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Rudi Spring
Rudi Spring (born 17 March 1962) is a German composer of classical music, pianist and academic. He is known for vocal compositions on texts by poets and his own, and for chamber music such as his three Chamber Symphonies. Career Born in Lindau, Rudi Spring received piano instructions from Alfred Kuppelmayer (1918–1977), starting in 1971. He studied chamber music in 1978 in Bregenz with Heinrich Schiff, with whom he also played in concert. He studied at the Musikhochschule München from 1981 to 1986 composition with Wilhelm Killmayer and Heinz Winbeck, and piano with Karl-Hermann Mrongovius. He composed songs and song cycles, inspired by poems of Heinrich Heine, Hermann Lenz, including ''Galgenliederbuch'' (after Christian Morgenstern, four volumes), ''Nero lässt grüßen'' (song cycle after Martin Walser's monodram), ''So nah in der Ferne'' (song cycle after poems of Wolfgang Bächler), ''Liederfolge für mittlere Singstimme und Klavier'' after poems of August Stramm, Else L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindau
Lindau (german: Lindau (Bodensee), ''Lindau am Bodensee''; ; Low Alemannic German, Low Alemannic: ''Lindou'') is a major Town#Germany, town and Lindau (island), island on the eastern side of Lake Constance (''Bodensee'' in German) in Bavaria, Germany. It is the capital of the county (''Landkreis'') of Lindau (district), Lindau, Bavaria and is near the borders of the Austrian state of Vorarlberg and the Switzerland, Swiss cantons of Canton of St. Gallen, St. Gallen and Canton of Thurgau, Thurgau. The coat of arms of Lindau town is a linden tree, referring to the supposed origin of the town's name (''Linde'' means linden tree in German). The historic town of Lindau is located on the island of the same name which is connected with the mainland by a road bridge and a railway dam leading to Lindau Hauptbahnhof, Lindau station. History The first use of the name Lindau was documented in 882 by a monk from St. Gallen, stating that Adalbert (Raetia, count of Raetia) had founded a nun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingeborg Bachmann
Ingeborg Bachmann (25 June 1926 – 17 October 1973) was an Austrian poet and author. Biography Bachmann was born in Klagenfurt, in the Austrian state of Carinthia, the daughter of Olga (née Haas) and Matthias Bachmann, a schoolteacher. Her father was an early member of the Austrian National Socialist Party. She had a sister, Isolde, and a brother, Heinz. She studied philosophy, psychology, German philology, and law at the universities of Innsbruck, Graz, and Vienna. In 1949, she received her doctor of philosophy from the University of Vienna with her dissertation titled "The Critical Reception of the Existential Philosophy of Martin Heidegger"; her thesis adviser was Victor Kraft. After graduating, Bachmann worked as a scriptwriter and editor at the Allied radio station ''Rot-Weiss-Rot'', a job that enabled her to obtain an overview of contemporary literature and also supplied her with a decent income, making possible proper literary work. Furthermore, her first radio drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Österreichischer Rundfunk
('Austrian Broadcasting Corporation'; ORF) is an Austrian national public broadcaster. Funded from a combination of television licence fee revenue and limited on-air advertising, ORF is the dominant player in the Austrian broadcast media. Austria was the last country in continental Europe after Albania to allow nationwide private television broadcasting, although commercial TV channels from neighbouring Germany have been present in Austria on Pay television, pay-TV and via Signal overspill, terrestrial overspill since the 1980s. History of broadcasting in Austria The first unregulated test transmissions in Austria began on 1 April 1923 by Radio Hekaphon, run by the radio pioneer and enthusiast Oskar Czeija (:de:Oskar Czeija, de; 1887–1958), who applied for a radio licence in 1921; first in his telephone factory in the Brigittenau district of Vienna, later in the nearby TGM technical college. On 2 September, it aired a first broadcast address by Austrian President Michael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Münchener Kammerorchester
The Munich Chamber Orchestra (german: Münchener Kammerorchester, links=no, italic=no, or MKO) is a German chamber orchestra based in Munich. Its primary concert venue is the Prinzregententheater, Munich. The MKO also gives concerts in Munich at such venues as the Pinakothek der Moderne and the ', and at the ' during the Munich Biennale. History Christoph Stepp founded the MKO in 1950. Hans Stadlmair was the artistic director from 1956 to 1995, and conducted the orchestra in over 4000 concerts, including international tours and collaborations with the Bayerischer Rundfunk. From 1995 to 2006, Christoph Poppen was principal conductor of the MKO. Alexander Liebreich has been the principal conductor and artistic director from 2006 until 2016. Clemens Schuldt has been principal conductor since the 2016/17 season. The MKO has regularly commissioned music from such contemporary composers as Erkki-Sven Tüür, Georg Friedrich Haas, Thomas Larcher, Iannis Xenakis and Wolfgang Rihm, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Music Council
The International Music Council (IMC) was created in 1949 as UNESCO's advisory body on matters of music. It is based at UNESCO's headquarters in Paris, France, where it functions as an independent international non-governmental organization. Its primary aim is to facilitate the development and promotion of international music-making. The IMC currently consists of some 120 members, divided into four categories (National Music Councils, International Music Organisations, Regional Music Organisations, National and specialized organisations in the field of arts and culture). It is represented by regional councils in Europe, Africa, and the Americas. Their task is to develop and support programmes specifically tailored to the needs of the IMC members and partners in their region. Initiatives and actions Five Music Rights The International Music Council advocates for access to music to all, through a set of values which are at the basis of the action of both the International Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutscher Musikrat
The Deutscher Musikrat (DMR, ''German Music Council''; ) is an umbrella organization for music associations and the 16 music councils of the German federal states.musikrat.deÜberblick über Organisationsstruktur des DMR(retrieved on 10 May 2019) It represents over 14 million music-loving citizens who, for professional reasons or as amateurs, are affiliated with the Musikrat and its member organizations. With more than 100 member associations, institutions and numerous personalities, it acts, together with its projects and support measures, as an advisor and competence centre for politics and civil society.musikrat.deInformationen zu den Mitgliedern des DMR(retrieved on 10 May 2019) The council acts as the National Committee of the Federal Republic of Germany in the International Music Council of UNESCO. The patron of the non-profit association is the President of Germany. It runs competitions such as Jugend musiziert, Jugend jazzt and the Deutscher Musikwettbewerb, and nationwid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baden-Württemberg
Baden-Württemberg (; ), commonly shortened to BW or BaWü, is a German state () in Southwest Germany, east of the Rhine, which forms the southern part of Germany's western border with France. With more than 11.07 million inhabitants across a total area of nearly , it is the third-largest German state by both area (behind Bavaria and Lower Saxony) and population (behind North Rhine-Westphalia and Bavaria). As a federated state, Baden-Württemberg is a partly-sovereign parliamentary republic. The largest city in Baden-Württemberg is the state capital of Stuttgart, followed by Mannheim and Karlsruhe. Other major cities are Freiburg im Breisgau, Heidelberg, Heilbronn, Pforzheim, Reutlingen, Tübingen, and Ulm. What is now Baden-Württemberg was formerly the historical territories of Baden, Prussian Hohenzollern, and Württemberg. Baden-Württemberg became a state of West Germany in April 1952 by the merger of Württemberg-Baden, South Baden, and Württemberg-Hohenzollern. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Space
In music theory, pitch spaces model relationships between pitches. These models typically use distance to model the degree of relatedness, with closely related pitches placed near one another, and less closely related pitches placed farther apart. Depending on the complexity of the relationships under consideration, the models may be multidimensional. Models of pitch space are often graphs, groups, lattices, or geometrical figures such as helixes. Pitch spaces distinguish octave-related pitches. When octave-related pitches are not distinguished, we have instead pitch class spaces, which represent relationships between pitch classes. (Some of these models are discussed in the entry on modulatory space, though readers should be advised that the term "modulatory space" is not a standard music-theoretical term.) Chordal spaces model relationships between chords. Linear and helical pitch space The simplest pitch space model is the real line. A fundamental frequency ''f'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Analysis
Musical analysis is the study of musical structure in either compositions or performances. According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Bent, "its emergence as an approach and method can be traced back to the 1750s. However it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, "to explain by means of nalysisis to decompose, to mutilate the spirit of a work". Analyses Some analysts, such as Donald Tovey (whose '' Essays in Musical Analysis'' are among the most accessible musical analyses) have presented their analyses in prose. Others, such as Hans Keller (who devised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ear Training
Ear training or aural skills is a music theory study in which musicians learn to identify pitches, intervals, melody, chords, rhythms, solfeges, and other basic elements of music, solely by hearing. The application of this skill is analogous to taking dictation in written/spoken language. As a process, ear training is in essence the inverse of sight-reading, the latter being analogous to reading a written text aloud without prior opportunity to review the material. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools. Functional pitch recognition Functional pitch recognition involves identifying the function or role of a single pitch in the context of an established tonic. Once a tonic has been established, each subsequent pitch may be classified without direct reference to accompanying pitches. For example, once the tonic G has been established, listeners may recognize that the pitch D plays the ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répétiteur
A (from the French verb meaning 'to repeat, to go over, to learn, to rehearse') is an accompanist, tutor or coach of ballet dancers or opera singers. A feminine form, , also appears but is comparatively rare. Opera In opera, a is the person responsible for coaching singers and playing the piano for music and production rehearsals.Oxford English Dictionary Oxford University Press, accessed 27 July 2010 When coaching solo singers or choir members, the ' will take on a number of the roles of a : advising singers on how to improve their pitch and pronunciation, and correcting note or phrasing errors. are skilled musicians who hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
