Reverse Standards Conversion
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Reverse Standards Conversion
Reverse Standards Conversion or RSC is a process developed by a team led by James Insell at the BBC for the restoration of video recordings which have already been converted between different video standards using early conversion techniques. Historical justifications for its use Many programmes produced by the BBC in PAL in the 1960s and 1970s were converted to NTSC for distribution to 525 line markets. Because of the cost of video tape at the time, the original PAL master was often overwritten with new material or simply discarded. This often left the NTSC version as the only remaining copy. PAL to NTSC conversion (c. 1968) PAL and NTSC have a differing number of lines of resolution and also use a different field rate. Traditional standards conversion techniques adopted interpolation as a way to cater for the differences between line resolution and field frequency. What the original BBC converter tried to do (using the limited technology of the day) was to minimise judde ...
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NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the intr ...
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480i
480i is the video mode used for standard-definition digital television in the Caribbean, Japan, South Korea, Taiwan, Philippines, Laos, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60 Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. Although related, it should not be confused w ...
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Wiping
Lost television broadcasts are mostly those early television programs which cannot be accounted for in studio archives (or in personal archives) usually because of deliberate destruction or neglect. Common reasons for loss A significant proportion of early television programming was never recorded in the first place. Early broadcasting in all genres was live and sometimes performed repeatedly. Due to there being no means to record the broadcast or, later, because the content itself was thought to have little monetary or historical value it was not deemed necessary to save it. In the United Kingdom, early programming was lost due to contractual demands by the actors' union to limit the rescreening of performances. Apart from Phonovision experiments by John Logie Baird, and some 280 rolls of 35mm film containing some of Paul Nipkow television station broadcasts, no recordings of transmissions from 1939 or earlier are known to exist. In 1947, Kinescopes (preserving the image ...
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Digital Artifact
Digital artifact in information science, is any undesired or unintended alteration in data introduced in a digital process by an involved technique and/or technology. Digital artifact can be of any content types including text, audio, video, image, animation or a combination. Information science In information science, digital artifacts result from: *Hardware malfunction: In computer graphics, visual artifacts may be generated whenever a hardware component such as the processor, memory chip, cabling malfunctions, etc., corrupts data. Examples of malfunctions include physical damage, overheating, insufficient voltage and GPU overclocking. Common types of hardware artifacts are texture corruption and T-vertices in 3D graphics, and pixelization in MPEG compressed video. *Software malfunction: Artifacts may be caused by algorithm flaws such as decoding/encoding audio or video, or a poor pseudo-random number generator that would introduce artifacts distinguishable from the ...
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Doctor Who
''Doctor Who'' is a British science fiction television series broadcast by the BBC since 1963. The series depicts the adventures of a Time Lord called the Doctor, an extraterrestrial being who appears to be human. The Doctor explores the universe in a time-travelling space ship called the TARDIS. The TARDIS exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. With various companions, the Doctor combats foes, works to save civilisations, and helps people in need. Beginning with William Hartnell, thirteen actors have headlined the series as the Doctor; in 2017, Jodie Whittaker became the first woman to officially play the role on television. The transition from one actor to another is written into the plot of the series with the concept of regeneration into a new incarnation, a plot device in which a Time Lord "transforms" into a new body when the current one is too badly harmed to heal normally. ...
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Inferno (Doctor Who)
''Inferno'' is the fourth and final serial of the seventh season of the British science fiction television series '' Doctor Who'', which was first broadcast in seven weekly parts on BBC1 from 9 May to 20 June 1970. The serial remains the last time a ''Doctor Who'' story was transmitted in seven episodes. This serial was also the last regular appearance of Caroline John in the role of Liz Shaw. In the serial, the alien time traveller the Third Doctor (Jon Pertwee) transports himself "sideways in time" to a parallel world, where a British drilling project causes catastrophic amounts of heat and force to be unleashed when it penetrates the Earth's crust. Plot The Third Doctor and UNIT are called in to investigate a murder at Project Inferno, an effort to drill through the Earth's crust to harness great energies within the planet's core. It transpires that the drilling is producing a green ooze that transforms all who touch it into savage humanoid creatures called Primords, who ...
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The Claws Of Axos
''The Claws of Axos'' is the third serial of the eighth season of the British science fiction television series '' Doctor Who'', which was first broadcast in four weekly parts on BBC1 from 13 March to 3 April 1971. In the serial, set in Britain, the alien organism Axos spreads its Axonite particles across the Earth to allow itself to feed on all life on the planet. Plot The Axons land on Earth, desperately in need of fuel. They propose to exchange the miracle substance they call Axonite for some much needed energy. Axonite is a "thinking" molecule that can replicate any substance... or so they claim. As it turns out, the ship is a single organism called Axos whose purpose is to feed itself by draining all energy through the Axonite (which is just a part of itself), including the energy of every life form on Earth. The deception about the Axonite's beneficial properties was to facilitate the distribution of Axonite across the globe. Meanwhile, the Master, who was captured by Ax ...
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Jack Pizzey (television)
Jack Pizzey is a British television documentary-maker, presenter and author. Early life Pizzey was born in Sussex, UK. He attended St Christophers Preparatory School for the Public Schools and the Royal Navy and then Hove Grammar School. His main sports were boxing and swimming. Naval career Pizzey served in the Royal Navy, starting as a Dartmouth cadet at 16 and retiring as a lieutenant at 27. He served mainly in submarines: HMS ''Tally-Ho'' and ''Thermopylae'' in the Mediterranean, HMS ''Talent'' in home waters and HMS ''Andrew'' in the Far East, as Torpedo Officer and Navigator. In the cruiser HMS ''Newcastle'' (a sister ship to HMS ''Belfast'' which is now a floating museum across the Thames from the Tower of London) he toured the Far East with a front row seat at the end of the British Empire, watching the Union Jack being hauled down in various newly independent colonies to which he returned twenty years later as a documentary-maker. Broadcasting career After th ...
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Monty Python's Flying Circus
''Monty Python's Flying Circus'' (also known as simply ''Monty Python'') is a British surreal sketch comedy series created by and starring Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin and Terry Gilliam, who became known as "Monty Python", or the "Pythons". The first episode was recorded at the BBC on 7 September 1969 and premiered on 5 October on BBC1, with 45 episodes airing over four series from 1969 to 1974, plus two episodes for German TV. The series stands out for its use of absurd situations, mixed with risqué and innuendo-laden humour, sight gags and observational sketches without punchlines. Live action segments were broken up with animations by Gilliam, often merging with the live action to form segues. The overall format used for the series followed and elaborated upon the style used by Spike Milligan in his groundbreaking series '' Q...'', rather than the traditional sketch show format. The Pythons play the majority of the series' chara ...
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Television Standards Conversion
Television standards conversion is the process of changing a television transmission or recording from one video system to another. Converting video between different numbers of lines, frame rates, and color models in video pictures is a complex technical problem. However, the international exchange of television programming makes standards conversion necessary so that video may be viewed in another nation with a differing standard. Typically video is fed into video standards converter which produces a copy according to a different video standard. One of the most common conversions is between the NTSC and PAL standards. History The first known case of television systems conversion was in Europe a few years after World War II, mainly with the RTF (France) and the BBC (UK) trying to exchange their black and white 441 line and 405 line programming. The problem got worse with the introduction of color standards PAL, SECAM (both 625 lines), and the French black and white 819 line s ...
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