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Miles Davis And The Modern Jazz Giants
''Miles Davis and the Modern Jazz Giants'' (PRLP 7150) is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP '' Miles Davis All Stars, Volume 1'' (PRLP 196), and "Bemsha Swing" and "The Man I Love" (take 2) had been previously released on ''Volume 2'' (PRLP 200). " 'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in '' Steamin' with the Miles Davis Quintet'' (PRLP 7200) and three other albums to fulfill Davis's contract with Prestige. The 1954 session The 1954 session is essentially Davis accompanied by the Modern Jazz Quartet, with Monk in place of John Lewis. Notable as the only time Thelonious Monk made a studio recording with Davis—the two men did not get on well, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man I Love (song)
"The Man I Love" is a popular standard in AABA form with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy '' Lady, Be Good'', the song was deleted from that show and put into the Gershwins' 1927 government satire '' Strike Up the Band'' (where it appears as "The Man I Love" and "The Girl I Love"), which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit '' Rosalie''. Covers Like many songs from George and Ira Gershwin, "The Man I Love" is considered part of the Great American Songbook and was covered on stage and on record by many artists. It was recorded by Kate Bush in 1994 for Larry Adler's '' The Glory of Gershwin'' tribute album and released as a single, which reached number 27 on the British charts. In 2004, the Brazilian singer-songwriter Caetano Veloso who identifies himself as bisexual recorded a gay version of the song for his English-language album ''A Foreign Sound'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's ''Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's ''Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gitler
Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of liner notes for jazz recordings beginning in the early 1950s and wrote several books about jazz and ice hockey, two of his passions.Manhattan School of MusicFaculty: Mr. Ira Gitler. Retrieved Oct. 16, 2008. Jazz Gitler was born at Brooklyn, New York into a Jewish family and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer of recording sessions for the Prestige label. He is credited with coining the term "sheets of sound" in the late 1950s, to describe the playing of John Coltrane. Gitler was the New York editor of ''Down Beat'' magazine during the 1960s and wrote for ''Metronome Magazine'', ''JazzTimes'', ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bags' Groove
''Bags' Groove'' (PRLP 7109) is a jazz album by Miles Davis, released in 1957 by Prestige Records, compiling material from two 10" LPs recorded in 1954, plus two alternative takes. Recording Both takes of the title track come from a session on December 24, 1954, the first version having been previously released on '' Miles Davis All Stars, Volume 1'' (PRLP 196). ("Bags" was vibraphonist Milt Jackson's nickname.) The other tracks recorded during this session may be found on ''Miles Davis and the Modern Jazz Giants'' (PRLP 7150), and all of them are also featured on the compilation album ''Thelonious Monk: The Complete Prestige Recordings''. The rest of the album was recorded earlier in the year, on June 29, and four of the tracks had already been released as '' Miles Davis with Sonny Rollins'' (PRLP 187), with the fifth being a previously unreleased alternative take. Music The title track was written by Milt Jackson (“Bags” is his nickname) and the three compositions wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lewis (pianist)
John Aaron Lewis (May 3, 1920 – March 29, 2001) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet. Early life John Lewis was born in La Grange, Illinois, and after his parents' divorce moved with his mother, a trained singer, to Albuquerque, New Mexico when he was two months old. She died from peritonitis when he was four and he was raised by his grandmother and great-grandmother. He began learning classical music and piano at the age of seven. His family was musical and had a family band that allowed him to play frequently and he also played in a Boy Scout music group. Lyons, p. 77. Even though he learned piano by playing the classics, he was exposed to jazz from an early age because his aunt loved to dance and he would listen to the music she played. He attended the University of New Mexico, where he led a small dance band that he formed Giddins, p. 378. and double majored in Anthropology and Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Jazz Quartet
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical music, classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (pianist), John Lewis (piano), Milt Jackson (vibraphone), Percy Heath (double bass), and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown (musician), Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django (composition), Django" and Jackson's "Bags' Groove (composition), Bags' Groove". Clarke left the group in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steamin' With The Miles Davis Quintet
''Steamin' with the Miles Davis Quintet'' is a studio album by the Miles Davis quintet, recorded in 1956 but not released until July or August 1961. Two sessions on May 11, 1956 and October 26 in the same year resulted in an additional three albums: '' Relaxin' with The Miles Davis Quintet'', ''Workin' with The Miles Davis Quintet'' and ''Cookin' with the Miles Davis Quintet''. Reception The contemporaneous ''DownBeat'' reviewer praised all of the musicians except Garland, and concluded: "This album is a must for anyone seriously interested in jazz". Track listing Prestige – LP 7200: Personnel *Miles Davis – trumpet *John Coltrane – tenor saxophone (except 3 and 6) *Red Garland – piano *Paul Chambers – bass *Philly Joe Jones Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio station WIP. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis Quintet
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout. First Great Quintet/Sextet (1955–59) In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Cliffor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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