Rag Painting
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Rag Painting
{{unreferenced, date=August 2007 Rag painting or ragging is a form of faux painting using paint thinned out with glaze and old rags to create a lively texture on walls and other surfaces. Ragging can be done as a negative or positive technique. The former involves rolling glaze over the entire surface, and removing it with clean rags to reveal the underlying paint color in a pleasing textural pattern. The latter is accomplished by applying glaze directly to the wall with a rag, and creates a similar pattern. Ragging is a very adaptable finish that can be used in a variety of areas, creating the illusion of an old world texture, but on a flat surface that can be easily painted over. Ragging can be done in a variety of patterns, including rag rolling, in which the rags are twisted together and then rolled over a wet glazed surface creating the illusion of fabrics such a velvet or silk. Ragging is also often used as a pattern underneath stenciling. See also * Strie * Color w ...
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Faux Painting
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who cou ...
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Glaze (painting Technique)
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry. Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well. For example, many classical oil painters have also been known to use ground glass and semi-solid resins to increase the translucency of their paint. Oil painting In oil pain ...
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Color Wash
250px, Example of a color wash in multiple hues A color wash is a popular technique in faux painting using paint Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many ... thinned out with glaze to create a subtle wash of color over walls or other surfaces. Color washing gives a surface a translucent, watercolor appearance. It can be used to add texture or accentuate natural surfaces. It can be applied in any color of paint, generally with brushes over a solid paint color, using long sweeping strokes to meld the glaze colors together. References {{reflist Faux painting Decorative arts Artistic techniques ...
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Venetian Plaster
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. Polished plaster itself tends to consist of slaked lime, marble dust, and/or marble chips, which give each plaster its distinctive look. A lime-based polished plaster may contain over 40% of marble powder. Polished plaster is mainly used internally, on walls and ceilings, to give a finish that looks like polished marble, travertine, or limestone. Such plasters are usually applied over a primer and basecoat base, from one to four layers. They are finished (burnished) with a specialised steel trowel to a smooth glass-like sheen. Polished plaster is usually sealed with a protective layer of wax. Venetian plaster Venetian plaster is a wall and ceiling finish consistin ...
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Artistic Techniques
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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