Rita La Cantaora
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Rita La Cantaora
Rita Giménez García, most commonly known as ''Rita la Cantaora'' (1859 in Jerez de la Frontera, Cádiz – 1937 in Zorita del Maestrazgo, Castellón), was one of the most famous Spanish singers of flamenco in her time due to her performances in ''cafés cantantes'', places where flamenco artists used to play music live. Career beginnings From an early age, she distinguished herself for her outstanding talent, not only for singing flamenco but also for dancing it, which became her way of making a living. Her career began in her home town, Jerez de la Frontera (Cádiz), where a theatrical agent heard her singing Andalusian coplas. He hired her and from that moment on, she began to perform with other famous flamenco singers, such as Juana La Macarrona and Antonio Ortega, most commonly known as Juan Breva, in ''cafés cantantes'', such as the famous Café Romero, placed on Calle Alcalá in Madrid, Spanish capital city. Career Between 1884 and 1895, she worked on many occas ...
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Jerez De La Frontera
Jerez de la Frontera (), or simply Jerez (), is a Spanish city and municipality in the province of Cádiz in the autonomous community of Andalusia, in southwestern Spain, located midway between the Atlantic Ocean and the Cádiz Mountains. , the city, the largest in the province, had a population of 213,105. It is the fifth largest in Andalusia, and has become the transportation and communications hub of the province, surpassing even Cádiz, the provincial capital, in economic activity. Jerez de la Frontera is also, in terms of land area, the largest municipality in the province, and its sprawling outlying areas are a fertile zone for agriculture. There are also many cattle ranches and horse-breeding operations, as well as a world-renowned wine industry ( Xerez). Currently, Jerez, with 213,105 inhabitants, is the 25th largest city in Spain, the 5th in Andalusia and 1st in the Province of Cádiz. It belongs to the Municipal Association of the Bay of Cádiz (''Mancomunidad de Muni ...
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Soleá
''Soleares'' (plural of ''soleá'', ) is one of the most basic forms or '' palos'' of Flamenco music, probably originating among the Calé Romani people of Cádiz or Seville in Andalusia, the most southern region of Spain. It is usually accompanied by one guitar only, in phrygian mode "''por arriba''" (fundamental on the 6th string); "'' Bulerías por soleá''" is usually played "''por medio''" (fundamental on the 5th string). Soleares is sometimes called "mother of palos" although it is not the oldest one (e.g. siguiriyas is older than soleares) and not even related to every other palo (e.g. fandangos family is from a different origin) Lyrics When singers sing soleá, as with most palos, they normally choose different "''coplas''" (stanzas), with different melody, and combine them according to the inspiration of the moment or to a previous plan. Even if the singer has a previous plan, it is often altered on the spur of the moment. These stanzas are independent in subject ...
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19th-century Spanish Singers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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Flamenco Singers
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the ''cante ...
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Carabanchel
Carabanchel is a district of Madrid, Spain. It lies on the southern (right) bank of the Manzanares, spanning southward down to the M-40 ring road. The district is made up of the neighbourhoods of Abrantes, Comillas, Opañel, Puerta Bonita, San Isidro and Vista Alegre. Overview The area was the scene of fierce fighting during the Spanish Civil War -especially in November 1936, during the Battle of Madrid, when Nationalist troops tried to fight their way into the area. Unaccustomed to street fighting, they took heavy casualties. For the remainder of the Siege of Madrid, the front lines ran through the streets of Carabanchel, until Republican Madrid fell in March 1939. It was home of Spain's most notorious prison (Carabanchel Prison), which housed many political prisoners during the Franco era. The prison was closed in 1998. Carabanchel is among the most diverse neighborhoods in the country, with a large population of immigrants, mostly from North Africa but also some from Sout ...
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El Heraldo De Madrid
The ''Heraldo de Madrid'' (originally ''El Heraldo de Madrid'') was a Spanish daily newspaper published from 1890 to 1939, with an evening circulation. It came to espouse a Republican leaning in its later spell. History The publication was founded on 29 October 1890 by , a former close acquaintance of Amadeo I. Following the death of Ducazcal in 1891, the publicacion was bought by Eugenio González Sangrador. In 1893, the newspaper was bought by the Canalejas brothers, José and , and a number of political supporters of the former. Since then, it would grow to become a major publication, as well as the mouthpiece of the Democratic Liberal political platform of José Canalejas. By the early 1910s, following the 1906 acquisition of the newspaper by the (the so-called "Trust"), the Heraldo came to adhere to the political platform of Segismundo Moret, rival of Canalejas (then prime minister) within the Liberal party. Owned by the Busquets brothers ( and Juan, holders of the sin ...
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Bulerías
''Bulería'' (; interchangeable with the plural, ''bulerías'') is a fast flamenco rhythm made up of a 12 beat cycle with emphasis in two general forms as follows: This may be thought of as a measure of followed by a measure of (known as hemiola). For dancers, it is commonly viewed with a compas or bar of 6 counts as opposed to 12. An interesting counting method has been used by Pepe Romero, in his book ''Classical Guitar Style and Technique'', which is 2 measures of time followed by 3 measures of time. This puts the emphasis on the last beat of each measure: When performed, the ''bulería'' always starts on beat twelve of the ''compas'', so the accented beat is heard first. It is normally played at 195-240 beats per minute, most commonly in an A- phrygian mode (por medio) with a sharpened third to make A major the root chord. A typical ''rasgueado'' pattern involves only the A and B chords, were golpes are used to accent the chords as follows: '' — — ...
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Malagueñas (flamenco Style)
''Malagueñas'' () is one of the traditional styles of Andalusian music (flamenco), derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre". It has a very rich melody with virtuous flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo. History Origins Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of "cante libre", performed at libitum and normally not used for the dance, folkloric fandangos were originally sung an ...
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Zorita Del Maestrazgo
Zorita del Maestrazgo (Valencian: Sorita) is a municipality located in the province of Castellón, Valencian Community, Spain. Municipalities in the Province of Castellón Ports (comarca) {{valencia-geo-stub ...
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Antonio Chacón
Antonio Chacón (1869–1929) was a Spanish flamenco singer antaor Chacón was born in Jerez de la Frontera, Cádiz Province. He began earning a living by performing flamenco around 1884. He toured Andalucia with his two friends, the Molina brothers - dancer Antonio Molina, and guitarist Javier Molina. He was later hired by Silverio Franconetti for his café in Seville Seville (; es, Sevilla, ) is the capital and largest city of the Spanish autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the River Guadalquivir, in the southwest of the Iberian Peninsula .... He was noted for his skill in singing the cartagenera, malagueñas, granaína and media granaína, which earned him the popular title of "Don". According to Fernando el de Triana, he was so accomplished that all of the most successful ''cantaores'' (singers) performing with him renounced their right of seniority and allowed Chacón to perform last, because ...
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Calle De Alcalá
Calle de Alcalá is among the longest streets in Madrid. It starts at the Puerta del Sol and goes on for , to the northeastern outskirts of the city. Henry David Inglis described it in 1837 as "long, of superb width, and flanked by a splendid range of unequal buildings". History and landmarks Calle de Alcalá is one of the oldest streets in the city. It was the old road which led to the city of Alcalá de Henares (from which it takes the name) and continued to Aragón; today, this route is covered by the A-2 motorway. Along this street it is possible to find landmarks such as Banco Bilbao Vizcaya at number 16, the former Alcalá 20 discothèque at number 20, Edificio Metrópolis, the Unión y el Fénix Español building at number 23, Círculo de Bellas Artes, Plaza de Cibeles, Puerta de Alcalá, the Spanish Ministry of Education, the Instituto Cervantes HQ building, the Bank of Spain building, Parque del Buen Retiro and Plaza de Toros de Las Ventas. In popular culture '' ...
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