of England's greatest composers, and is honoured for his original voice in English musicianship. Life Youth As no records about the birth, family origins or childhood of Thomas Tallis exist, almost nothing is known about his early life or origins. Historians have calculated that he was born in the early part of the 16th century, towards the end of the reign of Henry VII of England, and estimates for the year of his birth range from 1500 to 1520. His only known relative was a cousin called John Sayer. As the surnames ''Sayer'' and ''Tallis'' both have strong connections with Kent, Thomas Tallis is usually thought to have been born somewhere in the county. There are suggestions that Tallis sang as a child of the chapel in the Chapel Royal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Taverner
John Taverner ( – 18 October 1545) was an English composer and organist, regarded as one of the most important English composers of his era. He is best-known for ''Missa Gloria tibi Trinitas'' and ''The Western Wynde Mass'', and ''Missa Corona Spinea'' is also often viewed as a masterwork. Career Nothing is known of Taverner's activities before 1524. He appears to have come from the East Midlands, possibly being born in Tattershall, Lincolnshire, but there is no indication of his parentage. According to one of his own letters, he was related to the Yerburghs, a well-to-do Lincolnshire family. The earliest information is that in 1524, Taverner travelled from Tattershall to the Church of St Botolph in nearby Boston, as a guest singer. Two years later, in 1526, Taverner became the first Organist and Master of the Choristers at Christ Church, Oxford, appointed by Cardinal Thomas Wolsey. The college had been founded in 1525, by Cardinal Wolsey, and was then known as Cardinal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Mass
A parody mass is a musical setting of the mass, typically from the 16th century, that uses multiple voices of another pre-existing piece of music, such as a fragment of a motet or a secular ''chanson'', as part of its melodic material. It is distinguished from the two other most prominent types of mass composition during the Renaissance, the ''cantus firmus'' and the paraphrase mass. Etymology In the sense considered here, the term ''parody mass'' applies to masses where a polyphonic fragment from another work is used as the basis of a new composition. The term ''imitation mass'' has been suggested instead of ''parody mass'', as being both more precise and closer to the original usage, since the term ''parody'' is based on a misreading of a late 16th-century text. In contradistinction, masses which incorporated only a single voice of the polyphonic source, treated not as a ''cantus firmus'' ('Tenor Mass') but elaborated and moving between different parts, are referred to by write ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eton Choirbook
The Eton Choirbook (Eton College MS. 178) is a richly illuminated manuscript collection of England, English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the English Reformation, Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England (the others are the Lambeth Choirbook and the Caius Choirbook). The Choirbook was compiled between approximately 1500 and 1505 for use at Eton College; its present binding dates from the mid 16th century. 126 folios remain of the original 224, including the index. In the original, there were a total of 93 separate compositions; however only 64 remain either complete or in part. Some of the 24 composers are known only because of their inclusion in the Eton Choirbook. John Browne (composer), John Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's College, Cambridge
King's College is a constituent college of the University of Cambridge. Formally The King's College of Our Lady and Saint Nicholas in Cambridge, the college lies beside the River Cam and faces out onto King's Parade in the centre of the city. King's was founded in 1441 by King Henry VI soon after he had founded its sister institution at Eton College. Initially, King's accepted only students from Eton College. However, the king's plans for King's College were disrupted by the Wars of the Roses and the resultant scarcity of funds, and then his eventual deposition. Little progress was made on the project until 1508, when King Henry VII began to take an interest in the college, probably as a political move to legitimise his new position. The building of the college's chapel, begun in 1446, was finished in 1544 during the reign of Henry VIII. King's College Chapel is regarded as one of the finest examples of late English Gothic architecture. It has the world's largest fan vaul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Part-songs
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. This music is usually homophonic, meaning that the highest part carries the melody and the other voices or parts supply the accompanying harmonies, in contrast to songs that are contrapuntal, as are madrigals. Part songs are intended to be sung a cappella, that is without accompaniment, unless an instrumental accompaniment is particularly specified. The part song was created in Great Britain, first growing from, and then gradually superseding, the earlier form of glee, as well as being particularly influenced by the choral works of Felix Mendelssohn (1809–1847). This was linked with the growth of choral societies during the 19th century which were larger groups than glee clubs had been.Hillier, Paul. Preface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
