Ralph Bass
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Ralph Bass
Ralph Basso Jr. (May 1, 1911 – March 5, 1997), known as Ralph Bass,The birth surname of Ralph Bass's paternal grandfather, who was born in Italy, was DuBasso. was an American rhythm-and-blues record producer and talent scout for several independent labels. He was a pioneer in bringing African American music into the American mainstream. During his career he worked in key roles for Black & White Records, Savoy Records, King Records, Federal Records, and Chess Records, recording many leading performers, including Etta James, Sam Cooke, James Brown, Earl Bostic, and groups such as the Platters and the Dominoes. Bass was inducted into the Rock and Roll Hall of Fame in 1991 as a nonperformer. Personal life Bass was born in the Bronx to an Italian Catholic father, Ralph Bass, né Basso, and a German-American Jewish mother, Lena, née Brettner, who raised all of their children within a kosher household in the religious faith of Judaism. As a young boy, Ralph displayed a gift for mus ...
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The Bronx
The Bronx () is a borough of New York City, coextensive with Bronx County, in the state of New York. It is south of Westchester County; north and east of the New York City borough of Manhattan, across the Harlem River; and north of the New York City borough of Queens, across the East River. The Bronx has a land area of and a population of 1,472,654 in the 2020 census. If each borough were ranked as a city, the Bronx would rank as the ninth-most-populous in the U.S. Of the five boroughs, it has the fourth-largest area, fourth-highest population, and third-highest population density.New York State Department of Health''Population, Land Area, and Population Density by County, New York State – 2010'' retrieved on August 8, 2015. It is the only borough of New York City not primarily on an island. With a population that is 54.8% Hispanic as of 2020, it is the only majority-Hispanic county in the Northeastern United States and the fourth-most-populous nationwide. The Bronx ...
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The Platters
The Platters was an American vocal group formed in 1952. They are one of the most successful vocal groups of the early rock and roll era. Their distinctive sound bridges the pre-rock Tin Pan Alley tradition and the new burgeoning genre. The act has gone through multiple line-ups over the years, earning it the branding tag "Many Voices One Name", with the most successful incarnation comprising lead tenor Tony Williams (singer), Tony Williams, David Lynch, Paul Robi, founder and naming member Herb Reed, and Zola Taylor. The group had 40 charting singles on the Billboard Hot 100, '' Billboard'' Hot 100 between 1955 and 1967, including four number-one hits. In 1990, the Platters were inducted into the Rock and Roll Hall of Fame. The Platters continue to perform around the world with Herb Reed Enterprises (an LLC set up by Reed in response to numerous fake Platters groups) owning the rights and trademark to the name. Band formation and early years The Platters formed in Los Angeles ...
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Sixty Minute Man
"Sixty Minute Man" is a rhythm and blues (R&B) record released on Federal Records in 1951 by the Dominoes. It was written by Billy Ward and Rose Marks and was one of the first R&B hit records to cross over to become a hit on the pop chart. It is regarded as one of the most important of the recordings that helped generate and shape rock and roll. Background The Dominoes were a black vocal group consisting of Clyde McPhatter (1932–1972), who later left the group to form the Drifters; Bill Brown (1926-1956); Charlie White (1930-2005); and Joe Lamont (d. 1998), led by their pianist, manager and songwriter, Billy Ward (1921–2002). Ward was a black, classically trained vocal coach who had formed a business partnership with a white New York talent agent, Rose Marks. The pair decided to put together a smooth vocal group to rival The Ink Spots, the Orioles, and similar groups who were beginning to win acceptance with white audiences. In 1950, the Dominoes were signed to Federal R ...
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Johnny Otis
Johnny Otis (born Ioannis Alexandres Veliotes; December 28, 1921 – January 17, 2012) was an American singer, musician, composer, bandleader, record producer, and talent scout. He was a seminal influence on American R&B and rock and roll. He discovered numerous artists early in their careers who went on to become highly successful in their own right, including Little Esther Phillips, Etta James, Alan O'Day, Big Mama Thornton, Johnny Ace, Jackie Wilson, Little Willie John, Hank Ballard, and The Robins, among many others. Otis has been called the "Godfather of Rhythm and Blues". Personal life Otis was born in Vallejo, California, to Greek immigrant parents, Alexander J. Veliotes, a Mare Island longshoreman and grocery store owner, and his wife, the former Irene Kiskakes, a painter. He had a younger sister, Dorothy, and a younger brother, Nicholas A. Veliotes, who became the U.S. Ambassador to Jordan (1978–1981) and Egypt (1984–1986). Johnny grew up in a predominantly ...
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Brownie McGhee
Walter Brown "Brownie" McGhee (November 30, 1915 – February 16, 1996) was an American folk music and Piedmont blues singer and guitarist, best known for his collaboration with the harmonica player Sonny Terry. Life and career McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. At about the age of four he contracted polio, which incapacitated his right leg. His brother Granville "Sticks"(or "Stick") McGhee, who also later became a musician and composed the famous song "Drinkin' Wine Spo-Dee-o-Dee," was nicknamed for pushing young Brownie around in a cart. Their father, George McGhee, was a factory worker, known around University Avenue for playing guitar and singing. Brownie's uncle made him a guitar from a tin marshmallow box and a piece of board. McGhee spent much of his youth immersed in music, singing with a local harmony group, the Golden Voices Gospel Quartet, and teaching himself to play guitar. He also played the five-string banjo and ...
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Call It Stormy Monday (But Tuesday Is Just As Bad)
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song. In 1961, Bobby "Blue" Bland further popularized the song with an appearance in the pop record charts. Bland introduced a new arrangement with chord substitutions, which was later used in many subsequent renditions. His version also incorrectly used the title "Stormy Monday Blues", which was copied and resulted in royalties being paid to songwriters other than Walker. The Allman Brothers Band recorded an extended version for their first live album in 1971, with additional c ...
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T-Bone Walker
Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 ''Rolling Stone'' magazine ranked him number 67 on its list of "The 100 Greatest Guitarists of All Time". Biography 1910–1941: Early years Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington (a member of the Dallas String Band), taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano. Walker began his career as a teenager in Dallas in the 1920s. His mother and stepfather were musicians, and Blind Lemon Jefferson, a family friend, sometimes came over for dinner. Walker left school at the age of 10, and by 15 he was a professional performer on the blues circuit. Initially, he was Jeffe ...
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Open The Door, Richard
"Open the Door, Richard" is a song first recorded by the saxophonist Jack McVea for Black & White Records at the suggestion of A&R man Ralph Bass. In 1947, it was the number one song on ''Billboard'''s "Honor Roll of Hits" and became a runaway pop sensation. Origin "Open the Door, Richard" began as a black vaudeville routine. Pigmeat Markham, one of several who performed the routine, attributed it to his mentor Bob Russell. According to Markham, Russell wrote the piece for a show called ''Mr. Rareback'', in which the comedian John Mason performed it (and presumably expanded it in improvisation). Mason, Russell, and Markham were all African-American comedians; all performed in blackface. The routine was made famous by Dusty Fletcher on stages such as the Apollo Theater in New York City and in a short film. Dressed in rags, drunk, and with a ladder as his only prop, Fletcher would repeatedly plunk the ladder down stage center, try to climb it to knock on an imaginary door, then c ...
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Jack McVea
John Vivian McVea (November 5, 1914 – December 27, 2000) was an American swing, blues, and rhythm and blues woodwind player and bandleader. He played clarinet and tenor and baritone saxophone. Career Born in Los Angeles, California, his father was the noted banjoist Satchel McVea, and banjo was Jack McVea's first instrument. He played jazz in Los Angeles for several years, and joined Lionel Hampton's orchestra in 1940. From 1944 on he mostly worked as a leader. He performed at the first Jazz at the Philharmonic concert in 1944. Jack Mc Vea played at the famed Cavalcade of Jazz concert held at Wrigley Field in Los Angeles produced by Leon Hefflin Sr. on October 12, 1946. Lionel Hampton and his Orchestra, Slim Gaillard, T-Bone Walker, The Honeydrippers, Madaline Green, Winnie Brown, Reathis Stevens, Joan Benson and Louis Armstrong were all on the same program.“SHOW TIME” Review by Wendell Green Los Angeles Sentinel Sept. 26, 1946. McVea was leader of the Black & White ...
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Roosevelt Sykes
Roosevelt Sykes (January 31, 1906July 17, 1983) was an American blues musician, also known as "the Honeydripper". Career Sykes was born the son of a musician in Elmar, Arkansas. "Just a little old sawmill town", Sykes said of his birthplace. The Sykes family was living in St. Louis by 1909. Sykes often visited his grandfather's farm near West Helena. He began playing the church organ around the age of ten. "Every summer I would go down to Helena to visit my grandfather on his farm," he told biographer Valerie Wilmer. "He was a preacher and he had an organ I used to practice on, trying to learn how to play. I always liked the sound of the blues, liked to hear people singing, and since I was singing first, I was trying to play like I sang." Sykes was baptized at 13 years old, his lifelong beliefs never conflicting with playing the blues. At age 15, he went on the road playing piano in a barrelhouse style of blues. Like many bluesmen of his time, he traveled around playing to all-mal ...
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Lena Horne
Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American dancer, actress, singer, and civil rights activist. Horne's career spanned more than seventy years, appearing in film, television, and theatre. Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performer before moving to Hollywood. Horne advocated for human rights and took part in the March on Washington in August 1963. Later she returned to her roots as a nightclub performer and continued to work on television while releasing well-received record albums. She announced her retirement in March 1980, but the next year starred in a one-woman show, '' Lena Horne: The Lady and Her Music'', which ran for more than 300 performances on Broadway. She then toured the country in the show, earning numerous awards and accolades. Horne continued recording and performing sporadically into the 1990s, retreating from the public eye in 2000. Early life Lena Horne was born in Bedford–S ...
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Chitlin' Circuit
The Chitlin' Circuit was a collection of performance venues throughout the eastern, southern, and upper Midwest areas of the United States that provided commercial and cultural acceptance for African American musicians, comedians, and other entertainers during the era of racial segregation in the United States through the 1960s. The Chitlin' Circuit was considered to be by, for, and about black people. There is debate as to when the Chitlin' Circuit peaked. Some say its peak was in the 1930s, some say it was after World War II, and others say it was the time of the blues. Etymology The name derives from the soul food dish chitterlings (boiled pig intestines). It is also a play on the term "Borscht Belt", which referred to particular resort venues (primarily in New York State's Catskill Mountains) that were popular with Jewish performers and audiences during the 1940s through the 1960s. Chitterlings are part of the culinary history of African Americans, who were often limited to ...
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