Ramachandra Deva I
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Ramachandra Deva I
Gajapati Rāmachandra Deva I (1568–1607; popularly called Abhinava Indradyumna) was the founder of the Bhoi dynasty of Khurda in Odisha, India. He became the ruler of Khurda kingdom after defeating Mukunda Deva in 1568. He claimed descent from the Yaduvamsa of Mahabharata. The Odia populace gave him the title of "Thakura Raja" as a mark of respect for renovating the damaged Hindu temples that were destroyed by the invasion of Kalapahad. He was titled as ''Vira Sri Gajapati Viradhi Viravara Pratapi Ramachandra Deva''. Early life Ramachandra Deva was the son of Danai Vidyadhara (a lieutenant of Bhoi king Govinda Vidyadhara) and claimed ancestry from Yaduvansha of Mahabharata. He gained the kingdom of Khurda by defeating the Chalukya king, Mukunda Deva. Ferishta mentioned him as "a Prince of great fame and Power". As Kharavela was the morning star when the forward march of the Odias began, Ramachandra Deva was the midnight star; he came to the throne when complete darkness engulfed ...
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Mukunda Deva
Mukunda Deva or Mukunda Harichandana (1559-1568 A.D) was the founder of "Chalukya dynasty" in ancient Orissa (now Odisha). He traced his descent from the Eastern Chalukyas of Vengi. He was the sole monarch of his dynasty and the last independent Hindu king of Orissa before it lost its unitary realm and independence in 1568 CE. He came to the throne at Kataka in 1559 after killing Raghuram Raya Chotaraya, the last Bhoi ruler. During his reign he tried to revive the power of Orissa. Early life Mukunda Deva traced his lineage to the Chalukya family of South India. He was served as a minister of Chakrapratap during the Bhoi dynasty. When the Chakrapratap died, he took advantage of the opportunity and killed the weaker Bhoi kings. In 1559 he ascended the throne. His dynasty was called the Chalukya Vansh. Activities He set up two streets from Lion's gateway to the Gundicha Temple and laid a smooth road by covering up the pits and holes on the way. He erected a cradle arch (Dola Mand ...
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Ganjam
Ganjam is a town and a notified area council in Ganjam district in the state of Odisha, India. Brahmapur, one of the major city of Odisha is situated in this district. Geography Ganjam is located at in the Ganjam district of Odisha with an elevation of 3 metres (9 feet). Ganjam's mineral-rich coast line extends over 60 km. It provides opportunities for fishing and port facility at Gopalpur for international trade. The rivers like Rushikulya, Dhanei, Bahuda, Ghoda Hada are the source of agriculture and power sectors of the town. Economic wise, Ganjam is a sub industrial town. The Chilika Lake, which attracts tourists, is known for its scenery and a bird sanctuary is situated in the eastern part of district, near the City of Ganjam. Ganjam shares its boundary with Andhra Pradesh. A mix of moist peninsular high and low level Sal forests, tropical moist and dry deciduous and tropical deciduous forest types provide a wide range of forest products and unique lifestyle to wild li ...
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Nabakalebara
Nabakalebara also spelled as Navakalevara ( or, ନବ କଳେବର) is the ritualistic recreation of the wooden icons of four Hinduism, Hindu deities (Jagannath, Balabhadra, Subhadra, and Sudarshana Chakra, Sudarshana) at Jagannath Temple, Puri. The ritual is performed during the eighth, 12th, or 19th year after the previous Nabakalebara. Nabakalebara is an important festival in the Hindu Odia calendar, observed in the Jagannath Temple, Puri. It was first organised in 1575 A.D by Yaduvanshi Bhoi dynasty, Bhoi King Ramachandra Deva I, Ramachandra Deva. It marks the symbolic demise and rebirth of Jagannath at Puri. The event involves installation of new images in the Jagannath temple and burial of the old ones in the temple premises at Koili Baikuntha. Etymology ''Nabakalebara'' is a combination of two Odia words: ''naba'' (new) and ''kalebara'' (body), translated as "the change of one's physical form." Timing The year of Nabakalebara is when the full moon occurs twice duri ...
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Bisara Mohanty
Bisara Mohanty ( or, ବିସର ମହାନ୍ତି) was a devotee and historical figure of Jagannath culture, who rescued ''Daru Brahma'' (soul stuff) of Lord Jagannath from the river Ganga. He was a contemporary of King Ramachandra Deva I. Bisara's story There was a time when the Bengal Sultan's general Kalapahad invaded the Jagannath Temple of Puri and took the idol of Lord Jagannath to destroy it. When he tried to burn the idol, he found a part of the idol, called ''Daru Brahma,'' difficult to burn. He threw the remaining part into the river of Ganga. The Bisara Mohanty, who followed Kalapahad with the idol from Orissa to Bengal, floated down the stream and rescued the Daru Brahma. He put it inside a ''mridangam'' (drum) and secretly brought it to his village of Kujang. There he had continued worshipping the Daru Brahma with simple offerings. The Ramachandra Deva, a new ruler, received a directive from Lord Jagannath in a dream. Laid claim to the remains and fabricated ne ...
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Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ...
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Gotipua
Gotipua is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (''goti-pua''). Raghurajpur, Odisha (near Puri) is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala. Dancers To transform into graceful feminine dancers the boys do not cut their hair, instead they style it into a knot and weaving garlands of flowers into it. They make up their faces with mixed white and red powder. ''Kajal'' (black eyeliner) is broadly applied around ...
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Pipili
Pipili is a town and a NAC under jurisdiction of Puri district in the Indian state of Odisha. It is famous for designing beautiful Applique handicrafts. It is a town of artisans famous for their colourful fabrics. Geography Pipili is located at . It has an average elevation of 25 metres (82 feet). It is 36 kilometres from Puri, and 18 kilometers from Bhubaneswar, at the junction where the Konark road branches from the Bhubaneswar to Puri road. Demographics India census, Pipili had a population of 14,263. Males constitute 51% of the population and females 49%. Pipili has an average literacy rate of 70%, higher than the national average of 59.5%: male literacy is 77%, and female literacy is 63%. In Pipili, 12% of the population is under 6 years of age. As per Census-2011, the population of Pipili is 17,623 of which 9,036 are males and 8,587 are females. Economy The applique work of Pipili, also known as "chandua" in colloquial language, is probably most well know ...
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Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins historicall ...
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Indradyumna
Indradyumna (Sanskrit: इन्द्रद्युम्न, IAST: Indradyumna) was a Pandya king as mentioned in Bhagvata Purana. Another namesake, son of King ''Tejodeva'' and Queen ''Sunandini'' , was a Malava king, according to the Mahabharata and the Puranas. Noted Indologist John Dowson has opined that there have been several kings of this name and the most prominent one being the ''Indradyumna'' who ruled over Avanti region and set up the icon of Lord Jagannath in Puri. Etymology The name is derived from the Sanskrit noun root Indra with verb morpheme “dyumn” (Root ‘dyu’ - Meaning ‘resplendent’), with the meaning of “One with the splendour like that of Indra." Indradyumna in the Mahabharata Sage Mārkandeya narrated the greatness of Indradyumna to Yudhishthira and his brothers during their difficult days of Aranyavas. In ancient times there used to be a king by name Indradyumna, the son of Bharat the Great. It was well known that there was no one to ...
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Ratha Yatra
Ratha Yatra (), or Chariot festival, is any public procession in a chariot. The term particularly refers to the annual Ratha Yatra in Odisha, Jharkhand, West Bengal and other East Indian states, particularly the Odia festival that involve a public procession with a chariot with deities Jagannath (Vishnu avatar), Balabhadra (his brother), Subhadra (his sister) and Sudarshana Chakra (his weapon) on a ratha, a wooden deula-shaped chariot. Ratha Yatra processions have been historically common in Vishnu-related (Jagannath, Rama, Krishna) traditions in Hinduism across India, in Shiva-related traditions, saints and goddesses in Nepal, with Tirthankaras in Jainism, as well as tribal folk religions found in the eastern states of India. Notable Ratha Yatras in India include the Ratha Yatra of Puri, the Dhamrai Ratha Yatra and the Ratha Yatra of Mahesh. Ratha Yatra of Guptipara and Santipur Hindu communities outside India, such as in Singapore, celebrate Ratha Yatra such as those ass ...
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Jagannath Temple, Puri
The Jagannath Temple is an important Hindu temple dedicated to Jagannath, a form of Vishnu - one of the Trimurti, trinity of supreme divinity in Hinduism. Puri is in the state of Odisha, on the eastern coast of India. The present temple was rebuilt from the tenth century onwards, on the site of pre existing temples in the compound but not the main Jagannatha temple, and begun by Anantavarman Chodaganga, the first king of the Eastern Ganga dynasty. The Puri temple is famous for its annual Ratha Yatra, or chariot festival, in which the three principal murti, deities are pulled on huge and elaborately decorated temple cars. Unlike the stone and metal icons found in most Hindu temples, the image of Jagannath (which gave its name to the English term 'juggernaut') is made of wood and is ceremoniously replaced every twelve or 19 years by an exact replica. It is one of the Char Dham pilgrimage sites. The temple is sacred to all Hindus, and especially in those of the Vaishnavism, Vai ...
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Mayurbhanj
Mayurbhanj district is one of the 30 districts in Odisha state in eastern India. It is the largest district of Odisha by area. Its headquarters are at Baripada. Other major towns are Rairangpur, Karanjia and Udala. , it is the third-most-populous district of Odisha (out of 30), after Ganjam and Cuttack. Etymology The name of the district is a portmanteau of '' Mayura'' (meaning peacock in Odia) and '' Bhanja'', the name of the two ruling dynasty of the district till 1949. It is believed that the Mayura was the name of another dynasty that merged with the Bhanjas sometime around the 14th century. The peacock motif was later adopted by the Bhanjas and featured on the Mayurbhanj coat of arms. The Mayurbhanj alternative spellings were noted as ''Mohurbunge'' and ''Morbhanj'' in many British India records. History The Bhanja family who ruled Mayurbhanj State are closely associated with the district's history. They probably displaced an earlier ruling family with the same name w ...
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