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Rhiannon
Rhiannon is a major figure in the Mabinogi, the medieval Welsh story collection. She appears mainly in the First Branch of the Mabinogi, and again in the Third Branch. She is a strong-minded Otherworld woman, who chooses Pwyll, prince of Dyfed (west Wales), as her consort, in preference to another man to whom she has already been betrothed. She is intelligent, politically strategic, beautiful, and famed for her wealth and generosity. With Pwyll she has a son, the hero Pryderi, who later inherits the lordship of Dyfed. She endures tragedy when her newborn child is abducted, and she is accused of infanticide. As a widow she marries Manawydan of the British royal family, and has further adventures involving enchantments. Like some other figures of British/Welsh literary tradition, Rhiannon may be a reflection of an earlier Celtic deity. Her name appears to derive from the reconstructed Brittonic form *''Rīgantonā'', a derivative of *''rīgan-'' "queen". In the First Branch of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pwyll
Pwyll Pen Annwn () is a prominent figure in Welsh mythology and literature, the lord of Dyfed, husband of Rhiannon and father of the hero Pryderi. Meaning ''wisdom" he is the eponymous hero of Pwyll Pendefig Dyfed, the first branch of the Four Branches of the Mabinogi, and also appears briefly as a member of Arthur's court in the medieval tale ''Culhwch ac Olwen''. ''Pwyll, Prince of Dyfed'' also carries many similarities to the Mabinogi Branwen. Origin of ''Pwyll, Prince of Dyfed'' This tale is one of a group found in ''The Mabinogion'', one of the earliest known efforts to form a collection of traditional Welsh tales. Such tales, which date back to circa 1325 C.E., were originally passed from person to person and generation to generation orally. The Celtic oral tradition lasted for several centuries and is a possible reason for the abundance of errors and discrepancies found in ''The Mabinogion'' as well as other Welsh literature dating back to the fourteenth century or earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pryderi
Pryderi fab Pwyll is a prominent figure in Welsh mythology, the son of Pwyll and Rhiannon, and king of Dyfed after his father's death. He is the only character to appear in all Four Branches of the Mabinogi, although the size of his role varies from tale to tale. He is often equated with the divine son figure of Mabon ap Modron, while Jeffrey Gantz compares him to Peredur fab Efrawg, who is himself associated with the continental figure of Sir Percival de Galles.''The Mabinogion.'' Translated with an introduction by Jeffrey Gantz. 1976. Penguin Books, London. Ifor Williams speculated that he was once the focal character of the Mabinogi as a whole, although some subsequent scholars disagree with this theory. Pryderi is described by Jeffrey Gantz as "bold and enterprising, but rash to the point of foolishness." He goes on to say that "his downfall, while pathetic, is not entirely undeserved." Role in Welsh mythology Birth and early life Pryderi was born in Arberth to Pwyll, Lor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pryderi And Rhiannon
Pryderi fab Pwyll is a prominent figure in Welsh mythology, the son of Pwyll and Rhiannon, and king of Dyfed after his father's death. He is the only character to appear in all Four Branches of the Mabinogi, although the size of his role varies from tale to tale. He is often equated with the divine son figure of Mabon ap Modron, while Jeffrey Gantz compares him to Peredur fab Efrawg, who is himself associated with the continental figure of Sir Percival de Galles.''The Mabinogion.'' Translated with an introduction by Jeffrey Gantz. 1976. Penguin Books, London. Ifor Williams speculated that he was once the focal character of the Mabinogi as a whole, although some subsequent scholars disagree with this theory. Pryderi is described by Jeffrey Gantz as "bold and enterprising, but rash to the point of foolishness." He goes on to say that "his downfall, while pathetic, is not entirely undeserved." Role in Welsh mythology Birth and early life Pryderi was born in Arberth to Pwyll, Lor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwawl
In Welsh mythology, Gwawl (Gwawl fab Clud) was the son of Clud, and tricks Pwyll into promising him Rhiannon. She decides to marry Pwyll instead. Nothing is known of his father Clud. Gwawl, son of Clud, is initially mentioned in the first of the Four Branches of the Mabinogi, when Rhiannon tells Pwyll, Prince of Dyfed Dyfed () is a preserved county in southwestern Wales. It is a mostly rural area with a coastline on the Irish Sea and the Bristol Channel. Between 1974 and 1996, Dyfed was also the name of the area's county council and the name remains in use f ..., who wishes to marry her, that she is intended for Gwawl. Rhiannon and Pwyll form a plan to free her from her forced marriage to Gwawl and make arrangements for their own marriage in a year's time. The year passes and it is assumed, if not mentioned, that Gwawl has heard of Rhiannon's pending marriage to Pwyll and has had sufficient time to create a plan so he can marry Rhiannon himself. During the wedding feast at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adar Rhiannon
In the earliest prose stories in Britain in the Mabinogi, the ; "birds of Rhiannon", are specifically three magical birds, whose song can "wake the dead and lull the living to sleep". They also have a non-rational effect on space as they can be remote but seem very near. They are connected with Rhiannon the Queen of Dyfed who is thought to be a British euhemerized horse goddess, so part of Welsh mythology. The Adar Rhiannon were demanded by the giant Ysbaddaden Bencawr as a marriage task for Culhwch to complete. The giant wanted the Birds to soothe him as he faced his last night of life, prophesied as the consequence of his daughter's wedding. The two British sources In the early native British Arthurian tale from Wales, ''Culhwch and Olwen'', Culhwch ac Olwen, the hero Culhwch ap Cilydd seeks the beautiful Olwen, daughter of the giant chief, Ysbaddaden Bencawr as his bride. A prophecy has foretold that Ysbadadden will die on his daughter's wedding night. The giant therefore s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manawydan
Manawydan fab Llŷr is a figure of Welsh mythology, the son of Llŷr and the brother of Brân the Blessed and Brânwen. The first element in his name is cognate with the stem of the name of the Irish sea god Manannán mac Lir, and likely originated from the same Celtic deity as Manannán. Unlike Manannán, however, no surviving material connects him with the sea in any way except for his patronymic (''llŷr'' is an old Welsh word for ''sea''). Manawydan's most important appearances occur in the Second and Third Branches of the Mabinogi (the latter of which is named for him), but he is also referenced frequently in medieval poetry and the Welsh Triads. The Mabinogi Second Branch Manawydan is an important character in the Second Branch of the Mabinogi, the ''Mabinogi of Brânwen, Daughter of Llŷr''. In this tale, Manawydan serves as advisor to his brother Brân the Blessed, the King of Britain. He sits beside Brân at the feast celebrating the wedding of their sister Brânwen to Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teyrnon
In Welsh tradition, Teyrnon Twryf Lliant is the lord of the Kingdom of Gwent and the foster father of the divine son, Pryderi. He appears most prominently in ''Pwyll Pendefig Dyfed'', the first of the Four Branches of the Mabinogi, but also features briefly in the early tale on the Matter of Britain, ''Culhwch and Olwen'', as a knight of King Arthur. The name Teyrnon is widely acknowledged as deriving from the Common Brittonic *tigernonos, "great lord". Role A son is born in Arberth to Pwyll, Lord of Dyfed, and Rhiannon, daughter of Hyfaidd Hen. On the night of his birth, the child disappears while in the care of six of Rhiannon's ladies-in-waiting. To avoid the king's wrath, they smear dog's blood onto a sleeping Rhiannon, claiming that she had committed infanticide and cannibalism Cannibalism is the act of consuming another individual of the same species as food. Cannibalism is a common ecological interaction in the animal kingdom and has been recorded in more than 1,500 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigfa
Cigfa ferch Gwyn Glohoyw (Middle Welsh: ''Kigua'') is a minor character in Welsh mythology, the wife of King Pryderi of Dyfed. She is mentioned briefly in the First Branch of the ''Mabinogi'', and appears more prominently in the third. Describing the character, Proinsias Mac Cana writes: "Cigfa strikes one as a slight though effective vignette of a contemporary bourgeois snob while William John Gruffydd hypothesises that the character was a later addition to the tale."Gruffydd, W. D. ''Rhiannon'', Cardiff, 1953. John Rhys suggested a connection between Cigfa and the Irish character ''Ciochba''.Hughes, Ian. ''Manawydan uab Llyr'' Role in Welsh tradition After ascending to the throne of Dyfed, Pryderi searches for a wife and marries Cigfa, whose ancestry is recorded as "Cigfa, daughter of Gwyn Glohoyw, son of Gloyw Walltlydan, son of Casnar Wledig". A similar lineage can be found in ''Bonedd y Saint'', in which a saint named Mechyll fab Echwys is the grandson of Gwyn Glohoyw and grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epona
In Gallo-Roman religion, Epona was a protector of horses, ponies, donkeys, and mules. She was particularly a goddess of fertility, as shown by her attributes of a patera, cornucopia, ears of grain and the presence of foals in some sculptures. She and her horses might also have been leaders of the soul in the after-life ride, with parallels in Rhiannon of the Mabinogion. The worship of Epona, "the sole Celtic divinity ultimately worshipped in Rome itself", as the patroness of cavalry, was widespread in the Roman Empire between the first and third centuries AD; this is unusual for a Celtic deity, most of whom were associated with specific localities. Etymology Although known only from Roman contexts, the name Epona ('Great Mare') is from the Gaulish language; it is derived from the inferred Proto-Celtic *''ekʷos'' 'horse', which gives rise to modern Welsh ''ebol'' 'foal', together with the augmentative suffix ''-on'' frequently, though not exclusively, found in theonyms (for exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Horse (mythology)
White horses have a special significance in the mythologies of cultures around the world. They are often associated with the sun chariot,''The Complete Dictionary of Symbols'' by Jack Tresidder, Chronicle Books, 2005, , page 241Google books copy/ref> with warrior-heroes, with fertility (in both mare and stallion manifestations), or with an end-of-time saviour, but other interpretations exist as well. Both truly white horses and the more common grey horses, with completely white hair coats, were identified as "white" by various religious and cultural traditions. Portrayal in myth From earliest times, white horses have been mythologised as possessing exceptional properties, transcending the normal world by having wings (e.g. Pegasus from Greek mythology), or having horns (the unicorn). As part of its legendary dimension, the white horse in myth may be depicted with seven heads ( Uchaishravas) or eight feet (Sleipnir), sometimes in groups or singly. There are also white horse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Morrígan
The Morrígan or Mórrígan, also known as Morrígu, is a figure from Irish mythology. The name is Mór-Ríoghain in Modern Irish, and it has been translated as "great queen" or "phantom queen". The Morrígan is mainly associated with war and fate, especially with foretelling doom, death, or victory in battle. In this role she often appears as a crow, the '' badb''. She incites warriors to battle and can help bring about victory over their enemies. The Morrígan encourages warriors to do brave deeds, strikes fear into their enemies, and is portrayed washing the bloodstained clothes of those fated to die. She is most frequently seen as a goddess of battle and war and has also been seen as a manifestation of the earth- and sovereignty-goddess,Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. p.1622 chiefly representing the goddess's role as guardian of the territory and its people. The Morrígan is often described as a trio of individuals, all sisters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macha
Macha () was a sovereignty goddess of ancient Ireland associated with the province of Ulster, particularly the sites of Navan Fort (''Eamhain Mhacha'') and Armagh (''Ard Mhacha''), which are named after her.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. p. 1231 Several figures called Macha appear in Irish mythology and folklore, all believed to derive from the same goddess. She is said to be one of three sisters known as ' the three Morrígna'. Like other sovereignty goddesses, Macha is associated with the land, fertility, kingship, war and horses.Mac Cana, Prionsias.The Goddesses of the Insular Celts. ''Celtic Mythology''. Hamlyn, 1970. Proinsias Mac Cana discusses three Machas: Macha wife of Nemed, Queen Macha wife of Cimbáeth, and Macha wife of Crunnchu who caused the debility of the Ulstermen. Gregory Toner discusses four, with the addition of Macha Mong Ruad. Etymology and alias The name is presumably derived from Proto-Celtic *''makajā'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
