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Roto-Limbs
''Roto-Limbs'' is a studio album by the free improvisation ensemble Mnemonist Orchestra, issued as a limited edition, cassette-only release in 1981 by Dys Records. Track listing Personnel Adapted from the ''Roto-Limbs'' liner notes. ;Mnemonists * Mark Derbyshire – instruments * Steve Emmons – instruments * Rolf Goranson – instruments * Steve Scholbe – instruments * William Sharp – instruments Release history References External links ''Roto-Limbs''at Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the la ... (list of releases) {{Authority control 1981 albums Biota (band) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biota (band)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. '' Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horde (album)
''Horde'' is the third studio album by the free improvisation ensemble Mnemonist Orchestra, released in 1981 by Dys Records. Track listing Personnel Adapted from the ''Horde'' liner notes. ;Mnemonists * Mark Derbyshire – cello, crumhorn, sampler, tape, production, engineering * Steve Scholbe – alto saxophone, clarinet, electric guitar, production * William Sharp – piano, tape, clarinet, spoken word, production * Sara Thompson – double bass, piano ;Additional musicians * Amy Derbyshire – viola and crumhorn (A4), recorder (A6) * Crystal Goldberg – bass guitar (B1) * Mark Heglund – bass guitar (A2) * Torger Hougen – spoken word, illustrations * Tom Katsimpalis – spoken word, illustrations * Ken Lark – drums (A2, B4) * Randy Yeates – spoken word, illustrations ;Production and additional personnel * James Dixon – cover art, illustrations An illustration is a decoration, interpretation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biota (album)
''Biota'' is the fourth studio album by the free improvisation ensemble Mnemonist Orchestra, released in 1982 by Dys Records. Track listing Personnel Adapted from the ''Horde'' liner notes. ;Mnemonists * Mark Derbyshire – recorder, electronics, mastering * Steve Emmons – tape, percussion, spoken word * Rolf Goranson – bass guitar, tape, spoken word * Steve Scholbe – alto saxophone, electric guitar, organ, electronics, tape, production * William Sharp – tape, clarinet, percussion, electronic, production, mastering ;Additional musicians * Bill Burgess – percussion * Karen Nakai – bass guitar ;Production and additional personnel * James Dixon – cover art, illustrations * Richard Donaldson – mastering * Tom Katsimpalis – illustrations, design Release history References External links ''Biota''at Discogs Discogs (short for discographies) is a database of information about audio recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Derbyshire
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Scholbe
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Sharp (musician)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fort Collins, Colorado
Fort Collins is a home rule municipality that is the county seat and the most populous municipality of Larimer County, Colorado Larimer County is a county located in the U.S. state of Colorado. As of the 2020 census, the population was 359,066. The county seat and most populous city is Fort Collins. The county was named for William Larimer, Jr., the founder of Denver. ..., United States. The city population was 169,810 at the 2020 United States Census, 2020 census, an increase of 17.94% since 2010 United States Census, 2010. Fort Collins is the principal city of the Fort Collins, CO Metropolitan Statistical Area and is a major city of the Front Range Urban Corridor. The city is the Colorado municipalities by population, fourth most populous city in Colorado. Situated on the Cache La Poudre River along the Colorado Front Range, Fort Collins is located north of the Colorado State Capitol in Denver. Fort Collins is a midsize college town, home to Colorado State University an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or (Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
