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Richmond Opera
Richmond Opera is an opera company based in Richmond, London in the UK. Originally founded as Isleworth Baroque in 2004, Richmond Opera performs a fully-staged opera each year at the Normansfield Theatre in Teddington, along with concerts, semi-staged productions, and workshops. Beginnings Richmond Opera was founded as Isleworth Baroque by Helena Brown (1948-2012), then a harpsichordist with the English Chamber Orchestra and the Academy of St Martin in the Fields. In 2002 Brown gathered together singers and musicians, many from an adult education class run by Hounslow London Borough Council, to perform Handel's '' Acis and Galatea''. Staged in the conservatory of Syon House in Isleworth, the performers competed with the sounds of heavy rain (the roof leaked), low-flying aircraft, and the cries of peacocks in the surrounding grounds. Nonetheless in 2003 they went on to stage Purcell's ''The Faerie Queen''. From these roots and with some initial funding from Hounslow Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isleworth
Isleworth ( ) is a town located within the London Borough of Hounslow in West London, England. It lies immediately east of the town of Hounslow and west of the River Thames and its tributary the River Crane, London, River Crane. Isleworth's original area of settlement, alongside the Thames, is known as 'Old Isleworth'. The north-west corner of the town, bordering on Osterley to the north and Lampton to the west, is known as 'Spring Grove'. Isleworth's former River Thames, Thames frontage of approximately one mile, excluding that of the Syon Park estate, was reduced to little over half a mile in 1994 when a borough boundary realignment was effected in order to unite the district of St Margaret's wholly within London Borough of Richmond upon Thames. As a result, most of Isleworth's riverside is that part overlooking the islet of Isleworth Ait: the short-length River Crane flows into the Thames south of the Isleworth Ait, and its artificial distributary the Duke of Northumberland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial By Jury
A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions. Jury trials are used in a significant share of serious criminal cases in many but not all common law judicial systems. The majority of common law jurisdictions in Asia (such as Singapore, India, Pakistan and Malaysia) have abolished jury trials on the grounds that juries are susceptible to bias. Juries or lay judges have also been incorporated into the legal systems of many civil law countries for criminal cases. Only the United States makes routine use of jury trials in a wide variety of non-criminal cases. Other common law legal jurisdictions use jury trials only in a very select class of cases that make up a tiny share of the overall civil docket (like malicious prosecution and false imprisonment suits in England and Wales), but true civil jury trials are almost entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert And Sullivan
Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray.Mike Leigh, Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Roehampton
The University of Roehampton, London, formerly Roehampton Institute of Higher Education, is a public university in the United Kingdom, situated on three major sites in Roehampton, in the London Borough of Wandsworth. Roehampton was formerly an equal partner, along with the University of Surrey, in the now-dissolved Federal University of Surrey. In 2004, Roehampton became a university. In 2011, it was renamed the University of Roehampton. The university is one of the post-1992 universities. Roehampton consists of four colleges, around which accommodation is centred: Digby Stuart College, Froebel College, Southlands College and Whitelands College. Roehampton's academic faculties include the Faculty of Business and Law, Faculty of Arts, Faculty of Education, Faculty of Humanities and Social Sciences, Faculty of Life and Health Sciences and Faculty of Psychology. Roehampton is a member of the European University Association and Universities UK. History The university has its root ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragon Of Wantley
The Dragon of Wantley is a legend of a dragon-slaying by a knight on Wharncliffe Crags in South Yorkshire, recounted in a comic broadside ballad of 1685. It was later included in Thomas Percy's 1767 ''Reliques of Ancient English Poetry'', enjoying widespread popularity in the 18th and 19th centuries, although less well-known today. In 1737, the ballad was adapted (in English) into one of the more successful operas to appear in London up to that point. The ballad tells of how a huge dragon - almost as big as the Trojan Horse - devours anything it wishes, even trees and buildings, until the Falstaffian knight Moore of Moore Hall obtains a bespoke suit of spiked Sheffield armour and delivers a fatal kick to the dragon's "arse-gut" - its only vulnerable spot, as the dragon explains with its dying breath. The topography of the ballad is accurate in its detail as regards Wharncliffe Crags and environs, but the story, and its burlesque humour, has been enjoyed in places far from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Frederick Lampe
John Frederick Lampe (born Johann Friedrich Lampe; probably 1703 – 25 July 1751) was a musician and composer. Life Lampe was born in Saxony, Germany but came to England in 1724 and played the bassoon in opera houses. In 1730, he was hired by John Rich to be the composer for Covent Garden Theatre. During his time as a bassoonist in London opera houses, in 1727, he played at the coronation of King George II. Like Arne, Lampe wrote operatic works in English in defiance of the vogue for Italian opera popularized by George Frideric Handel and Nicola Porpora. Lampe, along with Henry Carey and J. S. Smith, founded the short-lived English Opera Project. He became a friend of Charles Wesley, and wrote several tunes to accompany Wesley's hymns. His works for the stage include the mock operas ''Pyramus and Thisbe'' (1745) and '' The Dragon of Wantley'' (1734), which ran for 69 nights, a record for the time, surpassing ''The Beggar's Opera''. From November, 1750 until his death, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucy Green
Lucy Green, (born 1957) is an Emerita Professor of Music Education at the UCL Institute of Education, UK. She had a key role in bringing the informal learning practices of popular and other vernacular musicians to the attention of music-educators, thus transforming classroom practice.Jaffurs, S. E. (2004). ''The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band''. International Journal of Music Education, Vol. 22, no. 3, pp. 189 –200. Biography Professor Green studied music and education at Homerton College, University of Cambridge; then taking a Masters in Music and a Doctorate in Music Education at Sussex University. She taught the piano during her post-graduate studies and became a school music teacher and Head of Music in secondary education. She joined the Institute of Education (now part of University College London) in 1990, where she taught on initial teacher education courses, masters and doctoral degrees. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Education
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Calisto
''La Calisto'' is an opera by Francesco Cavalli from a libretto by Giovanni Faustini based on the mythological story of Callisto. The opera received its first performance on 28 November 1651 at the Teatro Sant 'Apollinare, Venice, where it drew limited audiences for its run of eleven performances. In the twentieth century it was successfully revived. Libretto The libretto was published in 1651 by Giuliani and Batti. The story combines two myths: Jupiter's seduction of Calisto, and Diana's adventure with Endymion. The plot is somewhat formulaic: Jane Glover has commented on how the librettist had to invent complications to meet audience expectations in the context of Venetian opera. Performance history Faustini, who was an impresario as well as a librettist, rented the Sant 'Apollinare Theatre in 1650. He and Cavalli put on three operas there before his death in December 1651 during the run of ''La Calisto''. The theatre was equipped with complex stage machinery intended to im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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