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Rameshvara Temple, Narasamangala
The Rameshvara Temple (also spelt Rameshwara or Ramesvara) is located in the town of Narasamangala of Chamarajanagar district, Karnataka state, India. The temple was constructed during the 9th century rule of the Western Ganga Dynasty of Talakad. Temple plan The temple plan is simple, yet it has a unique superstructure (tower or ''shikara'') that is made of brick and stucco. The ''vimana'' (shrine with tower) is eleven meters tall and stands on a platform of moldings (called ''adhishthana'') that is two meters high. It has a sanctum (''garbhagriha''), a narrow closed hall (''ardhamantapa'' or just inner ''mantapa''), a large closed hall (''mahamantapa''). The architecture is fundamentally dravidian in style. Some of the remarkable sculptures in the temple include that of Nataraj (a form of the Hindu god Shiva), saptamatrikas (the seven Hindu goddesses) and the Ganga king seated in state with his queen by his side. The temple received patronage from the later day Hoysala Empir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
States And Union Territories Of India
India is a federal union comprising 28 states and 8 union territories, with a total of 36 entities. The states and union territories are further subdivided into districts and smaller administrative divisions. History Pre-independence The Indian subcontinent has been ruled by many different ethnic groups throughout its history, each instituting their own policies of administrative division in the region. The British Raj mostly retained the administrative structure of the preceding Mughal Empire. India was divided into provinces (also called Presidencies), directly governed by the British, and princely states, which were nominally controlled by a local prince or raja loyal to the British Empire, which held ''de facto'' sovereignty ( suzerainty) over the princely states. 1947–1950 Between 1947 and 1950 the territories of the princely states were politically integrated into the Indian union. Most were merged into existing provinces; others were organised into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
9th-century Hindu Temples
The 9th century was a period from 801 ( DCCCI) through 900 ( CM) in accordance with the Julian calendar. The Carolingian Renaissance and the Viking raids occurred within this period. In the Middle East, the House of Wisdom was founded in Abbasid Baghdad, attracting many scholars to the city. The field of algebra was founded by the Muslim polymath al-Khwarizmi. The most famous Islamic Scholar Ahmad ibn Hanbal was tortured and imprisoned by Abbasid official Ahmad ibn Abi Du'ad during the reign of Abbasid caliph al-Mu'tasim and caliph al-Wathiq. In Southeast Asia, the height of the Mataram Kingdom happened in this century, while Burma would see the establishment of the major kingdom of Pagan. Tang China started the century with the effective rule under Emperor Xianzong and ended the century with the Huang Chao rebellions. While the Maya experienced widespread political collapse in the central Maya region, resulting in internecine warfare, the abandonment of cities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deity
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions traditionall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veera Ballala III
Veera Ballala III (r. 1292–1342) was the last great king of the Hoysala Empire. During his rule, the northern and southern branches of the Hoysala empire (which included much of modern Karnataka and northern Tamil Nadu) were consolidated and administered from Halebidu (also known as Dwarasamudra). During his rule, he fought numerous wars with the Yadavas of Devagiri, the Pandyan Dynasty of Madurai and other minor dynasties of South India. But it was his conflict with the invading forces of Alauddin Khalji, and later those of Muhammad bin Tughluq, the Sultan of Delhi, that would alter the course of history of South India. For his courage and fortitude, the historians Suryanath Kamath, Chopra, Ravindran and Subrahmanian have called him a "great ruler".Kamath (1980), p.129Chopra, Ravindran and Subrahmanian (2003), p.156 With his death in c. 1343, South India saw the rise of a new Hindu empire, the Vijayanagara Empire. In the words of the historian Sen "the Hoysalas were the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Empire
The Hoysala Empire was a Kannada people, Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrikas
Matrikas (Sanskrit: मातृका (singular), IAST: mātṝkās, lit. "divine mothers") also called Matar or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the '' Brihat Samhita'', Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their spouses or their energies (''Shaktis''). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Skanda, Varahi from Varaha and Chamunda from Devi. and additionals are Narasimhi from Narasimha and Vinayaki from Ganesha. Originally believed to be a personification of the seven stars of the star cluster the Pleiades, they became quite popular by the seventh century and a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraj
Nataraja () also known as Adalvallaan () is a depiction of the Hindu god Shiva as the divine cosmic dancer. His dance is called Tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'', ''Thiruvasagam'' in Tamil and ''Anshumadbhed agama'' and ''Uttarakamika agama'' in Sanskrit and Grantha texts, the dance murti featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, in particular as one of the finest illustrations of Hindu art. He is commonly referred as Koothan(), Sabesan() and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil Devotional texts such as Tirumurai (The twelve books of Southern Shaivism) speaks that Nataraja is the form of Shiva in which he does Creation, destruction, Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dravidian Architecture
Dravidian architecture, or the South Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from South India, reaching its final form by the sixteenth century. It is seen in Hindu temples, and the most distinctive difference from north Indian styles is the use of a shorter and more pyramidal tower over the garbhagriha or sanctuary called a vimana, where the north has taller towers, usually bending inwards as they rise, called shikharas. However, for modern visitors to larger temples the dominating feature is the high gopura or gatehouse at the edge of the compound; large temples have several, dwarfing the vimana; these are a much more recent development. There are numerous other distinct features such as the ''dwarapalakas'' – twin guardians at the main entrance and the inner sanctum of the temple and ''goshtams'' – deities carved in niches on the outer side walls of the garbhagriha. Mentioned as one of three styles of temple building in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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