Revolutions – The Very Best Of Steve Winwood
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Revolutions – The Very Best Of Steve Winwood
''Revolutions – The Very Best of Steve Winwood'' is the sixth compilation album by Steve Winwood. The album includes music from Winwood's solo career, as well as groups with which he has performed, including the Spencer Davis Group, Traffic, and Blind Faith. The CD was released as a box set and a single disc. As of October 2014, the box set is out of print (but can be purchased digitally), while the single disc is still available. The songs "The Finer Things" and "Roll With It" are exclusive to the single disc version and cannot be found on the box set. In addition the version of "The Low Spark of High-Heeled Boys" on both versions of this compilation is a different mix where various solos not on the original album version are heard. There is no indication of this on the album, but like other songs on the compilation, it is clearly different. Reception Stevie Chick from BBC Music writes: "the four-CD box-set version of ''Revolutions'' examines inwood'sback-catalogue in ...
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Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitar, bass, and saxophone. Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles''). His 1986 album ''Back in the High Life'' marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer ...
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I'm A Man (The Spencer Davis Group Song)
"I'm a Man" is a rock song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group, in which Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively. It has been recorded by many other performers over the years, most successfully by Chicago, whose version charted at No. 8 in the UK in 1970 and No. 49 in the US in 1971. Original song The original recording was a Hammond organ-driven blues rock track released as a single by the Spencer Davis Group in early 1967, reaching number nine in the UK Singles Chart. In the US, it peaked at number 10 in the US ''Billboard'' Hot 100, as well as number 48 in the magazine's Top Selling R&B Singles. It was the last hit single by the band before the brothers Steve and Muff Winwood left to pursue their own separate careers. The is included on the band's 1967 album, ''I'm a Man''. Chica ...
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Norman Petty
Norman Petty (May 25, 1927 – August 15, 1984) was an American musician, record producer, publisher, radio station owner, and considered to be one of the founding fathers of early rock & roll. Biography Petty was born in the small town of Clovis, New Mexico. He began playing piano at a young age. While in high school, he regularly performed on a 15-minute show on a local radio station. After his graduation in 1945, he was drafted into the United States Air Force. When he returned, he married his high-school sweetheart Violet Ann Brady on June 20, 1948. The couple lived briefly in Dallas, Texas, where Petty worked as a part-time engineer at a recording studio. Eventually, they moved back to their hometown of Clovis. Petty and his wife, Vi, founded the Norman Petty Trio with guitarist Jack Vaughn. Due to the local success of their independent debut release of "Mood Indigo", they landed a recording contract with RCA Records and sold half a million copies of the recording, and wer ...
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Joe B
Joe or JOE may refer to: Arts Film and television * ''Joe'' (1970 film), starring Peter Boyle * ''Joe'' (2013 film), starring Nicolas Cage * ''Joe'' (TV series), a British TV series airing from 1966 to 1971 * ''Joe'', a 2002 Canadian animated short about Joe Fortes Music and radio * "Joe" (Inspiral Carpets song) * "Joe" (Red Hot Chili Peppers song) * "Joe", a song by The Cranberries on their album ''To the Faithful Departed'' *"Joe", a song by PJ Harvey on her album '' Dry'' *"Joe", a song by AJR on their album ''OK Orchestra'' * Joe FM (other), any of several radio stations Computing * Joe's Own Editor, a text editor for Unix systems * Joe, an object-oriented Java computing framework based on Sun's Distributed Objects Everywhere project Media * Joe (website), a news website for the UK and Ireland * ''Joe'' (magazine), a defunct periodical developed originally for Kenyan youth Places * Joe, North Carolina, United States, a town * Jõe, Saaremaa Parish, Estoni ...
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Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Dec ...
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Jerry Allison
Jerry Ivan Allison (August 31, 1939 – August 22, 2022) was an American musician, best known as the drummer for the Crickets and co-writer of their hits "That'll Be the Day" and "Peggy Sue", recorded with Buddy Holly. His only solo chart entry on the ''Billboard'' Hot 100 was "Real Wild Child", issued in 1958 under the name Ivan. Allison was inducted into the Rock and Roll Hall of Fame in 2012. Background Allison's first professional recording was "Who's Gonna Be the Next One Honey", released as a 45-rpm disc (now very rare) by a local group, Hal Goodson and the Raiders. It was also performed at the Norman Petty studio in Clovis, New Mexico, about six months before "Peggy Sue" was recorded. In their early days at the Lubbock Youth Center, in Lubbock, Texas, Allison's drumming was the sole accompaniment to Buddy Holly's vocals and guitar, allowing Holly to perform some of his best guitar work. Over time, Allison's rhythm backup ranged from slapping his hands on his knees or ...
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Dave Mason
David Thomas Mason (born 10 May 1946) is an English singer-songwriter and guitarist from Worcester, who first found fame with the rock band Traffic. Over the course of his career, Mason has played and recorded with many notable pop and rock musicians, including Paul McCartney, George Harrison, the Rolling Stones, Jimi Hendrix, Eric Clapton, Michael Jackson, David Crosby, Graham Nash, Steve Winwood, Fleetwood Mac, Delaney & Bonnie, Leon Russell, and Cass Elliot. One of Mason's best known songs is "Feelin' Alright", recorded by Traffic in 1968 and later by many other performers, including Joe Cocker, whose version of the song was a hit in 1969. For Traffic, he also wrote "Hole in My Shoe", a psychedelic pop song that became a hit in its own right. " We Just Disagree", Mason's 1977 solo U.S. hit, written by Jim Krueger, has become a staple of U.S. classic hits and adult contemporary radio playlists. In 2004, Mason was inducted into the Rock and Roll Hall of Fame as a founding memb ...
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Larry Fallon
Larry Fallon (born Lawrence James Freaso; September 8, 1936 – June 2, 2005) was an American composer, arranger and record producer. Career Fallon's arranger credits include Van Morrison's ''Astral Weeks'', Nico's ''Chelsea Girl (album), Chelsea Girl'', Jimmy Cliff's ''Wonderful World, Beautiful People'', the Rolling Stones' "Gimme Shelter" and Gil Scott-Heron's ''Bridges''. He played the distinctive harpsichord arrangement on Morrison's "Cyprus Avenue". He also arranged horns and strings on the Looking Glass (band), Looking Glass's first album, ''Looking Glass (Looking Glass album), Looking Glass''. He co-wrote Traffic's "Shanghai Noodle Factory." Fallon died in Hoboken, New Jersey, at the age of 68. References External links

* * * * {{DEFAULTSORT:Fallon, Larry 1936 births 2005 deaths American music arrangers American male composers American record producers American male conductors (music) American keyboardists 20th-century American composers 20th-century American c ...
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40,000 Headmen
"Roamin' Thru' the Gloamin' with 40,000 Headmen" (album title: "Forty Thousand Headmen"), written by Steve Winwood and Jim Capaldi, was first recorded by Traffic in 1967 or 1968. It was initially released as B-side to the "No Face, No Name and No Number" single in 1968 and also appears on their second album '' Traffic''. Blood, Sweat & Tears also recorded it on their 1970 album, '' Blood, Sweat & Tears 3''. The protagonist of the song, a profane demi-god, follows the eponymous headmen across the sea, on foot, to a hidden cave where they have stored up a large treasure. Taking as much as he can carry, he travels to a shrine only to find that the headmen have followed him; they open fire, wounding the protagonist but not killing him, and he decides to flee. The dream-like story seems to start ''and'' end with his confrontation with the headmen, as if he's experiencing his life in a closed loop. The lyrics were inspired by what Capaldi refers to as "a hash-fueled dream."(2011) In ...
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Dear Mr
Dear(s) or The Dears may refer to: Organizations * Duearity – a Swedish medtech company which trades on Nasdaq First North under ticker symbol DEAR. Manga * ''Dear'' (manga), a 2002–2007 Japanese manga series by Cocoa Fujiwara * ''DearS'', a 2002–2005 Japanese manga series by Peach-Pit, and a 2004 anime series and visual novel *''Dear+'', a Japanese manga magazine Music * Dears (band), a Taiwanese duo * The Dears, a Canadian rock band * ''Dear'' (Apink album) or the title song, "Dear (Whisper)", 2016 * ''Dear'' (Boris album) or the title song, 2017 * ''Dear'' (Hey! Say! JUMP album) or the title song, 2016 * ''Dear'' (Shion Miyawaki album), 2008 * "Dear" (Mika Nakashima song), 2011 * "Dear" (Vivid song), 2009 *''Dear.'', a 2018 EP by Cavetown Other uses * Dear (surname) * Drop Everything And Read, a school-based sustained silent reading program See also * Dear... (other) * ''Dear Dear'', a 1992 album by 54-40 * Deer (other) * Salutation * Term of ...
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Chris Wood (rock Musician)
Christopher Gordon Blandford Wood (24 June 1944 – 12 July 1983) was a British rock musician, best known as a founding member of the rock band Traffic, along with Steve Winwood, Jim Capaldi and Dave Mason. Career Born in Quinton,Stephanie Wood a suburb of Birmingham, Chris Wood had an interest in music and painting from early childhood. Self-taught on flute and saxophone, which he began playing at the age of 15, he began to play locally with other Birmingham musicians who would later find international fame in music: Christine Perfect (later Christine McVie), Carl Palmer, Stan Webb and Mike Kellie. Wood played with Perfect in 1964 in the band Shades of Blue and with Kellie during 1965–1966 in the band Locomotive. He attended the Stourbridge College of Art, then the Birmingham School of Art (Painting Dept.) and subsequently was awarded a grant to attend the Royal Academy of Art starting in December 1965. Aged 18, Wood joined the Steve Hadley Quartet, a jazz/blues grou ...
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Coloured Rain
''Mr. Fantasy'' is the debut album by English rock band Traffic, released in December 1967. The recording included group members Jim Capaldi, Steve Winwood, Chris Wood, and Dave Mason; however, Mason left the band shortly after the album was released. The album reached the number 16 position in the UK albums chart, and number 88 on the '' Billboard 200'' chart in the United States. Overview The album was recorded at Olympic Studios in London with American record producer Jimmy Miller and recording engineer Phill Brown. When Brown was asked his favourite memory of engineering, he responded: "Recording Dear Mr Fantasy, one o'clock in the morning, November 1967." The UK release was one of the earliest rock albums on the Island Records label. This edition had a color gatefold cover and included 10 songs. As with common practice in the 1960s, the original UK album left out hit songs from Traffic singles of the era. The sitar, an instrument widely associated with this era ...
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