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Ray Crane
Raymond "Ray" Crane (born October 31, 1930, Skegness - died June 29, 1994) was a British jazz trumpeter. Crane played locally in his twenties and early thirties, then became a member of Bruce Turner's band in 1963, which significantly raised his profile. He later played in the ensembles of Brian Lemon and Stan Greig, and worked with touring American trumpeters such as Red Allen, Bill Coleman, and Ray Nance. He also worked as a musical pedagogue, teaching and leading a youth jazz band which graduated Martin Taylor and Guy Barker. References *"Ray Crane". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld Barry Dean Kernfeld (born August 11, 1950) is an American musicologist and jazz saxophonist who has researched and published extensively about the history of jazz and the biographies of its musicians. Education In 1968, Kernfeld enrolled at U .... {{DEFAULTSORT:Crane, Ray English jazz trumpeters British male trumpeters British male jazz musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skegness
Skegness ( ) is a seaside town and civil parish in the East Lindsey District of Lincolnshire, England. On the Lincolnshire coast of the North Sea, the town is east of Lincoln and north-east of Boston. With a population of 19,579 as of 2011, it is the largest settlement in East Lindsey. It also incorporates Winthorpe and Seacroft, and forms a larger built-up area with the resorts of Ingoldmells and Chapel St Leonards to the north. The town is on the A52 and A158 roads, connecting it with Boston and the East Midlands, and Lincoln respectively. Skegness railway station is on the Nottingham to Skegness (via Grantham) line. The original Skegness was situated farther east at the mouth of The Wash. Its Norse name refers to a headland which sat near the settlement. By the 14th century, it was a locally important port for coastal trade. The natural sea defences which protected the harbour eroded in the later Middle Ages, and it was lost to the sea after a storm in the 1520s. Rebui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Turner
Malcom Bruce Turner (5 July 1922 – 28 November 1993) was an English jazz saxophonist, clarinetist, and bandleader. Biography Born in Saltburn-by-the-Sea, North Yorkshire, England, and educated at Dulwich College, he learned to play the clarinet as a schoolboy and began playing alto saxophone while serving in the Royal Air Force in 1943 during World War II. He played with Freddy Randall from 1948–53 and worked on the ''RMS Queen Mary, Queen Mary'' in a dance band and in a quartet with Dill Jones and Peter Ind. He briefly studied under Lee Konitz in New York City in 1950. His first period with Humphrey Lyttelton ran from 1953 to 1957 but began inauspiciously. At a concert performed in Birmingham Town Hall, Birmingham's Town Hall, Lyttelton's more literal traditionalist fans displayed a banner instructing "Go Home Dirty Bopper!" After leaving Lyttelton he led his Jump Band from 1957–65, which was featured in the 1961 film, ''Living Jazz''. Turner arranged the music for this fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Lemon
Brian Lemon (11 February 1937 – 11 October 2014) was a British jazz pianist and arranger. Biography Lemon was born in Nottingham, England. After leaving school in the 1950s, he began playing professionally at Nottingham's Palais de Danse and other local venues. He moved to London, aged 19, in 1956 to join Freddy Randall's group. After that he worked with George Chisholm, Kenny Baker and Sandy Brown. Over the years, he also worked with Benny Goodman, Charlie Watts, Scott Hamilton, Buddy Tate, Milt Jackson, Ben Webster, and Digby Fairweather. From 1961 to 1963, he led his own trio at the comedian Peter Cook’s club, The Establishment, in Soho, London. He led an octet which played songs by Billy Strayhorn. Lemon worked as a regular session musician with many groups which were recorded at the BBC's Maida Vale Studios in London for broadcast on Sunday night's BBC Radio 1's ''Sounds of Jazz'' introduced by Peter Clayton in the early 1970s. Lemon recorded a sequence of 27 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Greig
Stanley Mackay Greig (12 August 1930 in Joppa – 18 November 2012 in London) was a Scottish pianist, drummer, and bandleader. Greig's father was a drummer and piano tuner. Greig played with Sandy Brown while still in high school in 1945, then played piano and drums with him from 1948 to 1954. He moved to London and played with Ken Colyer (1954–55), Humphrey Lyttelton (1955–57), and Bruce Turner (1957), then with the Fairweather-Brown All-Stars (led by Brown and Al Fairweather) in 1958-59. He played with Turner again briefly before becoming a member of Acker Bilk's Paramount Jazz Band from 1960 to 1968. After 1969 Greig made piano his primary instrument, leading his own small groups and playing boogie woogie and blues piano. He played with Dave Shepherd and Johnny Hawksworth as a sideman in the early 1970s, then formed the London Jazz Big Band in 1975. From 1977-80 he played with George Melly, then toured as a bandleader in Europe (1980–82). He worked again with Lyt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Allen
Henry James "Red" Allen, Jr. (January 7, 1908 – April 17, 1967) was an American jazz trumpeter and vocalist whose playing has been claimed by Joachim-Ernst Berendt and others as the first to fully incorporate the innovations of Louis Armstrong. Life and career Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the bandleader Henry Allen Sr. He took early trumpet lessons from Peter Bocage and Manuel Manetta. Allen's career began in Sidney Desvigne's Southern Syncopators. He was playing professionally by 1924 with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to Chicago in 1927 to join King Oliver's band. Around this time he made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans, where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Coleman (trumpeter)
William Johnson Coleman (August 4, 1904 in Paris, Kentucky, United States – August 24, 1981 in Toulouse, France) was an American jazz trumpeter. Early life In 1909, Coleman's family moved from Kentucky to Cincinnati. His first musical explorations were on clarinet and C melody saxophone, but he eventually settled on trumpet. As a young man he worked as a messenger for the Western Union telegraph company. He studied with Cincinnati trumpeter Theodore Carpenter, and played in an amateur band led by trombonist J.C. Higginbotham. Career Coleman began professional work in Cincinnati with bands led by Clarence Paige and Wesley Helvey (both bands his teacher Carpenter worked in) then with Lloyd and Cecil Scott. In December 1927, he traveled with the Scott brothers to New York City, and continued to work with them until the late summer of 1929, when he joined the orchestra of pianist Luis Russell. His first recording session was with Russell on September 6, 1929, and he soloed on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Nance
Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra. Early years Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson. Ellington tenure Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Duke Ellington at Fargo, 1940 Live, Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Taylor (guitarist)
Martin Taylor, MBE (born 20 October 1956) is a British jazz guitarist who has performed in groups, guitar ensembles, and as an accompanist. Biography Early life Taylor was born in Harlow, Essex, into a family with a musical heritage and a Gypsy tradition. At the age of four, he received his first guitar from his father, jazz bassist William 'Buck' Taylor who only took up music at 30. Buck frequently played the music of the Quintette du Hot Club de France, so the young Martin Taylor became inspired by guitarist Django Reinhardt. At age eight, he was already playing in his father's band and at 15 he quit school to become a professional musician. The band Martin joined at 15 called the ''Oo-yah Band'' was led by Lennie Hastings, a jazz drummer who spent many years with the Alex Welsh band. The band included Nick Stevenson (trumpet), Peter Skivington (bass guitar), Ron Brown (trombone), Jamie Evans (piano), Malcolm Everson (clarinet and baritone saxophone). Over the next few years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Barker
Guy Jeffrey Barker, (born 26 December 1957) is an English jazz trumpeter and composer. Early life Barker was born in Chiswick, London, the son of an actress and a stuntman. He started playing the trumpet at the age of twelve, and within a year had joined the National Youth Jazz Orchestra. At the age of 15 he was playing with the Crouch End Allstars along with Wally Fawkes and Bob Nadkarni. Later life and career After lessons from Clark Terry in 1975, Barker went on in the 1980s to play with John Dankworth, Gil Evans (with whose orchestra he toured and recorded in 1983), Lena Horne, and Bobby Watson. Barker was a member of Clark Tracey's quintet from 1984 to 1992. As a sideman he has played with Ornette Coleman, Carla Bley, Georgie Fame, James Carter, Mike Westbrook, Frank Sinatra, Colin Towns, Natalie Merchant, ABC, The The, Haircut One Hundred, Erasure, Chris Botti, Wham!, Kajagoogoo, The Housemartins, Matt Bianco, Alphaville, The Style Council, Swing Out Sister, The Mood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Kernfeld
Barry Dean Kernfeld (born August 11, 1950) is an American musicologist and jazz saxophonist who has researched and published extensively about the history of jazz and the biographies of its musicians. Education In 1968, Kernfeld enrolled at University of California, Berkeley; then, from April 1970 to September 1972, he focused on being a professional saxophonist. In October 1972, Kernfeld enrolled at the University of California, Davis, where, in 1975, he earned a Bachelor of Arts in musicology. From 1975 to 1981, he studied at Cornell University where he focused on jazz. Cornell awarded him a master's degree in 1978 and a Doctor of Philosophy degree 1981. Editing and writing career Kernfeld was the editor of the first and second editions of ''The New Grove Dictionary of Jazz,'' the largest jazz dictionary ever published. The first edition was published in 1988. ''Volume 1'' had 670 pages and ''Volume 2'' had 690. John S. Wilson"Books of The Times; Updating the Minutiae of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
