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Royan Festival
The Royan Festival (or more fully in French the ''Festival international d'art contemporain de Royan'') was held in Royan, in the department of Charente-Maritime in the Nouvelle-Aquitaine region of southwest France from 1964 to 1977. It was a multi-disciplinary annual event, bringing together: * an important contemporary music festival; * dance performances; * theater; * movies; * international exhibitions of photographic research; * exhibitions of visual arts and arts of the East, the Far East and Africa. Created in 1963 by Dr. Bernard Gachet, the festival was primarily focused on contemporary music. Its artistic director was Claude Samuel from 1964 to 1972 then Harry Halbreich from 1973 to 1977. The festival was held annually for one week around Easter. Soon, its musical production, the Festival de Royan became as famous as those of Donaueschingen and Venice. The Olivier Messiaen international piano competition was part of the festival until 1971. In 1972, it was replaced by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royan
Royan (; in the Saintongeais dialect; oc, Roian) is a commune and town in the south-west of France, in the department of Charente-Maritime in the Nouvelle-Aquitaine region. Its inhabitants are known as ''Royannais'' and ''Royannaises''. Capital of the Côte de Beauté, Royan is one of the main French Atlantic coastal resort towns, and has five beaches, a marina for over 1,000 boats, and an active fishing port. As of 2013, the population of the greater urban area was 48,982. The town had 18,393 inhabitants in 2015. Royan is located on the peninsula of Arvert, at the mouth of the Gironde estuary on its eastern shore. Royan was once of strategic importance, coveted in particular by the Visigoths and the Vikings. During the Reformation the city became a Protestant stronghold, and was besieged and destroyed by King Louis XIII of France (ruled 1610-43). During the Bourbon Restoration (1814–1830), and especially during the Second Empire (1852–1870), Royan was celebrated for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Masson
Gérard Masson (born 12 August, 1936, in Paris) is a French composer. Biography Gérard Masson grew up listening to jazz, played jazz trumpet, and began studying the piano in 1945, but had no formal training in composition until, after military service in Algeria, he returned to France in 1962. He approached Max Deutsch, who sent Masson to one of his students for lessons in counterpoint. At about this same time, he made the acquaintance of Pierre Souvtchinsky, who introduced him to Igor Stravinsky. Masson brought to his meeting with Stravinsky his first orchestral score, ''Dans le deuil des vagues'', in which Stravinsky showed considerable interest. When, upon returning to the United States, Stravinsky was asked by a reporter whether he had heard any young musicians, Stravinsky replied, "none at all, except Gérard Masson". It was Souvtchinsky who suggested that Masson go to Cologne to study with Karlheinz Stockhausen, which he did in 1965–66 and again in 1966–67. He was par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinko Globokar
Vinko Globokar (born 7 July 1934) is a French-Slovenian avant-garde composer and trombonist. Globokar's music uses unconventional and extended techniques, places great emphasis on spontaneity and creativity, and often relies on improvisation. His extensive output is largely unknown outside of experimental music circles. As a trombonist, he has premiered works by Luciano Berio, Mauricio Kagel, René Leibowitz, Karlheinz Stockhausen, and Toru Takemitsu, as well as his own compositions. Biography Globokar was born in Anderny, Meurthe-et-Moselle, France. In 1947 he moved to Yugoslavia, where he attended DIC in Ljubljana, Slovenia. Here, he played jazz trombone until 1955, at which point he moved to Paris to study at the Conservatoire de Paris. At the Conservatoire, he studied composition with René Leibowitz (a disciple of Arnold Schoenberg) and trombone with André Lafosse. In 1965, he moved to Berlin and began composition lessons with Luciano Berio, whose ''Sequenza V'' he later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Roqué Alsina
Carlos Roqué Alsina (born 19 February 1941) is a French composer and pianist of Argentinian origin. Biography Born in Buenos Aires, Alsina's career as a pianist, which began at the age of six, quickly led him to give numerous concerts first in Latin America, then in North America and finally in Europe, some under the direction of prestigious conductors: Gilbert Amy, Ernest Bour, Semyon Bychkov, Jascha Horenstein, Otto Klemperer, Manuel Rosenthal, Michel Tabachnik, among others. At the same time, he studied musical composition on his own, writing his first piece at the age of fourteen. In Argentina, he actively participated as a pianist and composer in artistic programs of various musical institutions (including "Nueva Musica" in Buenos Aires from 1959 to 1964). In 1964, he was invited to Germany as part of the "Artists-in-Residence" program, which gave him the opportunity to meet Iannis Xenakis, Elliott Carter and Luciano Berio. In 1965, his composition ''Funktionen'' was prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Henry
Henry at his home (January 2008) Pierre Georges Albert François Henry (; 9 December 1927 – 5 July 2017) was a French composer and pioneer of musique concrète. Biography Henry was born in Paris, France, and began experimenting at the age of 15 with sounds produced by various objects. He became fascinated with the integration of noise into music, now called noise music. He studied with Nadia Boulanger, Olivier Messiaen, and Félix Passerone at the Conservatoire de Paris from 1938 to 1948. Between 1949 and 1958, Henry worked at the Club d'Essai studio at RTF, which had been founded by Pierre Schaeffer in 1943. During this period, he wrote the 1950 piece '' Symphonie pour un homme seul'', in cooperation with Schaeffer. It is an important early example of musique concrète. Henry also composed the first musique concrète track to appear in a commercial film: the 1952 short film ''Astrologie ou le miroir de la vie'' by Jean Grémillon. Henry also scored numerous additional films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Constant
Marius Constant (7 February 192515 May 2004) was a Romanian-born French composer and conductor. Although known in the classical world primarily for his ballet scores, his most widely known music was the iconic guitar theme for ''The Twilight Zone'' American television series. Career Constant was born in Bucharest, Romania, and studied piano and composition at the Bucharest Conservatory, receiving the George Enescu Award in 1944. In 1946, he moved to Paris, studying at the Conservatoire de Paris with Olivier Messiaen, Tony Aubin, Arthur Honegger and Nadia Boulanger. His compositions earned several prizes. From 1950 on, he was increasingly involved with electronic music and joined Pierre Schaeffer's'' Groupe de Recherche de Musique Concrète''. From 1956 to 1966, Constant conducted at the Ballets de Paris, then directed by Roland Petit. To this period belong the numerous ballet scores for Petit and Maurice Béjart, namely: ''Haut-voltage'' (1956), ''Contrepointe'' (1958), ''Cyran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Guézec
Jean-Pierre Guézec (19 August 1934 – 9 March 1971) was a French composer. Life Born in Dijon, Guézec studied music at the Conservatoire de Paris with Darius Milhaud, Jean Rivier and Olivier Messiaen. He also worked with Iannis Xenakis. His very personal language is influenced by the techniques of modern painting, in particular those of Mondrian and Vasarely. His research led him to compose works in which the contrasts of sound materials and a very original sense of colour dominate, as evidenced by the title of his works. From 1969 to 1971, he held an analysis class at the Conservatoire de Paris until his early death at the age of 36 in Paris. Xenakis dedicated his 1971 composition ''Charisma'' to Guézec. Awards * Musical composition prize of the 1963 Tanglewood Music Center. * Grand Prix for the symphonic promotion of the SACEM in 1968 Principal compositions * Concert for main violin and 14 instruments (1960) * ''Concert en 3 parties'', for percussion and 10 musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia (Berio)
''Sinfonia'' (Symphony) is a composition by the Italian composer Luciano Berio which was commissioned by the New York Philharmonic for its 125th anniversary. Composed in 1968–69 for orchestra and eight amplified voices, it incorporates musical quotations to represent an abstract and distorted history of culture. The eight voices are not incorporated classically but rather speak, whisper and shout excerpts from texts including Claude Lévi-Strauss' ''The Raw and the Cooked'', Samuel Beckett's novel '' The Unnamable'', instructions from the scores of Gustav Mahler and other writings. Leonard Bernstein states in the text version of his Charles Eliot Norton Lectures from 1973 that ''Sinfonia'' was representative of the new direction classical music was taking after the pessimistic decade of the sixties. Premieres Originally commissioned by the New York Philharmonic for its 125th anniversary, ''Sinfonia'' was premiered on October 10, 1968 by the orchestra and The Swingle Singers, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Donatoni
Franco Donatoni (9 June 1927 – 17 August 2000) was an Italian composer. Biography Born in Verona, Donatoni started studying violin at the age of seven, and frequented the local music academy. Later, he studied at the Milan Conservatory and, from 1948, at the Bologna Conservatory. At least three generations of composers studied with Donatoni. Among his Italian pupils were Sandro Gorli, Roberto Carnevale, Giulio Castagnoli, Ivan Fedele, Luca Mosca, Riccardo Piacentini, Fausto Romitelli, Luc Brewaeys, Pietro Borradori, Giuseppe Sinopoli, Alessandro Solbiati, and Piero Niro; his foreign pupils include Michael Dellaira, Pascal Dusapin, Sylvie Bodorová, Esa-Pekka Salonen, Magnus Lindberg, Katia Tiutiunnik, Javier Torres Maldonado, and Juan Trigos. Donatoni died in Milan in 2000. Works References Works cited * Further reading * Barkl, Michael. 2018. ''Etwas ruhiger im Ausdruck: Franco Donatoni's Crisis''. Beau Bassin: Lambert Academic Publishing. . *Lupp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punkte
''Punkte'' (Points) is an orchestral composition by Karlheinz Stockhausen, given the work number ½ in his catalogue of works. History ''Punkte'' originated as a punctual orchestral work which was begun in September in Hamburg and had reached a first-draft stage by 30 September. The final draft was completed on 24 October 1952, but the work remained unperformed and unpublished . The work did not receive the title by which it is known today until much later, however. In a letter dated 4 November 1952 to (the editor from Universal Edition in Vienna who, at the premiere of Stockhausen's ''Spiel'' at the Donaueschingen Festival in October, had offered to publish his works), Stockhausen initially called his new score ''Zweites Orchesterspiel / Kontrapunkte / für Saiten- und Blasinstrumente'', and in a letter to his friend Karel Goeyvaerts dated 14 January 1953, he calls the orchestral work ''Nr. 4 Kontrapunkte'', adding, "It will be very difficult to perform this work". At this point ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
