|
Rosencratz And Guildenstern Are Dead
''Rosencrantz and Guildenstern Are Dead'' is an absurdist, existential tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's ''Hamlet'', the courtiers Rosencrantz and Guildenstern, and the main setting is Denmark. The action of Stoppard's play takes place mainly "in the wings" of Shakespeare's ''Hamlet'', with brief appearances of major characters from ''Hamlet'' who enact fragments of the original's scenes. Between these episodes, the two protagonists voice their confusion at the progress of events occurring onstage without them in ''Hamlet'', of which they have no direct knowledge. Comparisons have also been drawn with Samuel Beckett's '' Waiting for Godot'', for the presence of two central characters who almost appear to be two halves of a single character. Many plot features are similar as well: the characters pass time by playing Questions, impersonating other ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Stoppard
Sir Tom Stoppard (born , 3 July 1937) is a Czech born British playwright and screenwriter. He has written for film, radio, stage, and television, finding prominence with plays. His work covers the themes of human rights, censorship, and political freedom, often delving into the deeper philosophical thematics of society. Stoppard has been a playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. Stoppard was knighted for his contribution to theatre by Queen Elizabeth II in 1997. Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the previous three years (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright. Stoppard's most prominent plays include ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonius
Polonius is a character in William Shakespeare's play ''Hamlet''. He is chief counsellor of the play's ultimate villain, Claudius, and the father of Laertes and Ophelia. Generally regarded as wrong in every judgment he makes over the course of the play, Polonius is described by William Hazlitt as a "sincere" father, but also "a busy-body, hois accordingly officious, garrulous, and impertinent". In Act II, Hamlet refers to Polonius as a "tedious old fool" and taunts him as a latter day "Jephtha". Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet. Character Father of Ophelia and Laertes, and counsellor to King Claudius, he is described as a windbag by some and a rambler of wisdom by others. It has also been suggested that he only acts like a "foolish prating knave" to keep his position and popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metatheatre
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device. Metatheatrical devices may include: direct address to the audience (especially in soliloquies, asides, prologues, and epilogues); expression of an awareness of the presence of the audience (whether they are addressed directly or not); an acknowledgement of the fact that the people performing are actors (and not actually the characters they are playing); an element whose meaning depends on the difference between the represented time and place of the drama (the fictional world) and the time and place of its theatrical presentation (the reality of the theatre event); plays-within-plays (or masques, spectacles, or other forms of performance within the drama); references to acting, theatre, dramatic writing, spectatorship, and the fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Probability Theory
Probability theory is the branch of mathematics concerned with probability. Although there are several different probability interpretations, probability theory treats the concept in a rigorous mathematical manner by expressing it through a set of axioms. Typically these axioms formalise probability in terms of a probability space, which assigns a measure taking values between 0 and 1, termed the probability measure, to a set of outcomes called the sample space. Any specified subset of the sample space is called an event. Central subjects in probability theory include discrete and continuous random variables, probability distributions, and stochastic processes (which provide mathematical abstractions of non-deterministic or uncertain processes or measured quantities that may either be single occurrences or evolve over time in a random fashion). Although it is not possible to perfectly predict random events, much can be said about their behavior. Two major results in probability ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllogism
A syllogism ( grc-gre, συλλογισμός, ''syllogismos'', 'conclusion, inference') is a kind of logical argument that applies deductive reasoning to arrive at a conclusion based on two propositions that are asserted or assumed to be true. In its earliest form (defined by Aristotle in his 350 BCE book '' Prior Analytics''), a syllogism arises when two true premises (propositions or statements) validly imply a conclusion, or the main point that the argument aims to get across. For example, knowing that all men are mortal (major premise) and that Socrates is a man (minor premise), we may validly conclude that Socrates is mortal. Syllogistic arguments are usually represented in a three-line form: All men are mortal. Socrates is a man. Therefore, Socrates is mortal.In antiquity, two rival syllogistic theories existed: Aristotelian syllogism and Stoic syllogism. From the Middle Ages onwards, ''categorical syllogism'' and ''syllogism'' were usually used interchangeably. This a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bloodbath
Bloodbath is a Swedish death metal supergroup from Stockholm, formed in 1998. The band has released six full-length albums, two EPs and two DVDs depicting their performances at Wacken Open Air (in 2005) and Bloodstock Open Air (in 2010). The group consists of Martin Axenrot (ex-Opeth), Anders Nyström (Katatonia), Jonas Renkse (also Katatonia) and Nick Holmes (Paradise Lost). History The band named themselves after the song "Blood Bath" from the album '' To the Gory End'' by Cancer. The initial lineup consisted of Mikael Åkerfeldt (Opeth) on vocals, Dan Swanö (Edge of Sanity, Nightingale) on drums, Anders "Blakkheim" Nyström (Katatonia, Diabolical Masquerade) on guitar, and Jonas Renkse (Katatonia, October Tide) on bass Bloodbath released the EP ''Breeding Death'' within a year of forming, followed two years later by their debut album ''Resurrection Through Carnage''. In 2004, Åkerfeldt left Bloodbath, wanting to free up more time for his primary band Opeth, with Peter T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Probability Theory
Probability theory is the branch of mathematics concerned with probability. Although there are several different probability interpretations, probability theory treats the concept in a rigorous mathematical manner by expressing it through a set of axioms. Typically these axioms formalise probability in terms of a probability space, which assigns a measure taking values between 0 and 1, termed the probability measure, to a set of outcomes called the sample space. Any specified subset of the sample space is called an event. Central subjects in probability theory include discrete and continuous random variables, probability distributions, and stochastic processes (which provide mathematical abstractions of non-deterministic or uncertain processes or measured quantities that may either be single occurrences or evolve over time in a random fashion). Although it is not possible to perfectly predict random events, much can be said about their behavior. Two major results in probability ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Story Within A Story
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as Shakespeare's play ''Hamlet''; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration: novels, short stories, plays, television programs, films, poems, songs, video games, and philosophical essays. The inner stories are told either simply to add entertainment or more usually to act as an example to the other characters. In either case, the inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortinbras
Fortinbras is either of two minor fictional characters from William Shakespeare's tragedy ''Hamlet''. The more notable is a Norwegian crown prince with a few brief scenes in the play, who delivers the final lines that represent a hopeful future for the monarchy of Denmark and its subjects. Fortinbras is also the name of the former king of Norway and father of the crown prince Fortinbras. King Fortinbras was slain in the play's antecedent action in a duel with King Hamlet. The duel between the two is described by Horatio in Act One, Scene One (I,i) of the play. His name is not Norwegian in origin, but is a FrenchEnglish hybrid (''fort'' in ''bras'') meaning "strong in arm." Role in the play Although Fortinbras makes only two brief appearances in the latter half of the play, he is referred to throughout: King Claudius sends ambassadors to Norway in the hopes of staving off his invasion, and they return with the news that Fortinbras will attack Poland but leave Denmark alone. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horatio (character)
Horatio is a character in William Shakespeare's tragedy ''Hamlet''. He was present on the field when King Hamlet (Hamlet's father) defeated Fortinbras (the king of Norway), and he has travelled to court from the University of Wittenberg (where he was familiar with Prince Hamlet) for the funeral of King Hamlet. Hamlet is glad to see him, and Horatio remains at court without official appointment, simply as "Hamlet's friend". He is on relatively familiar terms with other characters. For example, when Gertrude (the queen) is reluctant to admit the "distract" Ophelia, she changes her mind following Horatio's advice. Hamlet has departed for England by this point, and is not supposed to return. Horatio is not directly involved in any intrigue at the court, but he makes a good foil and sounding board for Hamlet. Being from Wittenberg, a university that defined the institutional switch from theology to humanism, Horatio epitomizes the early modern fusion of Stoic and Protestant rationalit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ophelia (character)
Ophelia () is a character in William Shakespeare's drama ''Hamlet'' (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet, who, due to Hamlet's actions, ends up in a state of madness that ultimately leads to her drowning. Along with Queen Gertrude, Ophelia is one of only two female characters in the original play. Name Like most characters in ''Hamlet'', Ophelia's name is not Danish. It first appeared in Jacopo Sannazaro's 1504 poem ''Arcadia'' (as ''Ofelia''), probably derived from Ancient Greek ὠφέλεια (''ōphéleia'', "benefit"). Plot In Ophelia's first speaking appearance in the play, she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants. Ophelia's father, Polonius, who enters while Laertes is leaving, also forbids Ophelia from pursuing Hamlet, as Poloniu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosencrantz And Guildenstern (play)
''Rosencrantz and Guildenstern, A Tragic Episode, in Three Tabloids'' is a short comic play by W. S. Gilbert, a parody of ''Hamlet'' by William Shakespeare. The main characters in Gilbert's play are King Claudius and Queen Gertrude of Denmark, their son Prince Hamlet, the courtiers Rosencrantz and Guildenstern, and Ophelia. Gilbert's play first appeared in ''Fun'' magazine in 1874 after having been rejected for production by several theatre companies.Ainger, p. 105Stedman, p. 127 The first performance of the work was not until June 1891, a benefit matinée at the Vaudeville Theatre in London. The play finally ran at the Court Theatre from 27 April 1892 to 15 July, about 77 performances, with Decima Moore as Ophelia, Brandon Thomas as Claudius and Weedon Grossmith as Hamlet. An amateur performance in 1900 featured P. G. Wodehouse as Guildenstern. The play also enjoyed a production in New York City at the Murray Hill Theatre in 1900. A charity performance in 1902 f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
%2C_2006..jpg "Click for more on -> Rosencratz And Guildenstern Are Dead")
.svg "Click for more on -> Probability Theory")
