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Rubaiyat or Ruba'iyat or Rubayat may refer to: Literature * Ruba'iyat, a collection of Rubaʿi, Persian-language poems having four lines (i.e. quatrains) * ''Rubaiyat of Omar Khayyam'' or simply ''Rubaiyat'', the title given by Edward Fitzgerald to his translations into English of ruba'i by Omar Khayyam * "Reginald's Rubaiyat", a short story in the collection ''Reginald'' (1904) by Saki Music * '' Rubáiyát: Elektra's 40th Anniversary'', a 1990 compilation album released by Elektra Records * ''The Rubaiyat of Dorothy Ashby ''The Rubaiyat of Dorothy Ashby'' (subtitled ''Original compositions inspired by the words of Omar Khayyam, arranged and conducted by Richard Evans'') is an album by jazz harpist Dorothy Ashby recorded in late 1969 and early 1970 and released on t ...'', a 1970 album by jazz harpist Dorothy Ashby Other uses * Rubayat, Iran, a village in South Khorasan Province {{disambiguation ...
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Rubaʿi
Rubāʿī ( fa, رباعی, translit=rubāʿiy, links=; plural: fa, رباعيات, label=none, translit=rubāʿiyāt) or chahārgāna ( fa, چهارگانه, links=no) is the term for a quatrain, a poem or a verse of a poem consisting of four lines. It refers specifically to a form of Persian poetry, or its derivative form in English and other languages. In classical Persian poetry, the ''ruba'i'' is written as a four-line (or two-couplet) poem, with a rhyme-scheme AABA or AAAA. This is an example of a ''ruba'i'' from Rūmī's '' Dīwān-i Shams'': Metre The usual metre of a Persian ''ruba'i'', which is used for all four lines of the above quatrain by Rumi, is as follows: : – – u u – u – u – – u u – In the above scheme, "–" represents a long syllable, and "u" a short one. As variations of this scheme, any sequence of – u can be replaced by a single "overlong" syllable, such as ''gēkh'', ''tīf'', ''luṭf'' in the poem above, containing either a long v ...
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Rubaiyat Of Omar Khayyam
''Rubáiyát of Omar Khayyám'' is the title that Edward FitzGerald gave to his 1859 translation from Persian to English of a selection of quatrains (') attributed to Omar Khayyam (1048–1131), dubbed "the Astronomer-Poet of Persia". Although commercially unsuccessful at first, FitzGerald's work was popularised from 1861 onward by Whitley Stokes, and the work came to be greatly admired by the Pre-Raphaelites in England. FitzGerald had a third edition printed in 1872, which increased interest in the work in the United States. By the 1880s, the book was extremely popular throughout the English-speaking world, to the extent that numerous "Omar Khayyam clubs" were formed and there was a " cult of the Rubaiyat". FitzGerald's work has been published in several hundred editions and has inspired similar translation efforts in English, Hindi and in many other languages. Sources The authenticity of the poetry attributed to Omar Khayyam is highly uncertain. Khayyam was famous dur ...
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Omar Khayyam
Ghiyāth al-Dīn Abū al-Fatḥ ʿUmar ibn Ibrāhīm Nīsābūrī (18 May 1048 – 4 December 1131), commonly known as Omar Khayyam ( fa, عمر خیّام), was a polymath, known for his contributions to mathematics, astronomy, philosophy, and Persian poetry. He was born in Nishapur, the initial capital of the Seljuk Empire. As a scholar, he was contemporary with the rule of the Seljuk dynasty around the time of the First Crusade. As a mathematician, he is most notable for his work on the classification and solution of cubic equations, where he provided geometric solutions by the intersection of conics. Khayyam also contributed to the understanding of the parallel axiom.Struik, D. (1958). "Omar Khayyam, mathematician". ''The Mathematics Teacher'', 51(4), 280–285. As an astronomer, he calculated the duration of the solar year with remarkable precision and accuracy, and designed the Jalali calendar, a solar calendar with a very precise 33-year intercalation cycle''The Cam ...
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Saki
Hector Hugh Munro (18 December 1870 – 14 November 1916), better known by the pen name Saki and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture. He is considered by English teachers and scholars a master of the short story and is often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, he himself influenced A. A. Milne, Noël Coward and P. G. Wodehouse. Besides his short stories (which were first published in newspapers, as was customary at the time, and then collected into several volumes), he wrote a full-length play, ''The Watched Pot'', in collaboration with Charles Maude; two one-act plays; a historical study, ''The Rise of the Russian Empire'' (the only book published under his own name); a short novel, ''The Unbearable Bassington''; the episodic ''The Westminster Alice'' (a parliamentary parody of '' Alice in Wonderlan ...
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The Rubaiyat Of Dorothy Ashby
''The Rubaiyat of Dorothy Ashby'' (subtitled ''Original compositions inspired by the words of Omar Khayyam, arranged and conducted by Richard Evans'') is an album by jazz harpist Dorothy Ashby recorded in late 1969 and early 1970 and released on the Cadet label. On this album, Ashby plays the Japanese musical instrument, the koto, demonstrating her abilities to successfully integrate another instrument into jazz. Reception Reviewing the album for AllMusic, Thom Jurek writes: "this is a head record. Time and space are suspended and new dimensions open up for anyone willing to take this killer little set on and let it spill its magic into the mind canal through the ears. Depending on how much of a jazz purist you are will give you a side to debate the place of this set in Ashby's catalogue. For those who remain open, this may be her greatest moment on record …"Jurek, ThoAllMusic reviewaccessed May 13, 2013. A reviewer of Dusty Groove stated "Incredible work from the amazing Dorot ...
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