Reassemblage (album)
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Reassemblage (album)
''Reassemblage'' is the second studio album of Portland, Oregon duo Visible Cloaks, consisting of musicians Spencer Doran and Ryan Carlile. The record is named after Trinh T. Minh-ha's 1982 documentary film of the same name, since both works observe its subject matter without showing meaning to it. ''Reassemblage'' departs from Doran's past hip-hop releases for a more high-quality style inspired by the works of Japanese synthesizer music acts such as Yellow Magic Orchestra and Ryuichi Sakamoto, all of which were featured on Doran's 2010 mix ''Fairlights, Mallets & Bamboo''. ''Reassemblage'' uses Doran's "fourth world Japan" music structure similar to the "fourth world" concept of composer Jon Hassell, where virtual replications of acoustic instruments specific to nations all across the globe are played together to create a virtual world. The combinations of these sounds lead to discombobulated situations to the point where the source of the sounds are unknown and all of the ...
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Visible Cloaks
Visible Cloaks are an American electronic musical duo based in Portland, Oregon, consisting of Spencer Doran and Ryan Carlile. The duo originally emerged in 2010 as Doran's solo project, in which he explored rare groove new age music and ambient music from Japan. Carlile joined the project in 2014. Scott Wilson of ''Fact'' describes their music as "shattering the idea of “fourth world music.” The duo's 2017 album '' Reassemblage'', released on RVNG Intl., introduced the duo's cross-influenced sound, taking inspiration from new age music, Italian minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ... and Japanese ambient music. The record received the "Best New Music" accolade from '' Pitchfork'', and was named an "Album Pick" by AllMusic. The duo's subsequent releas ...
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Virtual World
A virtual world (also called a virtual space) is a computer-simulated environment which may be populated by many users who can create a personal avatar, and simultaneously and independently explore the virtual world, participate in its activities and communicate with others. These avatars can be textual, graphical representations, or live video avatars with auditory and touch sensations. Virtual worlds are closely related to mirror worlds. In a virtual world, the user accesses a computer-simulated world which presents perceptual stimuli to the user, who in turn can manipulate elements of the modeled world and thus experience a degree of presence. Such modeled worlds and their rules may draw from reality or fantasy worlds. Example rules are gravity, topography, locomotion, real-time actions, and communication. Communication between users can range from text, graphical icons, visual gesture, sound, and rarely, forms using touch, voice command, and balance senses. Massively multi ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Phoneme
In phonology and linguistics, a phoneme () is a unit of sound that can distinguish one word from another in a particular language. For example, in most dialects of English, with the notable exception of the West Midlands and the north-west of England, the sound patterns (''sin'') and (''sing'') are two separate words that are distinguished by the substitution of one phoneme, , for another phoneme, . Two words like this that differ in meaning through the contrast of a single phoneme form a ''minimal pair''. If, in another language, any two sequences differing only by pronunciation of the final sounds or are perceived as being the same in meaning, then these two sounds are interpreted as phonetic variants of a single phoneme in that language. Phonemes that are established by the use of minimal pairs, such as ''tap'' vs ''tab'' or ''pat'' vs ''bat'', are written between slashes: , . To show pronunciation, linguists use square brackets: (indicating an aspirated ''p'' in ''p ...
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Dip In The Pool (band)
Dip in the Pool is a Japanese pop duo consisting of Miyako Koda (voices) and Tatsuji Kimura (keyboards), who have made eight albums. Their UK album ''Silence'' was released through Rough Trade Records in 1986. Their track "Izmir" is the ending music of the PlayStation game, ''Omega Boost''. Koda is also an actress and has appeared in "Fanshî dansu" (Fancy Dance, 1989), "Hakuchi" (1999), and "Kanaria" (2005). Discography Albums *''Dip in the Pool'' (1986, previous works collection CD; also released in UK on Rough Trade Records titled ''Silence'') *''10 Palettes'' (1988, East West Records) *''Retinae'' (1989, Moon/East West) *''Aurorae'' (1991, Moon/East West, produced by Peter Scherer) *''The Sea of Serenity'' (1993, Epic Records) *''KM 93.11'' (1993, Sony Records Sony Records was a record label founded by R&B duo Ike & Tina Turner in 1963. It was not affiliated with Sony Group Corporation. Ike Turner produced singles by members of the Kings of Rhythm and the Ikettes on Sony ...
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Spoken Word
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound. History Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit ...
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Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ...
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Uncanny
The uncanny is the psychological experience of something as not simply mysterious, but creepy, often in a strangely familiar way. It may describe incidents where a familiar thing or event is encountered in an unsettling, eerie, or taboo context.D. Bate, ''Photography and Surrealism'' (2004) pp. 39–40. Ernst Jentsch set out the concept of the uncanny later elaborated on by Sigmund Freud in his 1919 essay ''Das Unheimliche'', which explores the eeriness of dolls and waxworks. For Freud, the uncanny locates the strangeness in the ordinary. Expanding on the idea, psychoanalytic theorist Jacques Lacan wrote that the uncanny places us "in the field where we do not know how to distinguish bad and good, pleasure from displeasure", resulting in an irreducible anxiety that gestures to the Real. The concept has since been taken up by a variety of thinkers and theorists such as roboticist Masahiro Mori's uncanny valley and Julia Kristeva's concept of abjection. History German idealism ...
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Bandcamp
Bandcamp is an American online audio distribution platform founded in 2007 by Oddpost co-founder Ethan Diamond and programmers Shawn Grunberger, Joe Holt and Neal Tucker, with headquarters in Oakland, California, US. On March 2, 2022, Bandcamp was acquired by Epic Games. History Bandcamp was founded in 2007 by Ethan Diamond and programmers Shawn Grunberger, Joe Holt and Neal Tucker, headquartered in Oakland, California, US. In 2010, the site enabled embedding in other websites and shared links on social media sites. As of August 2020, half of Bandcamp's revenue was from sales for physical products. In November 2020, Bandcamp launched Bandcamp Live, a ticketed live-streaming service for artists. The service is an integrated feature of the Bandcamp website. Fees on tickets were waived until March 31, 2021, and became 10% from then. Bandcamp provides vinyl pressing services for artists. After a 50-artist pilot in 2020, the company opened limited access to 10,000 artists in e ...
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Oneohtrix Point Never
Daniel Lopatin (born July 25, 1982), best known as Oneohtrix Point Never or OPN, is an American experimental electronic music producer, composer, singer and songwriter. His music has experimented with tropes from various music genres and eras, sample-based song structures, and elaborate MIDI production. He began releasing synth-based recordings in the mid-2000s and received initial acclaim for the 2009 compilation '' Rifts'', as well as the influential vaporwave release ''Chuck Person's Eccojams Vol. 1'' (2010). He subsequently signed to Warp in 2013, and has released studio albums on the label since. He has also composed scores for films such as '' Good Time'' (2017) and ''Uncut Gems'' (2019); the former won him the Soundtrack Award at the 2017 Cannes Film Festival.Kim, Michelle (May 27, 2017)"Oneohtrix Point Never Wins Soundtrack Award at Cannes Film Festival" ''Pitchfork''. Retrieved June 1, 2017. Biography Early life Born and raised in Massachusetts, Lopatin is the son ...
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R Plus Seven
''R Plus Seven'' is the sixth studio album by American electronic musician Oneohtrix Point Never, released on September 30, 2013, as his debut album on Warp Records. The album's musical palette draws heavily on the synthetic sounds of MIDI instruments, 1980s synth presets and VSTs. ''R Plus Seven'' received critical acclaim, and was included on the year-end lists of several music publications. Its release came alongside several collaborations on visual accompaniment with contemporary artists such as Jon Rafman, Takeshi Murata, and Nate Boyce. Background and recording Differing from the sample-based techniques of Lopatin's 2011 album ''Replica'' which drew on lo-fi audio sources such as commercials from the 1980s and 1990s, the recording of ''R Plus Seven'' instead saw him work extensively with the synthetic sounds of MIDI instruments and presets, synth patches and VSTs. He also incorporated procedural composing methods and spoken word script samples created from a range of text ...
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Music Journalist
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has bee ...
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