Rhythm-A-Ning
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Rhythm-A-Ning
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versi ...
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Live At The It Club
''Live at the It Club'' is a Thelonious Monk album released posthumously by Columbia Records. Recorded October 31 and November 1, 1964, at the "It" Club in Los Angeles, California, the album features Monk's quartet—with Charlie Rouse on tenor saxophone, Larry Gales on bass, and Ben Riley on drums—performing original compositions as well as jazz standards. The album was first issued in 1982 as a double-LP entitled ''Live At The "It" Club''. In 1998, Columbia/Legacy Records reissued the album as a double-CD set entitled ''Live At The It Club--Complete'' that includes virtually all of the band's performances from the two evenings. History In 1964 Monk assembled and began touring and recording with what would come to be regarded as his "most venerable" quartet. On October 31 and November 2 Monk recorded sessions for the album ''Solo Monk''. The band performed on October 31 and November 1 at the It Club, and then again on November 3 and 4 at San Francisco's Jazz Workshop, perfor ...
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Live At The Jazz Workshop
''Live at the Jazz Workshop'' is a live album by jazz pianist Thelonious Monk, that was recorded at the Jazz Workshop in San Francisco. The album was recorded on November 3 and 4, 1964, and released by Columbia Records in 1982. Release history The tapes of these two shows stayed locked away in the Columbia Records vault for almost 20 years, until the label released a double-LP from them shortly after Monk's death in 1982. A CD release followed in 2001, under the name of ''Live at the Jazz Workshop - Complete'', featuring a number of bonus tracks, and nearly doubling the length of the record. Track listing ''1982 release'' Side 1 # "Don't Blame Me/Ba-lue Bolivar Ba-lues-are" # "Well, You Needn't" # "Evidence (Justice)/Rhythm-A-Ning" # "'Round About Midnight" # "I'm Getting Sentimental Over You" Side 2 # "Bemsha Swing" # "Memories of You/Just You, Just Me" # "Blue Monk" # "Misterioso" # "Hackensack" # "Bright Mississippi" # "Epistrophy" ''Live at the Jazz Workshop: Complete'' (2 ...
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Thelonious Monk In Italy
''Thelonious Monk in Italy'' is a live album by American jazz pianist Thelonious Monk featuring tracks recorded in Italy in 1961 and released on the Riverside label in 1963.Riverside Records discography
accessed November 1, 2012


Reception

awarded the album 3 stars stating "This is not one of Thelonious Monk's more significant dates, but his fans will still find moments to enjoy".Yanow, S
Allmusic Review
accessed November 1, 2012


Track listing

''All compositions by Thelonious Monk except ...
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Rhythm Changes
Rhythm changes are a common 32-bar chord progression in jazz, originating as the chord progression for George Gershwin's "I Got Rhythm". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III7–VI7–II7–V7, a progression which is sometimes given passing chords. This pattern, "one of the most common vehicles for improvisation," forms the basis of countless (usually uptempo) jazz compositions and was popular with swing-era and bebop musicians. For example, it is the basis of Duke Ellington's "Cotton Tail""Duke Ellington the Man and His Music", p.20. Luvenia A. George. ''Music Educators Journal'', Vol. 85, No. 6 (May, 1999), pp. 15–21. Published by: MENC: The National Association for Music Education. as well as Charlie Christian's "Seven Come Eleven,"Yaffe, David (2005). As well found in Olav Jullums compositio ...
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Mark Murphy (singer)
Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 ''Down Beat'' magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance.Jones, Peter. ''This is Hip: The Life of Mark Murphy'' (Equinox Publishing, 2018) He wrote lyrics to the jazz tunes " Stolen Moments" and "Red Clay". Early life Born in Syracuse, New York, in 1932, Murphy was raised in a musical family, his parents having met when his father was appointed director of the local Methodist Church choir. He grew up in the nearby small town of Fulton, New York, where his grandmother and then his aunt were the church organists. Opera was also a presence in the M ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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Max Roach
Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz Jazz drumming, drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the ''DownBeat'' Hall of Fame in 1980 and the ''Modern Drummer'' Hall of Fame in 1992. In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M'Boom. He made numerous musical statements relating to the civil rights movement. Biography Early life and career Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, ...
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Miles Davis And The Modern Jazz Giants
''Miles Davis and the Modern Jazz Giants'' (PRLP 7150) is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP '' Miles Davis All Stars, Volume 1'' (PRLP 196), and "Bemsha Swing" and "The Man I Love" (take 2) had been previously released on ''Volume 2'' (PRLP 200). " 'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in '' Steamin' with the Miles Davis Quintet'' (PRLP 7200) and three other albums to fulfill Davis's contract with Prestige. The 1954 session The 1954 session is essentially Davis accompanied by the Modern Jazz Quartet, with Monk in place of John Lewis. Notable as the only time Thelonious Monk made a studio recording with Davis—the two men did not get on well, as ...
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Barbados
Barbados is an island country in the Lesser Antilles of the West Indies, in the Caribbean region of the Americas, and the most easterly of the Caribbean Islands. It occupies an area of and has a population of about 287,000 (2019 estimate). Its capital and largest city is Bridgetown. Inhabited by Island Caribs, Kalinago people since the 13th century, and prior to that by other Indigenous peoples of the Americas, Amerindians, Spanish navigators took possession of Barbados in the late 15th century, claiming it for the Crown of Castile. It first appeared on a Spanish map in 1511. The Portuguese Empire claimed the island between 1532 and 1536, but abandoned it in 1620 with their only remnants being an introduction of wild boars for a good supply of meat whenever the island was visited. An Kingdom of England, English ship, the ''Olive Blossom'', arrived in Barbados on 14 May 1625; its men took possession of the island in the name of James VI and I, King James I. In 1627, the first ...
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