Rob Haigh
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Rob Haigh
Robert "Rob" Haigh, also known as Omni Trio, is a British electronic, ambient and experimental musician. Career Early work (1979–1991) At school, Haigh was in a band called Labyrinth playing original material that was influenced by David Bowie and Roxy Music. In the early 1980s Haigh released a series of experimental ambient albums under the names Robert Haigh and Sema – the most notable being ‘Three Seasons Only’ and ‘Notes From Underground’. He also contributed to several Nurse With Wound projects and formed an industrial avant-funk band called The Truth Club together with Trefor Goronwy, who would go on to join This Heat. In a 1994 feature in ''The Wire'' on ambient jungle by Simon Reynolds, Haigh's influences were listed as Pere Ubu, The Pop Group, Can, Faust and Neu! as well as Miles Davis and King Tubby. Omni Trio (1992–2004) In the 1990s, Haigh developed a unique style of what has become known as ‘ambient drum 'n' bass’ and released six EPs and six al ...
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Barnsley
Barnsley () is a market town in South Yorkshire, England. As the main settlement of the Metropolitan Borough of Barnsley and the fourth largest settlement in South Yorkshire. In Barnsley, the population was 96,888 while the wider Borough has seen an increase of 5.8%, from 231,200 in 2011 census to 244,600 in 2021 census. Historically in the West Riding of Yorkshire, it is located between the cities of Sheffield, Manchester, Doncaster, Wakefield, and Leeds. The larger towns of Rotherham and Huddersfield are nearby. Barnsley's former industries include linen, coal mining, glassmaking and textiles. These declined in the 20th century, but Barnsley's culture is rooted in its industrial heritage and it has a tradition of brass bands, originally created as social clubs by its mining communities. The town is near to the M1 motorway and is served by Barnsley Interchange railway station on the Hallam and Penistone Lines. Barnsley has competed in the second tier of English footbal ...
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Deep Blue (musician)
Deep Blue is the alias of electronic and drum and bass musician Sean O'Keeffe. O'Keeffe started producing music in 1991 with the hardcore group 2 Bad Mice, co-writing their hit, "Bombscare". In 1993, he began to write and release under the alias Deep Blue, producing "Helicopter Tune" (also heard in the PSP and PlayStation 2 game '' Grand Theft Auto: Liberty City Stories'' (2005) and in the game '' Midnight Club 3: Dub Edition'' (2005) for the Moving Shadow record label. The track reached number 68 on the UK Singles Chart in April 1994. In 1997, Deep Blue was one of several Moving Shadow artists which left the label to form their own imprint, Partisan Recordings. O'Keeffe collaborated with Rob Haigh, who recorded for Moving Shadow as Omni Trio Robert "Rob" Haigh, also known as Omni Trio, is a British electronic, ambient and experimental musician. Career Early work (1979–1991) At school, Haigh was in a band called Labyrinth playing original material that was influence ...
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King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s. Tubby's innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career King Tubby's first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairm ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Neu!
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—''Neu!'' (1972), ''Neu! 2'' (1973), and ''Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Though Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the "motorik" beat, a minimalist 4/4 rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock band, ...
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Faust (band)
Faust (English: "fist") are a German rock band from Hamburg. Formed in 1971 by producer and former music journalist Uwe Nettelbeck, the group was originally composed of Werner "Zappi" Diermaier (b.1949), Hans Joachim Irmler (b.1950), Arnulf Meifert, Jean-Hervé Péron (b.1949), Rudolf Sosna (b.1946 - d.1996) and Gunther Wüsthoff, working with engineer Kurt Graupner. Their work was oriented around dissonance, improvisation, and experimental electronic approaches, and would influence subsequent ambient and industrial music. They are considered a central act of West Germany's 1970s krautrock movement. History 1971–1975 Faust formed in 1971 in the rural setting of Wümme. They secured a recording contract with Polydor and soon began recording their debut, ''Faust'', which sold poorly but received critical acclaim for its innovative approach and established a devoted fan base. Meifert was sacked shortly afterwards because, as Peron wrote in 2004, "he discussed things, because h ...
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Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ...
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The Pop Group
The Pop Group are an English rock band formed in Bristol in 1977 by vocalist Mark Stewart, guitarist John Waddington, bassist Simon Underwood, guitarist/saxophonist Gareth Sager, and drummer Bruce Smith. Their work in the late 1970s crossed diverse musical influences including punk, dub, funk, and free jazz with radical politics, helping to pioneer post-punk music. The group released two albums, '' Y'' (1979) and ''For How Much Longer Do We Tolerate Mass Murder?'' (1980), and the singles "She Is Beyond Good and Evil" and " We Are All Prostitutes" (both 1979), then split in 1981. Its members worked on a variety of subsequent projects, including New Age Steppers and Rip Rig + Panic. In 2010, the band reunited, touring and releasing new material. History Original run (1977–1981) The Pop Group was formed in 1977 in Bristol when teenager Mark Stewart set out to start a funk group with schoolmates John Waddington and Simon Underwood. Inspired by the energy of punk rock but fe ...
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Pere Ubu
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album ''The Modern Dance'' in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour. Describing their sound as "avant-garage," Pere Ubu's work drew inspiration from sources such as musique concrète, 60s rock, performance art, and the industrial environments of the American Midwest. While the band achieved little commercial success, they have exerted a wide influence on subsequent underground music. History 1970s Rocket from the Tombs was a Cleveland-based group that eventually fragmented: some members formed the Dead Boys, and others The Saucers, while David Thomas and guitarist Peter Laughner joined with guitarist Tom Herman, bass guitarist Tim Wrigh ...
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Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ...
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This Heat
This Heat were an English experimental rock band, formed in early 1976 in Camberwell, London by multi-instrumentalists Charles Bullen (guitar, clarinet, viola, vocals, tapes), Charles Hayward (drums, keyboards, vocals, tapes) and Gareth Williams (keyboard, guitar, bass, vocals, tapes). This Heat were active in the ascendancy of British punk, but stood apart from that scene due to an experimental and confrontational approach. This Heat's commercial success was limited, and their discography consisted of only two albums and an EP. The band would influence genres such as post-punk, industrial music, and post-rock. Williams died of cancer in 2001. From 2016 until 2019, Bullen and Hayward reunited, playing under the name This Is Not This Heat. History This Heat first came together in 1976 by Charles Hayward and Charles Bullen. Hayward was a member of the progressive rock band Quiet Sun, fronted by guitarist Phil Manzanera of Roxy Music. In 1975, Quiet Sun had signed a deal with I ...
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The Truth Club
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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