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Rudolf Steiner's Mystery Dramas
Rudolf Steiner wrote four plays that follow the initiation journeys of a group of fictional characters through a series of lives. These plays were intended to be modern mystery plays. Steiner outlined the plot of a fifth play to be set at the Castalian spring at Delphi, but due to the outbreak of First World War, this remained an unfulfilled project. The titles of the completed plays are: *''The Portal of Initiation'' - World premiere on 15 August 1910, at the Schauspielhaus in Munich. *''The Trial of the Soul' or 'The Soul's Probation'. - World premiere on 17 August 1911, in the Gardener's Place Theatre in Munich. *''The Guardian of the Threshold'' - World premiere on 24 August 1912, in the Gardener's Place Theatre in Munich. *''The Soul's Awakening'' - World premiere on 22 August 1913, at the National Theatre in Munich. Genesis of the characters In these four plays. Steiner intended to show how spiritual development might manifest in a karmically-intertwined group of people. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Steiner
Rudolf Joseph Lorenz Steiner (27 or 25 February 1861 – 30 March 1925) was an Austrian occultist, social reformer, architect, esotericist, and claimed clairvoyant. Steiner gained initial recognition at the end of the nineteenth century as a literary critic and published works including ''The Philosophy of Freedom''. At the beginning of the twentieth century he founded an esoteric spiritual movement, anthroposophy, with roots in German idealist philosophy and theosophy. Many of his ideas are pseudoscientific. He was also prone to pseudohistory. In the first, more philosophically oriented phase of this movement, Steiner attempted to find a synthesis between science and spirituality. His philosophical work of these years, which he termed "spiritual science", sought to apply what he saw as the clarity of thinking characteristic of Western philosophy to spiritual questions, differentiating this approach from what he considered to be vaguer approaches to mysticism. In a second pha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reincarnation
Reincarnation, also known as rebirth or transmigration, is the philosophical or religious concept that the non-physical essence of a living being begins a new life in a different physical form or body after biological death. Resurrection is a similar process hypothesized by some religions, in which a soul comes back to life in the same body. In most beliefs involving reincarnation, the soul is seen as immortal and the only thing that becomes perishable is the body. Upon death, the soul becomes transmigrated into a new infant (or animal) to live again. The term transmigration means passing of soul from one body to another after death. Reincarnation (''Punarjanma'') is a central tenet of the Indian religions such as Buddhism, Hinduism, Jainism, and Sikhism; as well as certain Paganist religious groups, although there are Hindu and Buddhist groups who do not believe in reincarnation, instead believing in an afterlife. In various forms, it occurs as an esoteric belief in many s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystery Play
Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgment. Often they were performed together in cycles which could last for days. The name derives from ''mystery'' used in its sense of ''miracle,'' but an occasionally quoted derivation is from ''ministerium'', meaning ''craft'', and so the 'mysteries' or plays performed by the craft guilds. Origins As early as the fifth century living tableaux were introduced into sacred services. The plays originated as simple ''tropes'', verbal embellishments of liturgical texts, and slowly became more elaborate. At an early period chants from the service of the day were added t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castalian Spring
The Castalian Spring, in the ravine between the Phaedriades at Delphi, is where all visitors to Delphi — the contestants in the Pythian Games, and especially pilgrims who came to consult the Delphic Oracle — stopped to wash themselves and quench their thirst; it is also here that the Pythia and the priests cleansed themselves before the oracle-giving process. Finally Roman poets regarded it as a source of poetic inspiration. According to some mythological versions it was here that Apollo killed the monster, Python, who was guarding the spring, and that is why it was considered to be sacred. The Archaic fountain Two fountains, which were fed by the sacred spring, still survive. The archaic 6th century BCE fountain house has a marble-lined basin surrounded by benches. Water was brought here by means of a short and small aqueduct and was distributed by a system of water pipes ending in lion-headed spouts. The Roman fountain The Roman fountain dates to the 1st centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphi
Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The oracle had origins in prehistory and it became international in character and also fostered sentiments of Greek nationality, even though the nation of Greece was centuries away from realization. The Ancient Greece, ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as Omphalos of Delphi, the omphalos (navel). The sacred precinct of Ge or Gaia was in the region of Phocis (ancient region), Phocis, but its management had been taken away from the Phocis (ancient region), Phocians, who were trying to extort money from its visitors, and had been placed in the hands of an Amphictyonic League, amphictyony, or committee of persons chosen mainly from Central Greece. According to the Suda, Delphi took its n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First World War
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in genocides within the Ottoman Empire and in the 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising France, Russia, and Britain) and the Triple Alliance (containing Germany, Austria-Hungary, and Italy). Tensions in the Balkans came to a head on 28 June 1914, following the assassination of Archduke Franz Ferdina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich, Germany
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the 11th-largest city in the European Union. The city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Bavarian Alps, Munich is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna. The city was first mentioned in 1158. Catholic Munich strongly resisted the Reformation and was a political point of divergence during the resulting Thirty Years' War, but remained physically un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Theatre Munich
The National Theatre (german: link=no, Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house, home of the Bavarian State Opera, Bavarian State Orchestra and the Bavarian State Ballet. Building First theatre – 1818 to 1823 The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building. The new theatre finally opened on 12 October 1818 with a performance of ''Die Weihe'' by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of ''Die beyden Füchse'' by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Initiation
Initiation is a rite of passage marking entrance or acceptance into a group or society. It could also be a formal admission to adulthood in a community or one of its formal components. In an extended sense, it can also signify a transformation in which the initiate is 'reborn' into a new role. Examples of initiation ceremonies might include Christian baptism or confirmation, Jewish bar or bat mitzvah, acceptance into a fraternal organization, secret society or religious order, or graduation from school or recruit training. A person taking the initiation ceremony in traditional rites, such as those depicted in these pictures, is called an ''initiate''. See also rite of passage. Characteristics William Ian Miller notes the role of ritual humiliation in comic ordering and testing. Mircea Eliade discussed initiation as a principal religious act by classical or traditional societies. He defined initiation as "a basic change in existential condition", which liberates man from p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Green Snake And The Beautiful Lily
The Green Snake and the Beautiful Lily (German title: ''Märchen'' or ''Das Märchen'') is a fairy tale by Johann Wolfgang von Goethe published in 1795 in Friedrich Schiller's German magazine '' Die Horen'' (The Horae). It concludes Goethe's novella rondo '' Conversations of German Emigrants'' (1795). ''Das Märchen'' is regarded as the founding example of the genre of Kunstmärchen, or artistic fairy tale. The story revolves around the crossing and bridging of a river, which represents the divide between the outer life of the senses and the ideal aspirations of the human being. Synopsis The tale begins with two will-o'-the-wisps who wake a ferryman and ask to be taken across a river. The ferryman does so, and for payment, they shake gold from themselves into the boat. This alarms the ferryman, for if the gold had gone into the river, it would overflow. He forces the will-o'-the-wisps to agree to pay him three artichokes, three cabbages, and three onions. The ferryman takes the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucifer
Lucifer is one of various figures in folklore associated with the planet Venus. The entity's name was subsequently absorbed into Christianity as a name for the devil. Modern scholarship generally translates the term in the relevant Bible passage ( Isaiah 14:12), where the Greek Septuagint reads ὁ ἑωσφόρος ὁ πρωὶ, as "morning star" or "shining one" rather than as a proper noun, Lucifer, as found in the Latin Vulgate. As a name for the Devil in Christian theology, the more common meaning in English, "Lucifer" is the rendering of the Hebrew word he, הֵילֵל, hêlēl, label=none, (pronunciation: ''hay-lale'') in Isaiah given in the King James Version of the Bible. The translators of this version took the word from the Latin Vulgate, Originally published New York: The MacMillan Co., 1923. which translated by the Latin word (uncapitalized), meaning "the morning star", "the planet Venus", or, as an adjective, "light-bringing". As a name for the planet in its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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