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Red Peristyle
Red Peristyle ( hr, Crveni peristil) was an urban intervention in Diocletian's Palace in the city of Split, Croatia, performed on 11 January 1968, when its peristyle (main court) was painted red. This was also the name of the group responsible for the intervention, which was formed in 1966. The group had a destructive approach similar to Marcel Duchamp's post-urban art of the 1960s. A number of other actions were recognized as the work of the same artistic group. This illegal attack on public property was made more controversial by the choice of the colour. It was seen as an act of provocation towards communism in the former Yugoslavia. It was also prosecuted by the authorities as vandalism. Only one art historian, Cvito Fisković, made a statement in defence of the artists. Two of them, Pave Dulčić and Tomo Ćaleta, committed suicide, whereand one other did not speak about the event. A myth of the Red Peristyle evolved and created a group of new "anti-heroes An antihero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Interventionism
Urban Interventionism is a name sometimes given to a number of different kinds of activist design and art practices, art that typically responds to the social community, locational identity, the built environment, and public places. The goals are often to create new awareness of social issues, and to stimulate community involvement. Such practices have a history that includes certain street artists of the 1960s, such as The Diggers of San Francisco, or the Provos of Amsterdam, among many others. Contemporary artists often associated with urban interventionist practices are Daniel Buren, Gordon Matta-Clark, Mierle Laderman Ukeles, Krzysztof Wodiczko, Thomas Hirschhorn, Francis Alÿs, Harrell Fletcher, the Red Peristyle group, Banksy and many others. Social and spatial Urban Interventionism has been associated with a changed understanding of the relationship between the social and the spatial, called the "spatial turn" of the arts and sciences in the 1980s. In this turn a new view ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Croatian Art Of The 20th Century
Croatian art of the 20th century, that is visual arts within the boundaries of today's Croatia, can be divided into modern art up to the Second World War, and contemporary art afterwards. Modern art in Croatia began with the Secession ideas spreading from Vienna and Munich, and post-Impressionism from Paris. Young artists would study the latest trends and integrate them into their own work. Many strove to bring a native cultural identity into their art, for example themes of national history and legends, and some of the artwork following the First World War contained a strong political message against the ruling Austro-Hungarian state. A change was noticeable in 1919 with a move to flatter forms, and signs of cubism and expressionism were evident. In the 1920s, the Earth Group sought to reflect reality and social issues in their art, a movement that also saw the development of naive art. By the 1930s there was a return to more simple, classical styles. Following the Second Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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