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Rudolph De Harak
Rudolph de Harak, also Rudy de Harak (April 10, 1924 – April 24, 2002), was an American graphic designer. De Harak was notable as a designer who covered a broad spectrum of applications with a distinctly modernist aesthetic. He was also influential as a professor of design. Career De Harak was born in Culver City, California. After serving in World War II, de Harak was influenced by two lectures given by Will Burtin and György Kepes which compelled him to pursue graphic design. Along with Saul Bass, Alvin Lustig and others, de Harak helped found the Los Angeles Society for Contemporary Designers before he moved to New York City to become art director for ''Seventeen'' for just 18 months. At the same time, de Harak drew illustrations for ''Esquire'' and soon began his long tenure in teaching. De Harak served "as the Frank Stanton Professor of Design, for a quarter century at the Cooper Union, and visiting professor at Yale, Alfred University, Parsons, Pratt Institute and other sc ...
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Digital Clock By Rudolph De Harak (2019)
Digital usually refers to something using discrete digits, often binary digits. Technology and computing Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital camera, which captures and stores digital images ***Digital versus film photography **Digital computer, a computer that handles information represented by discrete values **Digital recording, information recorded using a digital signal Socioeconomic phenomena *Digital culture, the anthropological dimension of the digital social changes *Digital divide, a form of economic and social inequality in access to or use of information and communication technologies *Digital economy, an economy based on computing and telecommunications resources Other uses in technology and computing *Digital data, discrete data, usually represented using binary numbers *Digital marketing, search engine & social media presence booster, usually represented using online visibility. *Digital media, media sto ...
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List Of AIGA Medalists
Following is a list of AIGA medalists who have been awarded the American Institute of Graphic Arts medal. On its website, AIGA says "The medal of the AIGA, the most distinguished in the field, is awarded to individuals in recognition of their exceptional achievements, services or other contributions to the field of graphic design and visual communication." AIGA Medals have been awarded since 1920. Nine medals were awarded in the 1920s, seven in the 1930s, eight in the 1940s, twelve in the 1950s, ten in the 1960s, 13 in the 1970s, 13 in the 1980s, 33 in the 1990s, and 45 in the 2000s. 2020s 2022 * Andrew Satake Blauvelt * Emily Oberman * Louise Sandhaus 2021 * Archie Boston, Jr. *Cheryl D. Miller * Terry Irwin 2010s 2019 * Alexander Girard * Geoff McFetridge * Debbie Millman 2018 * Aaron Douglas * Arem Duplessis * Karin Fong * Susan Kare * Victor Moscoso 2017 * Art Chantrybr>* Emmett McBainbr>* Rebeca Mendez, Rebeca Méndezbr>* Mark Randal* Nancy Skol ...
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American Graphic Designers
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ...
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1924 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ...
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Art Directors Club
The Art Directors Club of New York is an organization for art directors in New York City. It was founded in 1920, and has grown as an industry group, promoting art directors' work through exhibitions and awards, including the annual DESI award for design excellence. History The Art Directors Club of New York (sometimes referred to as the "ADC") was founded in 1920 by Louis Pedlar and Earnest Elmo Calkins. With Fred Lamb, Calkins had organized the first advertising art exhibits in New York City in 1908, and saw a need for an organization that would “dignify the field of business art in the eyes of artists”, emphasizing his belief that “artistic excellence is vitally necessary to successful advertising”. By 1947, the Club's work was being credited with a gradual increase in advertising art standards throughout the United States. In 1921, the club hosted their first juried exhibition with original work from over 250 contributors. The exhibition organized by Calkins and opened ...
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Baseline (magazine)
''Baseline'' magazine () is a magazine devoted to typography, book arts and graphic design (not to be confused with the information technology magazine of the same name that is published by QuinStreet). History Since ''Baseline 19'', which appeared in 1995, ''Baseline'' has been published by Bradbourne Publishing, co-edited by Mike Daines and Hans Dieter Reichert and art-directed by HDR Visual Communication. It is characterized by its large format, sumptuous art and double cover. It has won several major international design awards in the USA, Europe and Japan. The magazine is featured in several academic publications (i.e. Philip Megg's ''History of Graphic design'' and ''Idea'' magazine). Before issue 19, publishers, editors, magazine dimensions and quality varied as the magazine evolved from a small format booklet that first appeared in 1979. Early editors included Mike Daines (''Baselines 1–3''), Tony Bisley (''Baseline 4''), Geoffrey Lawrence (''Baseline 5'') and Erik ...
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Steven Heller (graphic Design)
Steven Heller (born July 7, 1950) is an American art director, journalist, critic, author, and editor who specializes in topics related to graphic design. Biography Steven Heller was born July 7, 1950, in New York City to Bernice and Milton Heller. He attended the Walden School, a progressive prep school on the Upper West Side of Manhattan, as well as military school. In 1968, he enrolled at New York University with a major in English, later transferring to the School of Visual Arts illustration and cartoon program but not graduating from either. After leaving SVA, he was hired to teach a newspaper design class. In 1968, he became the art director of the ''New York Free Press'' without formal education or credentials because of his leftist leanings, later attending some New York University lectures utilizing his press pass. He met illustrator Brad Holland who convinced him page layouts and type choices mattered, of which Heller was previously unconcerned. After the ''Free Pre ...
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Op Art
Op art, short for optical art, is a style of visual art that uses optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping. History The antecedents of op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. László Moholy-Nagy produced photographic op art and taught the subject in the Bauhaus. One of his lessons consisted of making his students produce holes in cards and then photographing them. ''Time'' magazine coined the term ''op art'' in 1964, in response to Julian Stanczak's show ''Optical Paintings at the Martha Jackson Gallery'', to mean a form of abstract art (specifically non-objective art) that uses optical illusions. Works now described as "op art" had been produced for several years before ''Time's'' 1964 a ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ...
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Abstract Expressionism
Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Art in Paris, Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates, it had been first used in Germany in 1919 in the magazine ''Der Sturm'', regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky. Style Technically, an important predecessor is surrealism, with its emphasis on spontaneous, Surrealist automatism, automatic, or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst, and David Alfaro Siqu ...
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