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Revue Starlight
is a Japanese media franchise created in 2017 by Bushiroad, Nelke Planning and Kinema Citrus. It primarily consists of a series of musicals, debuting between September 22 and 24, 2017 at the AiiA 2.5 Theater Tokyo; a 12-episode anime television series directed by Tomohiro Furukawa which aired between July and September 2018; and two animated films, released on August 7, 2020, and June 4, 2021, which abridged and continued the story of the anime. It has received three manga adaptations, all of which began serialization in January 2018. A smartphone game titled ''Shōjo Kageki Revue Starlight: Re LIVE'', developed by Ateam, launched in October 2018. Premise The ''Revue Starlight'' franchise includes stage musicals, a musical animated series, musical films, and a mobile game each telling original, interconnected stories about the training, personal lives, and growth of several groups of female performing arts students, who are distinguished from their peers as "Stage Girl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smartphone
A smartphone is a portable computer device that combines mobile telephone and computing functions into one unit. They are distinguished from feature phones by their stronger hardware capabilities and extensive mobile operating systems, which facilitate wider software, internet (including web browsing over mobile broadband), and multimedia functionality (including music, video, cameras, and gaming), alongside core phone functions such as voice calls and text messaging. Smartphones typically contain a number of metal–oxide–semiconductor (MOS) integrated circuit (IC) chips, include various sensors that can be leveraged by pre-included and third-party software (such as a magnetometer, proximity sensors, barometer, gyroscope, accelerometer and more), and support wireless communications protocols (such as Bluetooth, Wi-Fi, or satellite navigation). Early smartphones were marketed primarily towards the enterprise market, attempting to bridge the functionality of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Combat
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. History Ancient The history of stage fighting and mock combat can be traced to antiquity, with Aristotle quoted as noting that tragedy is conflict between people or indeed it may be traced to the origins of the human species and primate display behaviour. Display of martial aptitude is a natural occurrence in warrior societies, and rituali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spike (stagecraft)
In stagecraft, a spike is a marking, usually made with a piece of tape (although some theatres use paint pens), put on or around the stage. This marking is used to show the correct position for set pieces, furniture, actors and other items which move during the course of a performance and are required to stop or be placed in a specific location. Several companies make rolls of very thin gaffer's or paper tape marketed as "spike tape" specifically for placing spikes. In a pinch, gaffer, masking or electrical tape can be used. When used to indicate locations under dark conditions, phosphorescent tape (sometimes referred to as "glow tape") is used for practical and safety reasons. Performer spikes are generally only used when positioning needs to be precise, either for safety or performance reasons, such as lighting specials. Placement During a theatrical technical rehearsal one of the stage management team will be ready to mark positions as required. To enable spike placemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stagecraft
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision. In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs. Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night requires the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-to-hand Combat
Hand-to-hand combat (sometimes abbreviated as HTH or H2H) is a physical confrontation between two or more persons at short range (grappling distance or within the physical reach of a handheld weapon) that does not involve the use of weapons.Hunsicker, A., ''Advanced Skills in Executive Protection'', Boca Raton FL: Universal Publishers, , , p. 51 The phrase "hand-to-hand" sometimes include use of melee weapons such as knives, swords, clubs, spears, axes, or improvised weapons such as entrenching tools. While the term "hand-to-hand combat" originally referred principally to engagements by combatants on the battlefield, it can also refer to any personal physical engagement by two or more people, including law enforcement officers, civilians, and criminals. Combat within close quarters, to a range just beyond grappling distance, is commonly termed close combat or close-quarters combat. It may include lethal and non-lethal weapons and methods depending upon the restrictions impos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Number (music)
In music, number refers to an individual song, dance, or instrumental piece which is part of a larger work of musical theatre, opera, or oratorio. It can also refer either to an individual song in a published collection or an individual song or dance in a performance of several unrelated musical pieces as in concerts and revues. Both meanings of the term have been used in American English since the second half of the 19th century. Musical theatre and related genres In musical theatre, the lyrics of the individual song numbers are integrated with the narrative of the libretto (or "book"). As early as 1917, Jerome Kern wrote that "musical numbers should carry on the action of the play, and should be representative of the personalities of the characters who sing them." The lyricist Oscar Hammerstein, another proponent of this view, even refused to list the numbers in ''Rose-Marie'' because he thought it would detract from what he viewed as the close integration between the book and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stagehand
A stagehand is a person who works backstage or behind the scenes in theatres, film, television, or location performance. Their work include setting up the scenery, lights, sound, props, rigging, and special effects for a production. General Stagehands are usually skilled in multiple disciplines, including rigging, carpentry, painting, stage electrics, stage lighting, audio, video/projection, and props. Stagehands are often responsible for operating the systems during shows or taping and also for the repair and maintenance of the equipment. Most stagehands have a general knowledge of all the phases of a production, but tend to develop specialties and focus on specific areas. Riggers are in charge of the things that hang. This may include building structures that are tens of stories high. They use safety gear similar to that used for mountain climbing. Carpenters construct and set up scenery. They may also move scenery on stage during a show. Electricians, or more commonly kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staging (theatre, Film, Television)
Staging is the process of selecting, designing, adapting to, or modifying the performance space for a play or film. This includes the use or absence of stagecraft elements as well as the structure of the stage and its components. Staging is also used to mean the result of this process, in other words the spectacle that a play presents in performance, its visual detail. This can include such things as positions of actors on stage (often referred to as blocking), their gestures and movements (also called stage business), the scenic background, the props and costumes, lighting, and sound effects. Besides costume, any physical object that appears in a play has the potential to become an important dramatic symbol. The first thing that the audience of a play sees is the stage set, the physical objects that suggest the world of the play. The stage set is usually indicated by the playwright, but the degree of detail and specificity of this rendering vary from one playwright to another and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In The Round
A theatre in the round, arena theatre or central staging is a space for theatre in which the audience surrounds the stage. Theatre-in-the-round was common in ancient theatre, particularly that of Greece and Rome, but was not widely explored again until the latter half of the 20th century. The Glenn Hughes Penthouse Theatre in Seattle, Washington was the first theatre-in-the-round venue built in the United States. It first opened on May 19, 1940 with a production of ''Spring Dance'', a comedy by playwright Philip Barry. The 160-seat theatre is located on the campus of the University of Washington in Seattle and is on the National Register of Historic Places. In 1947, Margo Jones established America's first professional theatre-in-the-round company when she opened her Theater '47 in Dallas. The stage design as developed by Margo Jones was used by directors in later years for such well-known shows as the Tony Award-winning musical ''Fun Home'', the original stage production of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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