R40 Live
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R40 Live
''R40 Live'' is the name for both the last live audio album release, and the live video release, of Canadian rock band Rush's R40 Live Tour. Both formats were released November 20, 2015. The performances were filmed on June 17 and 19, 2015, at Air Canada Centre, Toronto, Canada. The performance of "The Camera Eye" featured on Disc 3 was recorded in Kansas City, Missouri on July 9, 2015. “Clockwork Angels” was recorded in Denver, Colorado on July 11, 2015, and "The Wreckers" was recorded in Buffalo, New York on June 10, 2015. Additionally, "Losing It" was recorded in Los Angeles on August 1. The audio CD album consists of three discs. Disc 1 contains the entire first set, disc 2 contains the second set, and disc 3 contains the encore, and seven bonus tracks. The video DVD/Blu-ray versions only contains the first three of the seven bonus tracks. It was also the last official live album to feature drummer Neil Peart before his retirement from touring due to health issues in ...
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Rush (band)
Rush was a Canadian rock band formed in 1968 in Toronto, that was comprised primarily of Geddy Lee (bass, vocals), Alex Lifeson (guitar), and Neil Peart (drums, percussion, lyricist). The band formed in Toronto in 1968 by Lifeson, drummer John Rutsey, and bass guitarist/vocalist Jeff Jones, who was immediately replaced by Lee. After Lee joined, the band went through several lineup configurations before arriving at its classic power trio lineup with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their 1974 self-titled debut album; this lineup remained intact for the remainder of the band's career. Rush achieved commercial success in the 1970s with '' Fly by Night'' (1975), '' 2112'' (1976), ''A Farewell to Kings'' (1977) and '' Hemispheres'' (1978). The band's popularity continued throughout the 1980s and 1990s, with albums charting highly in Canada, the US and the UK, including '' Permanent Waves'' (1980), '' Moving Pictures'' (1981) ...
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Headlong Flight
"Headlong Flight" is the second single from Canadian rock band Rush's 19th studio album, ''Clockwork Angels''. It was released to radio stations and for online preview on April 19, 2012, and became available digitally and on disk April 24, 2012. A lyrics video was also made available on YouTube. In an interview with ''Rolling Stone'', Geddy Lee commented on the song: Musically, the song contains elements inspired by "Bastille Day," another Rush song. In a 2012 interview, Neil Peart confirmed this was deliberate. Live performances of the song during the Clockwork Angels Tour and R40 Live Tour incorporated a short drum solo by Peart, titled "Drumbastica." Track listing Music by Lee/Lifeson, lyrics by Peart Chart performance Personnel *Geddy Lee – lead vocals, bass, bass pedals, keyboards *Alex Lifeson – guitar *Neil Peart – drums, percussion See also *List of Rush songs A ''list'' is any set of items in a row. List or lists may also refer to: People * Lis ...
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Jacob's Ladder (Rush Song)
"Jacob's Ladder" is a song by the Canadian rock band Rush. It was released on their 1980 album ''Permanent Waves''. Composition and recording The song was developed on the band's warm-up tour during soundchecks. "Jacob's Ladder" uses several time and key signatures, and possesses a dark, ominous feel in its first half. The lyrics are based on a simple concept; a vision of sunlight breaking through storm clouds. The song's title is a reference to the natural phenomenon of the sun breaking through the clouds in visible rays, which in turn was named after the Biblical ladder to heaven on which Jacob saw angels ascending and descending in a vision. Drummer and lyricist Neil Peart said of the song: Whereas most of the ideas we were dealing with this time were on the lesser side, and in some cases, like in "Jacobs Ladder", looked at as a cinematic idea. We created all the music first to summon up an image – the effect of Jacob's Ladder – and paint the picture, with the lyrics ad ...
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Natural Science (song)
"Natural Science" is a song by the Canadian rock band Rush. It was released on their 1980 album ''Permanent Waves'', as the final song on it. It is over nine minutes long and is composed of three distinct movements: I) Tide Pools, II) Hyperspace, and III) Permanent Waves. Background Guitarist Alex Lifeson said: Once we had the guitar track down, we stuck a speaker cabinet outside—this was up at the studio in Morin Heights, Quebec—and we recorded the natural echo off the mountains in combination with the sound of splashing water and Geddy's voice. We didn't use any sort of synthetic echo on the water track. Parts References Further reading * * Rush (band) songs Songs written by Alex Lifeson Songs written by Geddy Lee Songs written by Neil Peart Song recordings produced by Terry Brown (record producer) Mercury Records singles 1980 songs {{1980s-rock-song-stub ...
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The Spirit Of Radio
"The Spirit of Radio" is a song by Canadian rock band Rush, released from their 1980 album ''Permanent Waves''. The song's name was inspired by Toronto-based radio station CFNY-FM's slogan. It was significant in the growing popularity of the band, becoming their first top 30 single in Canada and reaching number 51 on the US Billboard Hot 100. It remains one of their best-known songs and was a concert staple. Background The introduction of the song was composed in a mixolydian mode scale built on E; most of the rest, barring repetitions of the introductory guitar riff, is in conventional E major. Guitarist Alex Lifeson explained the song's opening riff as "I just wanted to give it something that gave it a sense of static – radio waves bouncing around, very electric. We had that sequence going underneath, and it was just really to try and get something that was sitting on top of it, that gave it that movement." "The Spirit of Radio" features the band experimenting with a regg ...
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YYZ (instrumental)
"YYZ" is an instrumental rock composition by the band Rush from their 1981 album '' Moving Pictures''. It is one of the band's most popular pieces and was a staple of the band's live performances. The live album '' Exit... Stage Left'' (1981) and the concert video recording ''A Show of Hands'' (1989) both include versions in which Neil Peart incorporates a drum soloas an interlude on the former, and as a segue out of the piece on the latter. Title and composition YYZ is the IATA airport identification code of Toronto Pearson International Airport, near Rush's hometown. The band was introduced to the rhythm as Alex Lifeson flew them into the airport. A VHF omnidirectional range system at the airport broadcasts the YYZ identifier code in Morse code. Peart said in interviews later that the rhythm stuck with them. Peart and Geddy Lee have both said "It's always a happy day when ''YYZ'' appears on our luggage tags." The piece's introduction, played in a time signature of , repeated ...
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Pye Dubois
Pye Dubois is a Canadian lyricist and poet. He has worked mainly with Kim Mitchell and Max Webster (with whom he was considered an unofficial fifth non-performing member), and occasionally Rush. Career Dubois accompanied Max Webster in the studio and wrote lyrics for each of their albums."A witness to a creative spark"
''Beach Metro'', March 10, 2015 Melinda Drake
He was given lyric-writing credits on several Rush songs, most notably "", which has been included on the soundtrack of several films. Dubois wrote the poem "There Is A Lake Between Sun And Moon", which inspired them to write many of the lyrics for the album ''

Tom Sawyer (song)
"Tom Sawyer" is a song by Canadian rock band Rush, originally released on their 1981 album '' Moving Pictures'' as its opener. The band's lead singer, bassist, and keyboardist, Geddy Lee, has referred to the track as the band's "defining piece ... from the early '80s". It is one of Rush's best-known songs and a staple of both classic rock radio and Rush's live performances, having been played on every concert tour since its release. Background and recording The song was written by Geddy Lee, drummer Neil Peart, and guitarist Alex Lifeson in collaboration with lyricist Pye Dubois of the band Max Webster, who also co-wrote the Rush songs " Force Ten", "Between Sun and Moon", and "Test for Echo". According to the US radio show ''In the Studio with Redbeard'' (which devoted an episode to the making of ''Moving Pictures''), "Tom Sawyer" came about during a summer rehearsal vacation that Rush spent at Ronnie Hawkins' farm outside Toronto. Peart was presented with a poem by Duboi ...
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Subdivisions (song)
"Subdivisions" is a song by Canadian progressive rock group, Rush, released as the second single from their 1982 album ''Signals''. The song was a staple of the band's live performances, is played regularly on classic-rock radio, and appears on several greatest-hits compilations. It was released as a single in 1982, and despite limited success on the UK charts, the song had significant airplay in Great Britain. In the United States, it charted at No. 5 on the ''Billboard'' Bubbling Under Hot 100 chart and No. 5 on the Mainstream Rock Tracks chart. Played live prior to its release, numerous pre-release live versions have circulated among collectors for years. Lyrics and background The song is a commentary on social stratification through the pressure to adopt certain lifestyles. It describes young people dealing with a " cool" culture amidst a comfortable yet oppressively mundane suburban existence in housing subdivisions. Anyone who does not obey social expectations is regarde ...
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Ben Mink
Benjamin Mink (born January 22, 1951) is a Canadian songwriter, multi-instrumentalist, and producer best known as a longtime collaborator of Canadian singer k.d. lang. He plays several string instruments, notably the guitar, violin, and the mandolin, and is a music producer. He lives in Vancouver. Life and career Early work Born to Polish Holocaust survivors, Mink was raised in Toronto, Ontario. He got his start performing with the rock/country group Mary-Lou Horner, which became the house band at The Rockpile bar and nightclub and acted as a backup band for Chuck Berry. He has been a member of the groups Stringband, Murray McLauchlan's Silver Tractors, and FM.David Weigel. The Show That Never Ends: The Rise and Fall of Prog Rock'. W. W. Norton; 13 June 2017. . p. 161–. k.d. lang Mink is best known as a longtime collaborator of Canadian singer k.d. lang, whom he met at Expo '85 while doing a gig with CANO. Mink has performed on, along with co-writing and producing, sever ...
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Between The Wheels
"Between the Wheels" is a song by the Canadian rock band Rush. It was released on their 1984 album '' Grace Under Pressure''. Composition and recording "Between the Wheels" was composed in the key of A minor, and is played in common time. News stories from the Toronto-based newspaper ''The Globe and Mail'' inspired the song's lyrics. The line "Another lost generation" is from a quote by Gertrude Stein used by Ernest Hemingway at the beginning of ''The Sun Also Rises''. Bill Banasiewicz in the book ''Rush Visions'' said: "Between the Wheels" is about pressure, and returns to the gloom of much of the rest of ''Grace Under Pressure''. Alex's guitar really jumps out. A lyric from the song puts across what they all must have felt at the time. "We can go from boom to bust . . . from dreams to a bowl of dust". Reception Odyssey rated "Between the Wheels" 5/5, and called the song's guitar solo excellent, and wrote that it had "terrific emotion". Odyssey also praised the intro, writing ...
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Roll The Bones (song)
"Roll the Bones" is a song by the Canadian rock band Rush. It was released as the second single from their 1991 album of the same name. Background The music of "Roll the Bones" was written by Geddy Lee and Alex Lifeson, and its lyrics by Neil Peart. The lyrics reflect on taking chances in life, and urging those unsure to "roll the bones," a term used for throwing dice. "But the bottom line...is to take the chance, roll the bones, if it's a random universe and that's terrifying and it makes you neurotic and everything, never mind. You really have to take the chance or else nothing's going to happen." - Neil Peart, "It's a Rap" interview, February 1992 As a "lyrical experiment", Peart wrote a "rap" section in his lyrics, as a result of listening to "the better rap writers", like LL Cool J and Public Enemy. The band considered seeking out a real rapper to perform this section of the song, or even considered approaching the section with a camp or comedic sensibility, and hiring ...
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