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Ralf Und Florian
''Ralf und Florian'' (English title: ''Ralf and Florian'') is the third studio album by the German electronic band Kraftwerk. It was released in October 1973 on Philips. It saw the group moving toward their signature electronic sound. Along with Kraftwerk's first two albums, ''Ralf und Florian'' to date has never been officially re-issued on compact disc. However, the album remains an influential and sought-after work, and bootlegged CDs were widely distributed in the 1990s on the ''Germanofon'' label. In 2008, ''Fact'' named it among the 20 greatest ambient albums ever made. Background As indicated by the title (and like their previous album), all the tracks were written, performed and produced by Ralf Hütter and Florian Schneider, with the sessions engineered by the influential Konrad "Conny" Plank. The album has a fuller and more polished sound quality than previous efforts, and this is clearly due to the use of a number of commercial recording studios in addition to K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralf Und Florian Rear Cover 1973
Ralph (pronounced ; or ,) is a male given name of English, Scottish and Irish origin, derived from the Old English ''Rædwulf'' and Radulf, cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms are: * Ralph, the common variant form in English, which takes either of the given pronunciations. * Rafe, variant form which is less common; this spelling is always pronounced , as are all other English spellings without "l". * Raife, a very rare variant. * Raif, a very rare variant. Raif Rackstraw from H.M.S. Pinafore * Ralf, the traditional variant form in Dutch, German, Swedish, and Polish. * Ralfs, the traditional variant form in Latvian. * Raoul, the traditional variant form in French. * Raúl, the traditional variant form in Spanish. * Raul, the traditional variant form in Portuguese and Italian. * Raül, the traditional variant form in Catalan. * Rádhulbh, the traditional variant form in Irish. Given name Middle Ages * Ralp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Catalogue
''The Catalogue'' (german: Der Katalog) is a box set consisting of the eight albums by German electronic music band Kraftwerk that were released from 1974 to 2003. All albums are digitally remastered, with most of the cover art redesigned, including rare photographs in the liner notes that were not part of each album's original release. Contents and formats The albums included in the boxed set are the following: # ''Autobahn (album), Autobahn'' (1974) # ''Radio-Activity'' (German title: ''Radio-Aktivität''; 1975) # ''Trans-Europe Express (album), Trans-Europe Express'' (German title: ''Trans Europa Express''; 1977) # ''The Man-Machine'' (German title: ''Die Mensch-Maschine''; 1978) # ''Computer World'' (German title: ''Computerwelt''; 1981) # ''Electric Café'' (1986; here given its originally intended name of ''Techno Pop'') # ''The Mix (Kraftwerk album), The Mix'' (1991) # ''Tour de France Soundtracks'' (2003; now titled ''Tour de France'') Due to licensing issues, three o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Flür
Wolfgang Flür (born 17 July 1947) is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators. Background In the 1960s, Flür played an acoustic drum kit in the Düsseldorf band The Spirits of Sound, along with guitarist Michael Rother, who would also go on to play in Kraftwerk, and who would later form Neu! with Kraftwerk drummer Klaus Dinger. Post-Kraftwerk In 1997, Flür founded the band Yamo and released the album ''Time Pie'', a collaboration with Mouse on Mars. Yamo's next release, the 12" ''I Was a Robot'', reached number 6 in the German club charts. Collaborations with Pizzicato Five and Der Plan founding member Pyrolator were announced, and the lyrics to a song called "Greed" appeared in Flür's autobiography, but this material remains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Schult
Emil Schult (born 10 October 1946) is a German painter, poet and audio-visual artist. Biography After studying Sinology in Münster, Schult joined the Academy of Art in Düsseldorf in 1969 to study Fine Arts in the printmaking class of Dieter Roth, and later in the painting classes of Joseph Beuys and Gerhard Richter. In 1973, he finished his studies with the title of 'Meisterschüler' of Gerhard Richter. Both Joseph Beuys and Dieter Roth, as well as Roth's partner Dorothy Iannone, remained important for Schult's artistic development. In 1969, Schult lived in Reykjavik at Roth's studio-home. Schult has developed a vast body of work beginning with prints, drawings and artist's books that encompass philosophical writings, poems, comics, collages and drawings. Early on he included film in his repertoire as well as painting – later on he only worked with reverse glass painting. From 1970 to 1974, Schult collaborated with the Free International University, founded by Joseph Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farfisa
Farfisa (Fabbriche Riunite di Fisarmoniche) is a manufacturer of electronics based in Osimo, Italy, founded in 1946. The company manufactured a series of compact electronic organs in the 1960s and 1970s, including the Compact, FAST, Professional and VIP ranges, and later, a series of other keyboard instruments. They were used by a number of popular musicians including Sam the Sham, Pink Floyd, Sly Stone, Blondie, and the B-52s. The company was formed after three Italian accordion manufacturers combined to form a single company. They began to produce electronic instruments in the late 1950s, and combo organs were introduced in response to similar instruments such as the Vox Continental. The relatively inexpensive Italian labour allowed Farfisa to sell their products cheaper than the competition, which led to their commercial success. Popular models included the Compact series introduced in 1964, the Professional in 1967, the FAST in 1968 and the VIP in 1970. The success of Farfi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. The Synthi A model debuted in May 1971, and then Sythni AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Sythi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. There was an optional three octave (37 note) DK1 monophonic keyboard available for it, later the DK2 (Dynamic Keyboard 2) was available, this allowed independent control of two Oscillators, thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was worth considerably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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