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Rob Du Bois
Rob du Bois (28 May 1934 – 28 August 2013) was a Dutch composer, pianist, and jurist. Background and education Rob (Robert Louis) du Bois was born in Amsterdam. His French ancestry can be seen from his name, and he maintained a sympathy for the French mentality and language. After graduating from the Vossius Gymnasium in Amsterdam he studied law at the Gemeentelijke Universiteit in the same city. He began studying music with Chris Rabé at the Volksmuziekschool, later taking piano lessons, initially with Hans Sachs, and later with T. Hart Nibbrig–de Graeff. He decided to become a composer after hearing two symphonies by Matthijs Vermeulen in 1949. As a composer he was self-taught, with influences especially from his contact during the 1950s with the composers Kees van Baaren and Daniel Ruyneman. Musician In 1959, Bois became associated with the group of composers formed around the Gaudeamus Foundation, of which he later became a board member. He first became known outside of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Rutherford (trombone Player)
Paul William Rutherford (29 February 1940 – 5 August 2007) was an English free improvising trombonist. Biography Born in Greenwich, South East London, England, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the three-CD set ''Chapter One'' (Emanem, 2000). A film soundtrack was separately released as ''Buzz Soundtrack''. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Slavic word for "spark"; it was the title of the ''Iskra'' rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucharest
Bucharest ( , ; ro, București ) is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, on the banks of the Dâmbovița River, less than north of the Danube River and the Bulgarian border. Bucharest was first mentioned in documents in 1459. The city became the capital of Romania in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum ( Bauhaus, Art Deco and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nickname of 'Paris of the East' ( ro, Parisul Estului) or 'Little Paris' ( ro, Micul Paris). Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Sparnaay
Harry Sparnaay (14 April 1944, Amsterdam – 12 December 2017, Lloret de Mar, Girona, Spain) was a noted Dutch bass clarinetist, composer, and teacher. Biography Harry Sparnaay studied at the Conservatory of Amsterdam with Ru Otto. After graduating with a performer's degree for clarinet, he specialized in bass clarinet and won the first prize at the International Gaudeamus Interpreters Competition, the first time ever a bass clarinettist had won this prestigious competition. He played solo at numerous important music festivals including Warsaw, New York, Los Angeles, Zagreb, the Holland Festival, several ISCM Festivals, Madrid, Paris and Athens. Other festivals at which Harry Sparnaay has performed include Witten, Aarhus, Como, Bolzano, Naples, Torino, Bourges, Middelburg, Graz, Salzburg, Huddersfield, Saarbrücken, Royan, Houston and many others. Sparnaay was a featured performer with many major orchestras and ensembles including the ASKO Ensemble, BBC Symphony Orchestra, Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Concert Halls
A concert hall is a cultural building with a stage that serves as a performance venue and an auditorium filled with seats. This list does not include other venues such as sports stadia, dramatic theatres or convention centres that may occasionally be used for concerts. ::''The list is organised alphabetically by geo-political region or continent and then by country within each region''. Africa Egypt Morocco South Africa Asia Armenia Azerbaijan China Georgia Hong Kong India Iran Israel Indonesia Japan Kazakhstan Lebanon Macau Malaysia North Korea Oman Philippines Singapore South Korea Syria Taiwan Thailand Turkey Vietnam Europe Albania Austria Belgium Bulgaria Croatia Czech Republic Denmark Estonia Finland France Germany Greece Hungary Iceland Ireland (Republic of) Italy Latvia Luxembourg Netherlands Norway Poland Portugal Romania Russia Serbia Slovakia Slov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-establishment
An anti-establishment view or belief is one which stands in opposition to the conventional social, political, and economic principles of a society. The term was first used in the modern sense in 1958, by the British magazine ''New Statesman'' to refer to its political and social agenda. Antiestablishmentarianism (or anti-establishmentarianism) is an expression for such a political philosophy. By country Argentina The La Libertad Avanza party has an ideology revolving anti-establishment. Australia Pauline Hanson's One Nation Party and the United Australia Party (formerly Palmer United) have both been referred to as anti-establishment parties. Canada The People's Party of Canada is seen as anti-establishment political party. Bernier was accused by prominent Conservative politicians such as former prime ministers Stephen Harper and Brian Mulroney of trying to divide the political right. Bernier responded to Power and Politics that he wanted to focus on the disaffected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orkest De Volharding
Orkest de Volharding (perseverance orchestra) is a Dutch music ensemble, founded in 1972 by Louis Andriessen and saxophonist Willem Breuker Willem Breuker (4 November 1944 – 23 July 2010) was a Dutch bandleader, composer, arranger, saxophonist, and clarinetist. Career During the mid 1960s, he played with percussionist Han Bennink and pianist Misha Mengelberg, co-founding the Insta ..., named after the eponymous Andriessen work. The line up for the original concert, on 12 May 1972, was three each of trumpets, saxes and trombones, plus Andriessen on the piano. After that the standard line was established with the addition of flute, horn and bass (although for a period 2 clarinets were added as well). Originally conceived as a street band with a political agenda, the group has gradually evolved into a more conventional contemporary music ensemble, adding a conductor in the 1990s. Andriessen wrote a number of works for the group before leaving in the late 1970s. None of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konrad Boehmer
Konrad Boehmer (24 May 1941 – 4 October 2014) was a German-Dutch composer, educator, and writer. Life Boehmer was born in Berlin. A self-declared member of the Darmstadt School, he studied composition in Cologne with Karlheinz Stockhausen and Gottfried Michael Koenig, and philosophy, sociology, and musicology at the University of Cologne, where he received a PhD in 1966. After receiving his doctorate, he settled in Amsterdam, working until 1968 at the Institute for Sonology, Utrecht University. In 1972, he was appointed professor of music history and theory at the Royal Conservatory of The Hague. Musical style His compositions characteristically employ serial organization or montage, sometimes with elements of jazz and rock music (as in his opera ''Doktor Faustus'' and the electronic ''Apocalipsis cum figuris''). In other works, such as ''Canciones del camino'' and ''Lied uit de vert'', Marxist songs serve as basic material. In 2001, the Holland Festival commissioned Boehmer t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schat
Peter Ane Schat (5 June 1935, in Utrecht – 3 February 2003, in Amsterdam) was a Dutch composer. Schat studied composition with Kees van Baaren at the Utrecht Conservatoire and the Royal Conservatory of The Hague from 1952 until 1958, and then went on to study in London with Mátyás Seiber in 1959 and with Pierre Boulez in Basle in 1960–61. His early training with van Baaren and Seiber disposed him toward twelve-tone technique, and his earliest compositions, such as the ''Introductie en adagio in oude stijl'' (1954) and the Septet (1957), combine traditional forms with dodecaphony. Boulez, however, led him to a more radical, strict form of serialism, and he was regarded in the Netherlands as one of the outstanding representatives of the avant garde. While still a student he created his opus 1, Passacaglia and Fugue for organ (1954), and Septet (1957). In 1957 he also won the Gaudeamus International Composers Award. In the late sixties Schat became associated with the Provo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinbert De Leeuw
Reinbert de Leeuw (8 September 1938 – 14 February 2020) was a Dutch conductor, pianist and composer. Life Lambertus Reinier de Leeuw's mother and father were both psychiatrists: Cornelis Homme 'Kees' de Leeuw (1905-1953) and Adriana Judina 'Dien' Aalbers (1908-1957). From age 7, he took piano lessons. He studied music theory and piano at the Amsterdam Conservatoire and composition with Kees van Baaren at the Royal Conservatory of The Hague. He taught at the Royal Conservatoire of The Hague. He was a well-known conductor and pianist performing mainly contemporary music. He was the founder of the “Dutch Charles Ives Society”. Since 2004, he was a professor at the Leiden University in 'performing and creative arts of the 19th, 20th and 21st century'. In 1974, he founded the Schönberg Ensemble. They mainly focused on performing works by the Second Viennese School and the avant-garde. He composed the piece ''Etude'' (1983–1985) for the strings of the ensemble. De Leeu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertgebouw Orchestra
The Royal Concertgebouw Orchestra ( nl, Koninklijk Concertgebouworkest, ) is a Dutch symphony orchestra, based at the Amsterdam Royal Concertgebouw (concert hall). Considered one of the world's leading orchestras, Queen Beatrix conferred the "Royal" title upon the orchestra in 1988. History The Concertgebouw opened on 11 April 1888. The Concertgebouw Orchestra was established several months later and gave its first concert in the Concertgebouw on 3 November 1888. This performance was conducted by the orchestra's first chief conductor, Willem Kes. 1888–1945: Kes and Mengelberg Kes served as the orchestra's chief conductor from its 1888 founding to 1895. In 1895, Willem Mengelberg became chief conductor and remained in this position for fifty years, an unusually long tenure for a music director. He is generally regarded as having brought the orchestra to a level of major international significance, with a particular championing of such then-contemporary composers as Gustav Mah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music And Politics
The connection between music and politics, particularly political expression in song, has been seen in many cultures. Music can express anti-establishment or protest themes, including anti-war songs, but pro-establishment ideas are also represented, for example, in national anthems, patriotic songs, and political campaigns. Many of these types of songs could be described as topical songs. Introduction Although music influences political movements and rituals, it is not clear how or to what extent general audiences relate to music on a political level. Songs can be used to portray a specific political message. However, there may be barriers to the transmission of such messages; even overtly political songs are often shaped by and reference their contemporary political context, making an understanding of the history and events that inspired the music necessary in order to fully comprehend the message. The nature of that message can also be ambiguous because the label "political musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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