Red Light (f(x) Album)
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Red Light (f(x) Album)
''Red Light'' is the third studio album by South Korean girl group f(x), released on July 7, 2014, by SM Entertainment and Genie Music. It reached number one on the Gaon Album Chart and had two promotional singles, "Red Light" and "Milk". This is the last album with Sulli, who left the group one year after its release. Background ''Red Light'' has a dark and eerie concept, which f(x) said they liked. Krystal added that she liked this concept because she is often given roles that make her look pretty, and just this once she wanted something that would make her look darker and different. Naver describes the album's title track, "Red Light", as a "blast of urban rhythm bit, reversal in electro house genre". The lyrics talk about capturing great moments, stopping and reconsidering what is important in life. Also, it is a message, using a "red light" to symbolize the warning, that is expressed in an eye-catching way. Jakob Dorof of ''Vice'' described the song as "a high-tech whiplash ...
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F(x) (band)
f(x) (; ) is a South Korean girl group formed by SM Entertainment in 2009. The group is composed of Victoria, Amber, Luna, Krystal and previously Sulli until her departure from the group in August 2015. f(x) officially debuted in September 2009 with the release of the digital single "La Cha Ta". Their debut studio album, ''Pinocchio'' (2011), and their two extended plays ''Nu Abo'' and ''Electric Shock'' produced three number-one singles on South Korea's Gaon Digital Chart. Their acclaimed second studio album, ''Pink Tape'' (2013), was the only K-pop album on US music channel Fuse's "41 Best Albums of 2013", the only idol album to be featured in Korean critics' definitive list of "Top 100 Classic Albums of All Time", and was named "Greatest K-pop Album of the 2010s" by ''Billboard''. The group's third and fourth albums, '' Red Light'' (2014) and '' 4 Walls'' (2015), were commercially successful and well received by music critics. Following the release of the SM Station singl ...
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