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Rosina (opera)
''Rosina'' is a 1782 comic opera by William Shield to an English-language libretto by Frances Brooke. The opera was written in 1771/72 but first performed at the Theatre Royal, Covent Garden, on 31 December 1782. It was intended to be used as a light afterpiece to a more "serious" work sung in Italian. Such works were common at the time, although Rosina is the only one that has survived in the form of a complete score. ''Rosina'' has a number of features associated with later English comic opera, and even modern musical comedy – including the use of English, spoken dialogue, lightness of theme, and the use of folk and popular melodies. At least to that degree, it may be regarded as one of the ancestors of the musical, and Shield as one of the first composers of musicals. It was popular at the time. On 27 January 1808 the opening performance of the Sunderland Theatre featured ''The Cure for the Heart '' and ''Rosina'' in a benefit performance for sailors from Tyne and Wear held p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monica Sinclair
Monica Sinclair (23 March 19257 May 2002) was a British operatic contralto, who sang many roles with the Royal Opera, Covent Garden during the 1950s and 1960s, and appeared on stage and in recordings with Dame Joan Sutherland, Luciano Pavarotti, Maria Callas, Sir Thomas Beecham, Sir Malcolm Sargent and many others. She had a great gift for comedy, and sang in recordings of many of the Gilbert and Sullivan operettas, as well as in recordings from the standard operatic repertory. Biography Monica Sinclair was born on 23 March 1925, in Evercreech, Somerset. Her music studies were at the Royal Academy of Music. She made her debut with the Carl Rosa Opera Company in 1948, singing Suzuki in Puccini's ''Madama Butterfly''. Her Covent Garden debut came in 1949, as the Second boy in Mozart's ''The Magic Flute''. Her early Covent Garden roles included Maddalena (''Rigoletto''), Mrs Sedley (''Peter Grimes''), Feodor (''Boris Godunov''), Rosette (''Manon''), Flosshilde (''Das Rheingold'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1782 Operas
Year 178 ( CLXXVIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scipio and Rufus (or, less frequently, year 931 ''Ab urbe condita''). The denomination 178 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Bruttia Crispina marries Commodus, and receives the title of '' Augusta''. * Emperor Marcus Aurelius and his son Commodus arrive at Carnuntum in Pannonia, and travel to the Danube to fight against the Marcomanni. Asia * Last (7th) year of ''Xiping'' era and start of ''Guanghe'' era of the Chinese Han Dynasty. * In India, the decline of the Kushan Empire begins. The Sassanides take over Central Asia. Religion * The Montanist heresy is condemned for the first time. Births * Lü Meng, Chinese general (d. 220) * Peng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosian Singers
The Ambrosian Singers are an English choral group based in London. History They were founded after World War II in England. One of their co-founders was Denis Stevens (1922–2004), a British musicologist and viola player who joined the BBC Music Department in 1949 and developed programs of Renaissance and early Baroque music. Stevens conducted them from 1956 to 1960. The other was John McCarthy (1919–2009), a professional tenor soloist. McCarthy continued to conduct them until the late 1980s. During the 1960s the choir called on the services of between 600 and 700 singers. They organised and created the Ambrosian Singers as a small professional chorus in 1951, initially to sing polyphonic choruses for renaissance and medieval pieces for ''The History of Music'' series. However, their repertoire greatly expanded afterwards. Depending on the style to be sung and on the occasion, they may go by the names "the Ambrosian Light Opera Chorus", "the Ambrossian Chorus", the "Ambrosi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Tear
Robert Tear (pronounced to rhyme with "beer"), CBE (8 March 1939 – 29 March 2011) was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas. Tear's concert repertoire was wide, extending from music from the 17th century to contemporary works by Britten, Tippett and others. He conducted for some years from the mid-1980s, but found himself temperamentally unsuited to it. As a teacher at the Royal Academy of Music he was happier, and was well regarded by colleagues and pupils. Life and career Early years Tear was born in Barry, Glamorgan, the son of T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Harwood
Elizabeth Harwood (27 May 1938 – 22 June 1990) was an English lyric soprano. After a music school, she enjoyed an operatic career lasting for over two decades and worked with such conductors as Colin Davis and Herbert von Karajan. She was one of the few English singers of her generation to be invited to sing in productions at the Salzburg Festival and La Scala, Milan, as well as at the Metropolitan Opera. After early performances at Glyndebourne and five years at Sadler's Wells Opera Company in the 1960s, Harwood sang at Covent Garden and Scottish Opera before building an international reputation in the 1970s. Her repertoire was extensive, but she was particularly notable for her performances in the operas of Mozart and Richard Strauss. In the concert hall, she performed in oratorio, and in her later years she concentrated on Lieder recitals. She died of cancer at the age of 52. Biography Early years Harwood was born in Barton Seagrave, a suburb of Kettering, but grew u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shield
William Shield (5 March 1748 – 25 January 1829) was an English composer, violinist and viola, violist. His music earned the respect of Haydn and Beethoven. Life and musical career Shield was born in Swalwell near Gateshead, County Durham, the son of William Shield and his wife, Mary, née Cash. He was first taught music by his father but, after both he and his mother died while Shield was still a child, he was apprenticed to a shipbuilder in South Shields, continuing however to study music with Charles Avison in Newcastle upon Tyne. He became a noted violinist in Newcastle's subscription concerts before moving to Scarborough, England, Scarborough to lead a theatre orchestra. In 1772, he was appointed by Felice Giardini to play violin in the opera at Covent Garden (now the Royal Opera House), and from 1773 he was principal viola, violist there. On 21 February 1776 he was in Durham, where he attended the meeting of the city's masonic lodge at the ''Marquis of Granby'' tavern. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margreta Elkins
Margreta Elkins (born Margaret Ann Enid Geater; 16 October 19301 April 2009) was an Australian mezzo-soprano. She sang at The Royal Opera and with Opera Australia and other companies, but turned down offers to sing at the Metropolitan Opera, Bayreuth and Glyndebourne. She recorded alongside sopranos such as Maria Callas and Joan Sutherland. Early life and career: 1930–1955 Margaret Ann Enid Geater was born in Brisbane, Queensland. She began her vocal studies at a convent school before winning an Australian state scholarship in 1949. That same year, she married Henry ElkinsMark McGinneStatuesque yet steely soprano''The Age'', 9 April 2009 and adopted Margreta Elkins as her stage name. Also that year she competed in the Mobil Quest against Joan Sutherland. In 1950, she toured Queensland and appeared in ''Faust'' as Siébel; ''Il trovatore'' as Azucena; and '' Madama Butterfly'' as Suzuki. In 1952 she joined and toured with the National Opera Company of Australia, making her f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumentation
Instrumentation a collective term for measuring instruments that are used for indicating, measuring and recording physical quantities. The term has its origins in the art and science of scientific instrument-making. Instrumentation can refer to devices as simple as direct-reading thermometers, or as complex as multi-sensor components of industrial control systems. Today, instruments can be found in laboratories, refineries, factories and vehicles, as well as in everyday household use (e.g., smoke detectors and thermostats) History and development The history of instrumentation can be divided into several phases. Pre-industrial Elements of industrial instrumentation have long histories. Scales for comparing weights and simple pointers to indicate position are ancient technologies. Some of the earliest measurements were of time. One of the oldest water clocks was found in the tomb of the ancient Egyptian pharaoh Amenhotep I, buried around 1500 BCE. Improvements were incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
