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Rhythm In Arabic Music
Rhythms in Arabic music are rich and very diverse, as they cover a huge region and peoples from Northern Africa to Western Asia. Rhymes are mainly analysed by means of rhythmic units called ''awzan'' and ''iqa'at''. Wazn and Iqa' A rhythmic pattern or cycle in Arabic music is called a "wazn" ( ar, وزن; plural أوزان / ''awzān''), literally a "measure", also called ''darb'', ''mizan'' in Arabic language, also has other names like '' usul'' as is in Ottoman classical music) for example. A ''Wazn'' is performed on the goblet drum ( tarabuka), frame drum (riqq or tar), and kettle drums ( naqqarat). A ''wazn'' is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. It consists of two or more regularly recurring time segments, each time segment consisting of at least two beats (''naqarāt'', plural of ''naqrah''). There are approximately one hundred different cycles used in the repertoire of Arabi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wazn Wahdah Sayirah
WAZN (1470 AM) is an ethnic radio station in the Boston, Massachusetts market, licensed to Watertown. It is owned by Multicultural Broadcasting, and broadcasts Chinese language programming, simulcast from M.R.B.I.'s New York City station. History The station signed on in January 1958 as WSRO, operating out of Marlborough. At one time, WSRO was a music station. Additionally, at one time, the station was simulcast in Gardner on WGAW (1340). However, in 1996, the station filed for bankruptcy, and was sold separately from WGAW in October. The new ownership gradually shifted the station to more of a talk radio format the following year. WSRO was sold to Alex Langer in 1998. In early 1999, the station let go much of its staff and became a full-time relay of sister station WRPT (650); soon afterward, the station lost its original transmitter location in Marlborough and relocated to a temporary site in Hudson. In October 2000, WSRO applied to move to Watertown, operating from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the Jota (music), jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays commercial pop music dominates. Origins of the music of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumbek Rhythms
Dumbek rhythms are a collection of rhythms that are usually played with hand drums such as the dumbek. These rhythms are various combinations of these three basic sounds: *Doom (D), produced with the dominant hand striking the sweet spot of the skin. *Tak (T), produced with the recessive hand striking the rim. *Ka (K), produced with the dominant hand striking the rim. Notation In a simple notation, these three sounds are represented by three letters: D, T, and K. When capitalized, the beat is emphasized, and when lower-case, it is played less emphatically. These basic sounds can be combined with other sounds: *Sak or slap (S) (sometimes called 'pa'), produced with the dominant hand. Similar to the doom except the fingers are cupped to capture the air, making a loud terminating sound. The hand remains on the drum head to prevent sustain. *Trill (l), produced by lightly tapping three fingers of one hand in rapid succession on the rim *Roll or (rash, r), produced by a rapid alternat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dawr
A ''dawr'' (Arabic: دور or الدور; plural: ''adwar'', أدوار; also spelled ''dour'') is a genre of Arabic vocal music sung in regional or colloquial Arabic. The genre faded in popularity after the 1920s and often used the melisma Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referr ...tic technique of ''ahaat''.Racy, Ali Jihad. ''Making Music in the Arab World: The Culture and Artistry of Tarab''. Cambridge: Cambridge University Press, 2003. The ''dawr'' often uses a string of ''Arabic maqam, maqamat'', moving from one to the other in sequence. ''Dawr'' can also refer to the first section of a ''muwashshah''. See also *Ragmala References 20th-century music genres Arabic music Vocal music Song forms {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beledi
Baladi ( ar, بلدي ' relative-adjective 'of town', 'local', 'rural', comparable to English ''folk'', with a lower-class connotation) can refer to an Egyptian musical style, the folk style of Egyptian bellydance (Raqs Baladi), or the Masmoudi Sogheir rhythm, which is frequently used in baladi music. It is also sometimes spelled in English as 'beledi' or 'baladee'. In Egypt, the term ''baladi'' does not only apply to local music and dance, and can also apply to many other things that are considered native, rural, rustic or traditional, for example ' baladi bread' or 'Aish Baladi". It is also applied to kinds of food and mostly to fruits and vegetables coming from rural villages. Baladi music and dance ''Baladi'' means 'of the country' and is a style of Egyptian folk dance from the early 20th century which is still very popular. Thus, ''Egyptian Beledi'' means 'of the country of Egypt'. It came about when farmers moved to the city and began dancing in small spaces. Egyptians h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maghrebi
Maghrebi Arabic (, Western Arabic; as opposed to Eastern or Mashriqi Arabic) is a vernacular Arabic dialect continuum spoken in the Maghreb region, in Morocco, Algeria, Tunisia, Libya, Western Sahara, and Mauritania. It includes Moroccan, Algerian, Tunisian, Libyan, and Hassaniya Arabic. It is known locally as Darja, Derdja, Derja, Derija or Darija, depending on the region's dialect ( ar, الدارجة; meaning "common or everyday dialect"). This serves to differentiate the spoken vernacular from Standard Arabic. Maghrebi Arabic has a predominantly Semitic and Arabic vocabulary, although it contains a few Berber loanwords which represent 2 to 3% of the vocabulary of Libyan Arabic, 8 to 9% of Algerian and Tunisian Arabic, and 10 to 15% of Moroccan Arabic. The Maltese language is believed to be derived from Siculo-Arabic and ultimately from Tunisian Arabic, as it contains some typical Maghrebi Arabic areal characteristics. Name ''Darija'', ''Derija'' or ''Delja'' ( ar, الدا ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khaliji (music)
Khaliji music (also spelled Khaleeji; ar, الموسيقى الخليجية meaning Gulf music) is the music of Eastern Arabia, the Gulf Arabian states and it is popular across the Arab world. It is traditionally characterized by heavy use of the rebab, oud and other string instruments such as the violin, the occasional use of habbān, and the inclusion of percussion instruments such as the mirwas, tabl, and duff drums. Khaliji music first started as a bedouin tradition with poetry sung by a tribe's shaa'ir, which means poet, usually accompanied by a rebab, the lyrics dealt with tales of honor, love, camel riders, and glory warriors. Kuwaitis were the first commercial recording artists and composers in the Persian Gulf region, Kuwait and Saudi Arabia pioneered the Khaliji genre into its modern form in the second half of the 20th century and soon became the focal point of the industry, but in recent years the UAE has had an arguabely bigger impact with musical artists such as Hus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dabke
''Dabke'' ( ar, دبكة also spelled ''dabka'', ''dubki'', ''dabkeh'', plural ''dabkaat'') is a Levantine Arab folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the ''dabke'' heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as ''dabka'', ''dabki'', ''dabkeh''. Etymology and history The etymology of 'dabke' is uncertain but is thought to be derived from the Levantine Arabic word ''dabaka'' ( ar, دبكة) meaning "stamping of the feet" or "to make a noise". The dabkeh jumps may have originated in ancient Canaanite fertility rituals related to agriculture, chasing off evil spirits and protecting young plants. According to Lebanese historian Youssef Ibrahim Yazbec, the dabke descends from Phoenician dances thousands of years old. Another theory is that stomping part of dabke started out as a way o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarab
''Tarab'' is an album by the Lebanese oud player and composer Rabih Abou-Khalil, fusing traditional Arab music with jazz, which was recorded in 1992 and released on the Enja label the following year.Enja Records main series discography accessed June 18, 2018 accessed June 18, 2018 Reception The review by Kurt Keefner called it " an album that certainly does not lack for atmosphere, but which would have benefited from greater tunefulness. Still, a very worthy effort" but stated it was "not the best place to start one's Rabih Abou-Khalil collection, esp ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaabi
Shaabi ( arz, شعبي'' '' ) is an Egyptian musical genre. It is a form of popular working-class music which evolved from Egyptian Baladi in the second half of the 20th century, it's the core of Egyptian people music in streets and weddings and every day Egyptian life. Shaabi means "of the people", specifically "locally popular". It originated in Cairo from the 1920s to the 1940s, as in certain songs and themes of composer Sayyid Darwish, and from the 1940s to 1960s by mawwal singers Abu Dira and Anwar al-Askari and in songs by Shafiq Gallal, Mohamed abd el-Motleb, Mohamed el-Ezzabi and others. One of the most famous and global Egyptian Shaabi songs is "Shik Shak Shok", a creation of the prominent Egyptian musician Hassan Abou El Seoud. It became also known outside of Egypt ever since the 1970s and even gained some global fame. It is considered as a form of the local urban music expressing the difficulties and frustrations of modern lower-class Egyptian life. Shaabi singe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
