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Reencontro Com Sambalanço Trio
''Reencontro com Sambalanço Trio'' is the fourth album recorded by Sambalanço Trio. It was released on an LP in 1965 and presents a fusion of samba and jazz. In 2006 this album was reissued on CD as part of the Som Livre Masters series organized by Charles Gavin. Track listing The seventh track, "Pout-pourri", is composed by pieces of other seven songs listed below the track. Personnel * Cesar Camargo Mariano - piano *Humberto Clayber Humberto Clayber de Souza is a Brazilian composer and musician. He was considered one of the best Bossa Nova bass players in 1960s and actually is acclaimed as one of the best harmonica players of the world. He played with many famous artists alon ... - bass * Airto Moreira - drums References 1965 albums Sambalanço Trio albums {{2000s-jazz-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Som Maior
Som, SOM or Søm may refer to: Computing * System Object Model (file format), of the HP-UX operating system * Simulation Object Model, in computer high-level architecture (simulation) * System on module, in computer embedded systems * Self-organizing map, neural network in machine learning * IBM System Object Model, a programming tool Organizations * SOM Biotech * SOM Foundation * SOM Institute * Skidmore, Owings & Merrill, an American architecture firm * Yale SOM, the Yale School of Management Places * Som, Somogy, Hungary * Som, Uttar Pradesh, India * Søm, Kristiansand, Norway * Somalia, ISO 3166 three-letter code * IOC Olympic country code for Somalia * Somerset, county in England, Chapman code Transport * SOM (missile), of the Turkish Air Force * ''Som''-class submarine, Russia * Somerset MRT station, Singapore (MRT station abbreviation SOM) * Somerset Railroad (New York), reporting mark * SOM Center Road, name of a portion of Ohio State Route 91 Other uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improviso Negro
''Improviso Negro'' is an album by Brazilian samba-jazz group Sambalanço Trio released in 1965. Reception Writing for Allmusic, John Bush states that the album "showed them expanding their dynamic range over their early LPs, ranging from tender balladry to clattering bossa nova workouts." Track listing #"Nana" ( Mario Telles) – 2:41 #"Reza" ( Edú Lobo) – 5:05 #"Estamos Aí" ( Durval Ferreira) – 2:29 #"Deus Brasileiro" (Marcos Valle) – 1:13 #"Preciso Aprender a Ser Só" (Marcos Valle) – 3:26 #"Cangaceiro" ( Antonio Arruda) – 2:35 #"Improviso Negro" (Humberto Clayber) – 2:43 #"Roda de Samba" ( Lúcio Alves) – 2:27 #"Voce" (Ronaldo Bôscoli, Roberto Menescal) – 3:31 #"Cançao Que Veio de Dentro Do Azul" – 4:44 #"Samba de Verao" (Marcos Valle) – 2:44 Personnel * Cesar Camargo Mariano – piano *Humberto Clayber Humberto Clayber de Souza is a Brazilian composer and musician. He was considered one of the best Bossa Nova bass players in 1960s and actually i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sambalanço Trio
Sambalanço Trio was a Brazilian samba-jazz group formed by Cesar Camargo Mariano (piano), Humberto Clayber (bass) and Airto Moreira (drums). The band started to play in 1964 and lasted for about two years. Their albums are considered some of the most important works of that period and influenced many other groups of samba and jazz. History The group was created in 1964, in São Paulo, Brazil. They played in the opening show of João Sebastião Bar, one of the foremost bossa nova nightclubs in the city, where they became the favourite attraction. In this nightclub, the group met the American dancer Lennie Dale, a future collaborator. The Sambalanço Trio offered a fusion of bossa nova and jazz, which became a cornerstone of Brazilian popular music of the period. In the same year the band was formed, it released two albums: the first was ''Sambalanço Trio''; the second, ''Samblues''. In 1965, they joined musician Raul de Souza and recorded ''À vontade mesmo''. Also in 1965, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gavin
Charles de Souza Gavin (born July 9, 1960) is a Brazilian drummer and music producer, perhaps best known for his 25-year tenure with rock band Titãs. Before Titãs, he had brief stints at Ira! and RPM. Early life and first works At age 8, his friends invited him to participate on the September 7 ( Brazil's Independence Day) festival. The problem was the absence of decent percussion instruments. So, the school decided to improvise these with kitchen utensils. But there was still an instrument remaining, which would be quite difficult for a not so skillful drummer to play. Gavin, who was already used to beat the table at school, was chosen for the job. The band, commanded by Gavin, won the originality prize. In 1975, at the year of 15, living in Jabaquara, Gavin joined ten neighbors, and during the weeks that preceded the Carnaval, they promoted noisy beats around the streets. However, his ears were focused on the discs of Led Zeppelin, Black Sabbath and Emerson, Lake & Palmer. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Morro Não Tem Vez
"O Morro Não Tem Vez" (loosely translated as "The Slums aren't Given a Chance"), also known as "Favela", "O Morro", and "Somewhere in the Hills", is a bossa nova jazz standard composed by Antônio Carlos Jobim with lyrics written by Vinicius de Moraes. The English lyrics were written by Ray Gilbert. The song was first released in 1962 by Pedrinho Rodrigues as an a-side to "O Amor e a Canção". In 1963, it was popularized by Jair Rodrigues. The most famous versions are by Astrud Gilberto, Antônio Carlos Jobim, and Stan Getz. Context In 1964, not shortly after the song was released, the Brazilian government suffered a coup and was replaced by a military dictatorship. During this time, many musicians and composers, including songwriters Jobim and de Moraes, were arrested and interrogated by the police or had their calls and mail tapped for creating "subversive" music. While bossa nova has not usually been regarded as having political themes, the song became one of the genre's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesar Camargo Mariano
Cesar, César or Cèsar may refer to: Arts, entertainment, and media * ''César'' (film), a 1936 film directed by Marcel Pagnol * ''César'' (play), a play by Marcel Pagnolt * César Award, a French film award Places * Cesar, Portugal * Cesar River, a river within the Magdalena Basin of Colombia * Cesar River, Chile * Cesar Department, Colombia Other uses * César (grape), an ancient red wine grape from northern Burgundy * French ship ''César'' (1768), ship of the line, destroyed 1782 * Recife Center for Advanced Studies and Systems (C.E.S.A.R), in Brazil * Cesar, a brand of dog food manufactured by Mars, Incorporated People with the given name * César (footballer, born May 1979), César Vinicio Cervo de Luca, Brazilian football centre-back * César (footballer, born July 1979), Clederson César de Souza, Brazilian football winger * César Alierta (born 1945), Spanish businessman * César Augusto Soares dos Reis Ribela (born 1995), Brazilian footballer * César ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humberto Clayber
Humberto Clayber de Souza is a Brazilian composer and musician. He was considered one of the best Bossa Nova bass players in 1960s and actually is acclaimed as one of the best harmonica players of the world. He played with many famous artists along his career, such as Cesar Camargo Mariano, Airto Moreira, Hermeto Pascoal and Manfredo Fest. Biography Humberto Clayber, or Clayber de Souza, started his musical career when he was 8 years old. At that period, he played for Radio Cultura band and, as a member of this group, he made his first shows. In 1956, he played for Hering Harmonicas. With Zezinho Lima and Raymundo Paiva, he played in São Paulo and other near cities, as endorser. He is responsible for popularizing the harmonica around Brazil, specially São Paulo. In the 1960s, he joined some samba-jazz groups. First, in 1963, he played with Manfredo Fest trio, as bassist, and recorded the debut album by the blind pianist: '' Bossa nova, nova bossa''. One year later, he joined Sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
